Search Constraints
Search Results
2801
- Fowl Skeleton, Lateral View (Study for the key figure to Table V)
- 1795 to 1806
2802
- Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
- 1795 to 1806
2803
- Fowl Body, Lateral View
- 1795 to 1806
2804
- Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
- between 1795 and 1806
2805
- Fowl Body, Lateral View (Outline drawing, related to Table XV)
- 1795 to 1806
2806
- Dorking Hen, Lateral View
- 1795 to 1806
2807
- Horses Fighting
- undated
2808
- Plate VI, Human Body, Frontal View
- 1804
2809
- Plate VII, Human Body, Lateral View
- 1804
2810
- Plate X, Fowl Body, Lateral View
- 1804
2811
- Plate VIII, Human Body, Posterior View
- 1804
2812
- A Recollection of the New R.A
- 1837
2813
- Flowers in a Pitcher
- undated
2814
- Brighton Beach Looking West
- undated
2815
- Suffolk Landscape
- undated
2816
- Salisbury Cathedral From the Meadows
- 1829
2817
- The Ruins of Netley Abbey
- 1826
2818
- A View on the Orwell
- undated
2819
- Fulham Church from across the River
- 1818
2820
- Trees in a Meadow
- ca. 1805
2821
- Sky Study with Rainbow
- 1827
2822
- Pollarded Willows
- undated, after 1804
2823
- Male Nude
- 1808
2824
- Dedham Vale from Langham
- between 1830 and 1831
2825
- Leatherhead Church, Near Epsom, from the Northeast
- 1806
2826
- View near Arundel
- between 1834 and 1835
2827
- Dedham Vale from Langham
- ca. 1813
2828
- Wormingford Church
- between 1813 and 1815
2829
- Shipping on the Thames
- ca. 1818
2830
- Two Ships at Anchor
- 1803
2831
- Four East Indiamen at Archor
- 1803
2832
- Coombe Wood
- 1812
2833
- Borrowdale: Evening after a Fine Day, 1 October 1806
- 1806
2834
- Helmingham: The Silent Pool
- ca. 1800
2835
- A Country Girl in the Lake District
- 1806
2836
- Two Figures by a River
- between 1807 and 1809
2837
- Hampstead Heath
- 1820
2838
- East Bergholt Church, Looking Out the South Archway of the Ruined Tower
- 1806
2839
- Wooded Slope with a Receding Road
- ca. 1805
2840
- Two Studies of Dedham Church from the East
- between 1806 and 1808
2841
- Old Sarum at Noon
- 1829
2842
- Landscape at East Bergholt
- ca. 1805
2843
- Stoke Poges Church
- 1834
2844
- Dawn
- between 1831 and 1832
2845
- Mr. Hobson of Markfield and Family
- ca. 1806
2846
- Trees and Deer
- 1825
2847
- A Bridge near Salisbury Court, Perhaps Milford Bridge
- ca. 1829
2848
- Salisbury Plain from Old Sarum
- 1829
2849
- Mary Constable Reading
- 1812
2850
- Cottage among Trees
- ca. 1795
2851
- Landscape with Windmill
- between 1825 and 1830
2852
- Study for Cottage in Cornfield, East Bergholt
- ca. 1833
2853
- Get Thee Behind Me, Satan
- between 1783 and 1787
- On view at YUAG
2854
- The Creation of the Heavens
- ca. 1790
- On view at YUAG
2855
- Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
- 1746
2856
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
2857
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
2858
- Hudibras Vanquished by Trulla
2859
- Southwark Fair
- 1733
2860
- Mr. Garrick in the Character of Richard III
- 1746
2861
- The Distressed Poet
- 1740
2862
- Scholars at a Lecture (A Chorus of Singers)
- 1736
2863
- The Four Times of Day, Plate I: Morning
- 1738
2864
- The Four Times of Day, Plate II: Noon
- 1738
2865
- The Four Times of Day, Plate IV: Night
- 1738
2866
- A Midnight Modern Conversation
- 1733
2867
- Southwark Fair
- 1733
2868
- A Rake's Progress, Plate I: He Takes Possession
- 1735
2869
- A Rake's Progress, Plate III: He Revels
- 1735
2870
- A Rake's Progress, Plate II: His Levee
- 1735
2871
- A Rake's Progress, Plate IV: Goes to Court
- 1735
2872
- A Rake's Progress, Plate V: He Marries
- 1735
2873
- Colombus breaking the Egg
- 1753
2874
- A Rake's Progress, Plate VI: He Gambles
- 1735
2875
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
2876
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
2877
- A Consultation of Physicians
- 1736
2878
- The Sleeping Congregation
- 1736
2879
- The Stage Coach; Or Country Inn Yard
- 1747
2880
- Strolling Actresses Dressing in a Barn
- 1738
2881
- The Distrest(ed) Poet
- 1740
2882
- The Enraged Musician
- 1741
2883
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
2884
- Gulielmus Hogarth
- 1749
2885
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
2886
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
2887
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
2888
- Simon Lord Lovat
- 1746
2889
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
2890
- Analysis of Beauty, Plate II: A Country Dance
- 1753
2891
- The Invasion, Plate I: France
- 1756
2892
- An Election Entertainment, Plate I
- 1755-58
2893
- The Polling, Plate III
- 1758
2894
- The Invasion, Plate II: England
- 1756
2895
- Chairing the Members, Plate IV
- 1758
2896
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
2897
- The Bench
- 1758
2898
- The Cockpit
- 1759
2899
- Hogarth Painting the Comic Muse
- 1764
2900
- The Laughing Audience
- 1733