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36001. Château de la Mailleraie

Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (ab) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 3/8 inches (31.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36002. Tancarville

Tancarville
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 18 inches (32.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36003. Between Quilleboeuf and Villequier

Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving; early engraver's proof (1) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/8 inches (21.9 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36004. Quilleboeuf

Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36005. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36006. Between Quilleboeuf and Villequier

Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36007. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36008. Château Gaillard, from the South

Château Gaillard, from the South
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36009. Château Gaillard, from the South

Château Gaillard, from the South
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (ab) on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36010. Château Gaillard, from the South

Château Gaillard, from the South
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 6 1/2 inches (25.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36011. Vernon

Vernon
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36012. Château de la Mailleraie

Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, and scraping out; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36013. Vernon

Vernon
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving; early engraver's proof on moderately thick, slighlty textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36014. Vernon

Vernon
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (3) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36015. Château Gaillard, from the South

Château Gaillard, from the South
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36016. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper mounted on cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36017. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving, with white chalk, black ink, and scraping out; early touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 7 inches (14.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36018. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36019. View on the Seine, between Mantes and Vernon

View on the Seine, between Mantes and Vernon
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36020. Château Gaillard, from the South

Château Gaillard, from the South
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36021. View on the Seine, between Mantes and Vernon

View on the Seine, between Mantes and Vernon
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 10 5/8 inches (20.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36022. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36023. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and engraving; engraver's proof (1) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36024. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving, with graphite and white chalk; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 6 3/4 inches (14.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36025. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; finished engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36026. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving, with graphite, white chalk, and chine collé; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 13 1/4 inches (22.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36027. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36028. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36029. Skiddaw

Skiddaw
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, white chalk and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36030. Craigmillar Castle

Craigmillar Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 11 5/8 inches (37.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36031. Wolf's Hope

Wolf's Hope
Creator:
Print made by James H. Kernot, 1802–1858
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36032. Col. Mannering, Hazlewood, and the Smugglers

Col. Mannering, Hazlewood, and the Smugglers
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 11 1/4 inches (23.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36033. Summer Eve, the Rainbow

Summer Eve, the Rainbow
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36034. Sinai's Thunder

Sinai's Thunder
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36035. Kelso

Kelso
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36036. A Flower Piece

A Flower Piece
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1779
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/16 x 9 7/16 inches (34.1 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36037. The Farmer's Boy

The Farmer's Boy
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 1/16 inches (21.8 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36038. Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828

Thomas Bewick; Restorer of the Art of Engraving on Wood; Born 1753,-Died 1828
Creator:
unknown artist
Date:
1829
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36039. Sir George Beaumont, Bart.

Sir George Beaumont, Bart.
Creator:
Print made by John Samuel Agar, ca. 1773–1858
Date:
1812
Materials & Techniques:
Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36040. Henry Fuseli, Esq.

Henry Fuseli, Esq.
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 12 11/16 inches (46.4 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36041. Henry Fuseli, Esq. R. A.

Henry Fuseli, Esq. R. A.
Creator:
John Rogers, 1808–ca.1888
Date:
1834
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36042. Richard Grainger, Esqr.

Richard Grainger, Esqr.
Creator:
George H. Phillips, active 1819–1825
Date:
1840
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36043. John Greenwood

John Greenwood
Creator:
William Pether, ca. 1738–1821
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36044. John Greenhill

John Greenhill
Creator:
Print made by Alexander Bannerman, ca. 1730–1780
Date:
1762
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 4 7/8 inches (17.8 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36045. Fores's National Sports: Racing - The Run In

Fores's National Sports: Racing - The Run In
Creator:
John Harris, 1811–1865
Date:
1866
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36046. Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty

Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
Creator:
William Pether, ca. 1738–1821
Date:
1789
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36047. The Housewife's Employment

The Housewife's Employment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 10 3/16 inches (36.3 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36048. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
between 1769 and 1787
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36049. Lady Gertrude, Marchioness of Halifax

Lady Gertrude, Marchioness of Halifax
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 5 5/8 inches (15.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36050. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36051. Dr. John Fothergill

Dr. John Fothergill
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 6 7/16 inches (23.6 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36052. For Japanning, Plate 3

For Japanning, Plate 3
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 × 11 3/16 inches (20.1 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36053. Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c.
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36054. For Japanning, Plate 4

For Japanning, Plate 4
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.4 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36055. Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

36056. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1797
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 10 7/8 inches (40.5 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36057. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

36058. For Japanning, Plate 6

For Japanning, Plate 6
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.5 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36059. For Japanning, Plate 2

For Japanning, Plate 2
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 13/16 × 10 13/16 inches (17.3 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36060. For Japanning, Plate 5

For Japanning, Plate 5
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 × 10 9/16 inches (17.7 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36061. Plate 1

Plate 1
Creator:
Ian McKeever, born 1946
Date:
1993
Materials & Techniques:
Woodcut; second impression on 300gsm BFK Rives white wove paper
Dimensions:
Sheet: 35 × 27 inches (88.9 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Charles Booth-Clibborn

36062. Plate 10

Plate 10
Creator:
Ian McKeever, born 1946
Date:
1993
Materials & Techniques:
Woodcut on 300gsm BFK Rives white wove paper
Dimensions:
Sheet: 27 × 35 inches (68.6 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Charles Booth-Clibborn

36063. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

36064. Pair 2

Pair 2
Creator:
Therese Oulton, born 1953
Date:
1989
Materials & Techniques:
Lithograph on 250gsm Zerkall white wove paper
Dimensions:
Sheet: 29 3/4 × 22 1/4 inches (75.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Booth-Clibborn

36065. Untitled (Plate 3)

Untitled (Plate 3)
Creator:
Marc Quinn, born 1964
Date:
1995
Materials & Techniques:
Three color soft-ground etching on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 37 1/4 × 30 1/2 inches (94.6 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Charles Booth-Clibborn

36066. McLean's Scraps for Albums

McLean's Scraps for Albums
Creator:
McLean, active 1820s
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36067. Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36068. Caricature of the County Lancashire

Caricature of the County Lancashire
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 4 inches (17.8 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36069. The Golden D'Or

The Golden D'Or
Creator:
Ian Stephenson, 1934–2000
Date:
before 1980
Materials & Techniques:
Acrylic on paper
Dimensions:
Sheet: 10 7/8 x 7 1/4 inches (27.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Samuel and Gabrielle Lurie

36070. Caricatures of the counties of Devonshire and Gloucestershire

Caricatures of the counties of Devonshire and Gloucestershire
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36071. Snowballing

Snowballing
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 4 3/8 inches (9.2 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36072. Crinolines by the River

Crinolines by the River
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 3/8 inches (10.5 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36073. The Captain on Full Pay

The Captain on Full Pay
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36074. Highland Regiment in Camp

Highland Regiment in Camp
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/8 × 8 7/8 inches (41 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36075. Iron Bridge on the Outskirts of an Industrial Town

Iron Bridge on the Outskirts of an Industrial Town
Creator:
Thomas Charles Leeson Rowbotham, 1823–1875
Date:
1871
Materials & Techniques:
Watercolor, white gouache, pen and black ink, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 23 5/8in. (26.4 x 60cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36076. Maid with a Mop

Maid with a Mop
Creator:
John Leech, 1817–1864
Date:
ca. 1862
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36077. Study for the Portrait of Hannah, Countess of Roseberry

Study for the Portrait of Hannah, Countess of Roseberry
Creator:
Frederic Leighton, 1830–1896
Date:
ca. 1880
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 8 1/4 × 5 1/2 inches (21 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36078. Marietta, Capri

Marietta, Capri
Creator:
Frederic Leighton, 1830–1896
Date:
1859
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 inches (27 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36079. Pot Valiant: Scene in a Tap-Room

Pot Valiant: Scene in a Tap-Room
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, blue wove paper
Dimensions:
Sheet: 9 x 6 15/16in. (22.9 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36080. Boarding a Train

Boarding a Train
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 3 1/8 inches (9.8 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

36081. Landscape with Ruined Castle on the Esk

Landscape with Ruined Castle on the Esk
Creator:
Richard Principle Leitch, 1844–1875
Date:
1874
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 15 3/4in. (26.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36082. The Reconciliation of the Montagues and the Capulets

The Reconciliation of the Montagues and the Capulets
Creator:
Frederic Leighton, 1830–1896
Date:
1854
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36083. Why, what's the matter with Tommy?

Why, what's the matter with Tommy?
Creator:
John Leech, 1817–1864
Date:
1852
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 4 3/4 inches (11.1 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

36084. Porta S. Giovanni, Rome

Porta S. Giovanni, Rome
Creator:
William Leighton Leitch, 1804–1883
Date:
1837
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36085. Mist on the Downs

Mist on the Downs
Creator:
William Leighton Leitch, 1804–1883
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 x 11 9/16in. (19.2 x 29.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36086. Two Studies of Buildings

Two Studies of Buildings
Creator:
Richard Principle Leitch, 1844–1875
Date:
1849
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 15/16 x 11 7/8in. (20.2 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36087. The Ascent of Vesuvius

The Ascent of Vesuvius
Creator:
Henry Tresham, 1751–1814
Date:
1785 to 1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36088. Castletown Harbour, Isle of Man

Castletown Harbour, Isle of Man
Creator:
William Leighton Leitch, 1804–1883
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36089. Study for the Portrait of a Lady

Study for the Portrait of a Lady
Creator:
Attributed to Sir Peter Lely, 1618–1680
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 6 7/8 inches (22.9 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36090. Studies of Hands

Studies of Hands
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, black chalk and white chalk on moderately thick, rough wove paper
Dimensions:
Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36091. View of Arundel, Sussex

View of Arundel, Sussex
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1720
Materials & Techniques:
Gray wash and graphite on three joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 37 inches (40.6 × 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36092. Bust of a Woman Looking upwards to left

Bust of a Woman Looking upwards to left
Creator:
Bernard Lens III, 1682–1740
Date:
1703
Materials & Techniques:
Red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36093. View of the Seine

View of the Seine
Creator:
Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 21 inches (21.6 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36094. The Entrance to Wookey Hole, Somerset

The Entrance to Wookey Hole, Somerset
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1719
Materials & Techniques:
Gray wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36095. Figures Walking in a Landscape

Figures Walking in a Landscape
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 12 1/16in. (21.3 x 30.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36096. Figures on Bank of the Long Water, Hampton Court Palace

Figures on Bank of the Long Water, Hampton Court Palace
Creator:
Bernard Lens III, 1682–1740
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 13 5/16in. (22.1 x 33.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36097. Studies of Human Head with Canine Features

Studies of Human Head with Canine Features
Creator:
Peter Paul Lens, 1714–1750
Date:
1728
Materials & Techniques:
Graphite and pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36098. Victorious Hero Takes Occasion to Conclude Peace

Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36099. Visitors at a Ruined Abbey

Visitors at a Ruined Abbey
Creator:
Robert Leman, 1799–1863
Date:
undated
Materials & Techniques:
Black chalk and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 13 1/4 × 17 5/8 inches (33.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36100. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection