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Alexander Bannerman, ca. 1730–1780

James Gibbs

undated

Henry Hoppner Meyer, ca. 1782–1847

Thomas Gainsborough, Esq. R.A

1810

Print made by John Smith, the mezzotinter, 1652–1743

Mr. and Mrs. Gibbons

1691

Anthony Walker, 1726–1765

Mr. and Mrs. Gibson

Print made by Daniel J. Pound, active ca. 1860

John Gibson

between 1850 and 1860

Print made by Alexander Bannerman, ca. 1730–1780

Marc Garrard

1765

Print made by William Daniell, 1769–1837

Edmund Garvey, R.A

between 1802 and 1814

William Thomas Fry, 1789–1843

Robert Hills

Charles E. Wagstaff, 1808–

John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York

1846

Print made by William Daniell, 1769–1837

Prince Hoare

1814

Charles Turner, 1774–1857

Prince Hoare

1831

Charles Townley, 1746–c.1800

Hogarth

1781

Print made by William Daniell, 1769–1837

John Hoppner, R.A

1810

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Print made by John Smith, the mezzotinter, 1652–1743

Abraham Hondius Pictor

1689

Print made by William Daniell, 1769–1837

Thomas Hardwick

between 1802 and 1814

Print made by Edward Fisher, 1722–1785

Nathaniel Hone

between 1758 and 1782

Thomas Rowlandson, 1756–1827

Heads: Fancynina

1800

John Young, 1755–1825

Christ giving sight to the blind

1816

Sir David Wilkie, 1785–1841

Benjamin Robert Haydon

Thomas Rowlandson, 1756–1827

Heads: Epicurum

1800

Thomas Rowlandson, 1756–1827

Heads: Publicorum

1800

Thomas Rowlandson, 1756–1827

Heads: Physicorum

1800

Thomas Rowlandson, 1756–1827

Heads: Allegora

1800

Thomas Rowlandson, 1756–1827

Heads: Flora

1800

Thomas Rowlandson, 1756–1827

Heads: Virginia

1800

Thomas Rowlandson, 1756–1827

Heads: Hazardorum

1800

Thomas Rowlandson, 1756–1827

Heads: Penserosa

1800

Thomas Rowlandson, 1756–1827

Heads: Barberorum

1800

Thomas Rowlandson, 1756–1827

Heads: Billingsgatina

1800

Print made by Joseph C. Bentley, 1809–1851

Rievaulx Abbey

1834-1836

Thomas Rowlandson, 1756–1827

Heads: Nunina

1800

Thomas Rowlandson, 1756–1827

Heads: Battleorum

1800

Charles Denton, active 1853

Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

1853

Charles Denton, active 1853

Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

1853

Charles Denton, active 1853

Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

1853

Print made by Jan van Somer, ca. 1645–after 1699

Man and Woman Drinking

undated

James Gillray, 1756–1815

Hounds Throwing-Off

1800

James Gillray, 1756–1815

Hounds in Finding

1800

James Gillray, 1756–1815

Coming-In at the Death

1800

James Gillray, 1756–1815

Cockney-Sportsmen Shooting-Flying

1800

James Gillray, 1756–1815

Cockney-Sportsmen Re-charging

1800

John Harris, 1811–1865

Coaching: The Early Delivery

1863

John Harris, 1811–1865

Fore's Stable Scenes: The Hunting Stud

1846

James Gillray, 1756–1815

Cockney-Sportsmen finding a Hare

1800

John Harris, 1811–1865

Coaching: The Right Sort

1863

Joseph Grozer, ca. 1755–1798

Evening or the Sportsman's Return

1795

John Harris, 1811–1865

Fore's Stable Scenes: The Team

1846

John Harris, 1811–1865

Fore's Stable Scenes: Thorough Breds

1846

John Harris, 1811–1865

Fores's National Sports: Racing - A False Start

1866

John Harris, 1811–1865

Coaching: The Last Change Down

1863

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

1837

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

1837

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

1837

John Harris, 1811–1865

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

1837

William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

William Hincks, 1752–1797

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water

1791

Francis Towne, 1740–1816

View on Lake Maggiore at Evening

1781

Thomas Shotter Boys, 1803–1874

Brussels from the Paris Road

1831

John Harris, 1811–1865

Fores's National Sports: Racing - Returning to Weigh

1866

William Hincks, 1752–1797

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

1791

William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

William Hincks, 1752–1797

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

1791

William Hincks, 1752–1797

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

1791

John Robert Cozens, 1752–1797

The Bay of Naples from Capodimonte, Italy

ca. 1790

William Hincks, 1752–1797

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

1791

William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

William Hincks, 1752–1797

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it

1791

William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

William Hincks, 1752–1797

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

1791

William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

William Hincks, 1752–1797

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

1791

William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

William Hincks, 1752–1797

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..

1791

Frederick Tatham, 1805–1878

Mr. William Williams

ca. 1830

William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

William Hincks, 1752–1797

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

1791

Frederick Tatham, 1805–1878

William William's Second Wife

ca. 1830

William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

William Hincks, 1752–1797

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

1791

Richard James Lane, 1800–1872

Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

1830

Richard James Lane, 1800–1872

Sir Thomas Lawrence

1830

Print made by Samuel Cousins, 1801–1887

Sir Thomas Lawrence P. R. A

1830

Print made by Alphonse Legros, 1837–1911

Alphonse Legros

undated

Alexander Bannerman, ca. 1730–1780

Major General Lambert

undated

unknown artist

Thomas Lawrence, Late President of the Royal Academy

Print made by John Faber the Younger, ca. 1695–1756

Sir Godfrey Kneller

1735

Print made by Richard Earlom, 1743–1822

James McArdell

1771

Print made by Charles Baugniet, 1814–1886

Daniel Maclise

1857

Print made by John Faber the Younger, ca. 1695–1756

Philippe Mercier

1735

William Sharp, 1749–1824

Thomas Paine

1793

Peter DeWint, 1784–1849

Castle above a River, Woodcutters in the Foreground

ca. 1820

Print made by John Faber the Younger, ca. 1695–1756

A Girl Spinning Thread

undated

William Wynne Ryland, 1732–1783

King John Ratifying the Magna Charta

ca. 1783

Print made by John Faber the Younger, ca. 1695–1756

The Swain's Amusement

between 1748 and 1756

Wenceslaus Hollar, 1607–1677

An Elephant and a Camel

1663

Wenceslaus Hollar, 1607–1677

Portrait of Inigo Jones

1655

Bernard Lens II, 1659–1725

A Triton holding a Fish

1700

Thomas Worlidge, 1700–1766

Portrait of Sir Edward Astley

1762

Print made by John Faber the Younger, ca. 1695–1756

Young Male Shearing a Sheep

undated