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37201. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

37202. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

37203. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

37204. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

37205. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

37206. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

37207. East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1796
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 × 31 1/8 inches (51.4 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37208. Various Engravings of York Cathedral

Various Engravings of York Cathedral
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

37209. West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 30 15/16 inches (52.1 × 78.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37210. Thomas Pownall, Esq., Member of Parliament

Thomas Pownall, Esq., Member of Parliament
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/8 x 15 11/16 inches (53.7 x 39.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37211. A Bheesty or Water Carrier

A Bheesty or Water Carrier
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 13/16 x 6 1/2 inches (25 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37212. Female Attendants

Female Attendants
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, smooth, beige wove paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 5/16 inches (24.4 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37213. Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1819
Materials & Techniques:
Etching with hand-coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 16 9/16 inches (31.2 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37214. A Mussalmaum Schoolmaster

A Mussalmaum Schoolmaster
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 15/16 x 6 9/16 inches (25.2 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37215. Ordbhawn or Hindoo Fakeer

Ordbhawn or Hindoo Fakeer
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37216. Nuts or Indian Jugglers

Nuts or Indian Jugglers
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 9/16 inches (24.5 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37217. A Syce or Groom

A Syce or Groom
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Chromolithograph on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 7/8 x 6 1/16 inches (25.1 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37218. A Samporea or Snake Catcher

A Samporea or Snake Catcher
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 15/16 x 5 15/16 inches (25.3 x 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37219. A View of Blackfriars Bridge and St. Paul's Cathedral

A View of Blackfriars Bridge and St. Paul's Cathedral
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1790
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37220. A Punca Bearer

A Punca Bearer
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 15/16 x 6 1/4 inches (25.2 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37221. A View of London Bridge including the church of St. Magnus and the Monument

A View of London Bridge including the church of St. Magnus and the Monument
Creator:
Joseph Constantine Stadler, active 1780–1812
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37222. A View of Westminster Bridge including Westminster Hall and the Abbey

A View of Westminster Bridge including Westminster Hall and the Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1790
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37223. North East View of Westminster Abbey

North East View of Westminster Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37224. George IV; Coronation Ticket; Westminster Abbey; Poet's Corner

George IV; Coronation Ticket; Westminster Abbey; Poet's Corner
Creator:
unknown artist
Date:
1821
Materials & Techniques:
Wood engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37225. Karakakao Bay, Owhyee

Karakakao Bay, Owhyee
Creator:
Matthew Dubourg, active 1786–1838
Date:
1814
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37226. Southwark Iron Bridge as seen from the Bank Side

Southwark Iron Bridge as seen from the Bank Side
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1819
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37227. Governor Pitt's House, Twickenham

Governor Pitt's House, Twickenham
Creator:
Print made by James Mason, 1710–1783
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37228. The Society of Dilettanti

The Society of Dilettanti
Creator:
William Say, 1768–1834
Date:
between 1800 and 1820
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 15 1/4 inches (52.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37229. Charles I and Henrietta

Charles I and Henrietta
Creator:
George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 1/8 × 30 3/4 inches (56.2 × 78.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

37230. Three Children of King Henry VII and Elizabeth of York, His Queen

Three Children of King Henry VII and Elizabeth of York, His Queen
Creator:
George Vertue, 1684–1756
Date:
1748
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 × 34 1/2 inches (58.4 × 87.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

37231. Mary, Queen of France / Charles Brandon, Duke of Suffolk

Mary, Queen of France / Charles Brandon, Duke of Suffolk
Creator:
George Vertue, 1684–1756
Date:
1748
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 3/4 × 34 inches (57.8 × 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

37232. Study: Head of a Bearded Old Man in a Cap with his Head Resting on his Hand

Study: Head of a Bearded Old Man in a Cap with his Head Resting on his Hand
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 9/16 x 5 7/8 inches (16.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37233. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 3 3/8 inches (10.5 x 8.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37234. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 x 3 5/16 inches (10 x 8.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37235. Edward VI and His Court

Edward VI and His Court
Creator:
George Vertue, 1684–1756
Date:
1750
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 1/8 × 34 1/2 inches (58.7 × 87.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

37236. Procession of Queen Elizabeth

Procession of Queen Elizabeth
Creator:
George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 15/16 × 27 inches (58.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

37237. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/16 x 4 3/16 inches (12.8 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37238. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 3/4 × 4 inches (12.1 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37239. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 4 inches (11.2 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37240. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/16 x 2 7/16 inches (8.7 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37241. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 9/16 x 2 11/16 inches (9.1 x 6.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37242. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 3 13/16 inches (10.5 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37243. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 x 2 5/8 inches (7.7 x 6.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37244. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 x 2 5/16 inches (7.8 x 5.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37245. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching and pen and ink wash on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 15/16 × 4 5/16 inches (12.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37246. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 6 9/16 inches (12.7 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37247. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 2 3/8 inches (8.2 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37248. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 x 2 3/16 inches (7.7 x 5.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37249. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 2 7/16 inches (8.2 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37250. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37251. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, orange laid paper
Dimensions:
Mount: 3 3/8 x 2 5/16 inches (8.6 x 5.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37252. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37253. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37254. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37255. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37256. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37257. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37258. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37259. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37260. Oak Door Discovered in the Speaker's State Dining Room

Oak Door Discovered in the Speaker's State Dining Room
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37261. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37262. View of St Stephen's Chapel as it appeared after the Fire in October 1834

View of St Stephen's Chapel as it appeared after the Fire in October 1834
Creator:
Print made by Frederick Mackenzie, 1788–1854
Date:
1843
Materials & Techniques:
Lithograph on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 12 1/8 × 13 3/4 inches (30.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37263. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37264. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37265. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

Plate XXVII: St Stephen's Chapel, Looking East, Westminster
Creator:
Print made by John Le Keux, 1783–1846
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37266. Plate III: Crypt under St Stephen's Chapel

Plate III: Crypt under St Stephen's Chapel
Creator:
Print made by Thomas A. Woolnoth, 1785–1857
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37267. View through the South East Window of the Crypt beneath St Stephen's, Westminster

View through the South East Window of the Crypt beneath St Stephen's, Westminster
Creator:
George Johann Scharf, 1788–1860
Date:
1852
Materials & Techniques:
Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37268. Grave of the Supposed William Lyndewode

Grave of the Supposed William Lyndewode
Creator:
unknown artist
Date:
1852
Materials & Techniques:
Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37269. Entrance of the House of Lords with the Office of Ordnance

Entrance of the House of Lords with the Office of Ordnance
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37270. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Creator:
Print made by Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37271. The House of Commons

The House of Commons
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37272. Entrance to the House of Lords

Entrance to the House of Lords
Creator:
Attributed to William Capon, 1757–1827
Date:
1796
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37273. Parts in Stone Underhouse of Lords

Parts in Stone Underhouse of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37274. View in Basement Story under House of Lords

View in Basement Story under House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37275. View of the Office of Ordnance with the Entrance of the House of Lords

View of the Office of Ordnance with the Entrance of the House of Lords
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37276. Plan of the Basement Story under the House of Lords

Plan of the Basement Story under the House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37277. View of the Higher House of Parliament in England

View of the Higher House of Parliament in England
Creator:
Print made by unknown artist
Date:
ca. 1695
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37278. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37279. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37280. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/2 × 10 1/8 inches (34.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37281. Elevation of the Basement Story, House of Lords

Elevation of the Basement Story, House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37282. The Kind Proroguing Parliament

The Kind Proroguing Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 3/8 × 10 7/8 inches (18.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37283. The King on his Throne in the House of Lords

The King on his Throne in the House of Lords
Creator:
Print made by James Fittler, 1758–1835
Date:
1804
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37284. Peers' Entrance

Peers' Entrance
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37285. Survey view of a lobby, Palace of Westminster

Survey view of a lobby, Palace of Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 10 1/8 × 8 11/16 inches (25.7 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37286. Plan of the Ground Floor, House of Lords

Plan of the Ground Floor, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink, watercolor, graphite on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 20 1/8 × 20 1/8 inches (51.1 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37287. House of Commons, the Speaker Reprimanding a Person at the Bar

House of Commons, the Speaker Reprimanding a Person at the Bar
Creator:
Print made by Henry Melville, active 1826–1841
Date:
after 1850
Materials & Techniques:
Line engraving on moderately thick, smooth cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/16 inches (27.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37288. Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords

Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
ca. 1794
Materials & Techniques:
Graphite, pen and black ink, watercolor on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 19 5/8 × 16 1/8 inches (49.8 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37289. Plan of the Upper Floor of Lord Committee Rooms

Plan of the Upper Floor of Lord Committee Rooms
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink and watercolor on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37290. Plate XXXIX: House of Commons as Fitted Up in 1835

Plate XXXIX: House of Commons as Fitted Up in 1835
Creator:
Print made by unknown artist
Date:
ca. 1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37291. New Rooms at Westminster for the Bishops

New Rooms at Westminster for the Bishops
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/8 inches (32.4 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37292. Staircase at Southeast Angle, Painted Chamber, Westminster

Staircase at Southeast Angle, Painted Chamber, Westminster
Creator:
Print made by unknown artist
Date:
1835
Materials & Techniques:
Line engraving on slightly textured, moderately thick, whtie wove paper
Dimensions:
Sheet: 8 × 5 1/8 inches (20.3 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37293. The Painted Chamber, Westminster

The Painted Chamber, Westminster
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37294. Plan of Painted Chamber

Plan of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37295. Exterior of Painted Chamber, North View

Exterior of Painted Chamber, North View
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Line engraving and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 3 1/2 inches (11.1 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37296. Palace at Westminster

Palace at Westminster
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37297. Side Window, North, Painted Chamber

Side Window, North, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37298. North Side, Painted Chamber

North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37299. East End, Painted Chamber

East End, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37300. Door on South Side of Painted Chamber

Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection