Image Available: Unavailable / Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851

1. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. The Victory Coming up the Channel with the Body of Nelson

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/2 inches (30.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Victory coming up Channel with the body of Nelson on Board

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Woodcock Shooting

Creator:: Print made by Charles Blair Leighton, 1823–1855
Date:: 1852
Materials & Techniques:: Chromolithograph; early engraver's proof on medium, smooth, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 1/8 inches (35.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Grouse Shooting

Creator:: Print made by Charles Blair Leighton, 1823–1855
Date:: 1852
Materials & Techniques:: Chromolithograph; first published state on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Venice - The Dogana, etc., Canaletto Painting

Creator:: Print made by John Connell Ogle, active 1844–1864
Date:: 1855
Materials & Techniques:: Chromolithograph on thick, smooth, cream wove paper mounted on board
Dimensions:: Sheet: 20 × 32 1/2 inches (50.8 × 82.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Italy - Childe Harold's Pilgrimage

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Woodcock Shooting

Creator:: Print made by Charles Blair Leighton, 1823–1855
Date:: 1855
Materials & Techniques:: Chromolithograph; first published state on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 1/8 inches (34.3 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Field of Waterloo

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/8 × 34 3/8 inches (58.7 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint and white chalk; engraver's proof (a), touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/4 × 23 1/8 inches (46.4 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, graphite and white chalk; engraver's proof (b), touched on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:: Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite, white chalk, and scraping out; engraver's proof (c), touched proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 25 1/8 inches (47 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 33 5/8 inches (57.2 × 85.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Festival of the Vintage

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Wreck of the Minotaur

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Mezzotint with etching; published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1804
Materials & Techniques:: Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 26 1/2 inches (53 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Wingfield Castle, Suffolk

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Image: 3 1/8 × 4 3/4 inches (7.9 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Barnard Castle

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 9/16 inches (30.8 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Mountainous Landscape with Cows

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Album of Monro School Drawings

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Album of Seven watercolor drawings by various hands on medium, slightly textured, cream laid paper mounted on album pages
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Lake of Geneva; Frontispiece, Title Page, and Index

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Folio of etchings on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Shipping By A Breakwater

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Shores of Wharfe

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1856
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 5 7/8 inches (23.8 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (Early Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Rocks at Colgong on the Ganges

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1836
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. The Three Swords

Creator:: Print made by unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 × 11 3/4 inches (48.3 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

Creator:: Print made by Samuel Fisher, 1806–1851
Date:: between 1821 and 1851
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, etching, graphite, and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Chain Bridge over the River Tees

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1838
Materials & Techniques:: Line engraving, 2nd state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Richmond Terrace

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1838
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/16 × 18 1/8 inches (33.5 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Evening in Italy

Creator:: attributed to W. R. Smith, active 1819–1851
Date:: 1810
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Heidelberg from the Opposite bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Kilchurn Castle, Loch Awe

Creator:: Print made by William Miller, 1796–1882
Date:: 1847
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Heidelberg from the Opposite Bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with beige chine-collé
Dimensions:: Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Italy - Childe Harold's Pilgrimage

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1861
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 30 1/4 inches (52.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The "Victory" Coming up the Channel, with the Body of Nelson

Creator:: Sir Frank Short, 1857–1945
Date:: undated
Materials & Techniques:: Gelatin silver print on moderately thick, glossy photographic paper mounted to moderately thick, slightly textured, cream card
Dimensions:: Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

55. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 1/2 inches (27.9 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

56. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink (trial proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 3/8 inches (25.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

57. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

58. Pan and Syrinx, No.2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink; working proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

59. Dover

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/4 × 35 1/2 inches (65.4 × 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Dover

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 3/4 × 26 1/2 inches (52.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Lake of Lucerne

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 24 7/8 inches (51.1 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Lake of Lucerne

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Zurich

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1854
Materials & Techniques:: Etching and line engraving, India proof before letters on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 7/8 inches (59.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Shipwreck

Creator:: Print made by John Burnet, 1784–1868
Date:: 1853
Materials & Techniques:: Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 29 × 39 3/8 inches (73.7 × 100 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Golden Bough

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. St. Michael's Mount, Cornwall

Creator:: Print made by William Miller, 1796–1882
Date:: 1866
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Dido Building Carthage

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Margam Abbey, Glamorgan

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Image: 3 × 4 3/4 inches (7.6 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Holy Ghost Chapel, Basingstoke

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Image: 3 × 4 3/4 inches (7.6 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Holy Island Cathedral

Creator:: Published by Sir Frank Short, 1857–1945
Date:: 1808
Materials & Techniques:: Engraving (electrotype proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Golden Bough

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1858
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Battle of Trafalgar, Nelson's Ship

Creator:: Print made by John Burnet, 1784–1868
Date:: 1858
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/4 × 39 inches (67.9 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Bell Rock Lighthouse

Creator:: Print made by William Miller, 1796–1882
Date:: 1862
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Bell Rock Lighthouse

Creator:: Print made by William Miller, 1796–1882
Date:: 1862
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Straits of Dover

Creator:: Print made by William Chapman, 1817–1879
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ilfracombe

Creator:: Print made by William Chapman, 1817–1879
Date:: between 1853 and 1874
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 29 7/8 inches (55.9 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Sea Battle

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 1/4 inches (27.3 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

80. The Victory Returning from Trafalgar, Photographic Copy of Drawing

Creator:: Sir Frank Short, 1857–1945
Date:: undated
Materials & Techniques:: Gelatin silver print on thin, glossy photographic paper
Dimensions:: Sheet: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

81. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink, with graphite and pen and black ink (touched proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

82. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and mezzotint, printed in brown ink; trial proof on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 × 13 3/8 inches (25.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

83. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and mezzotint, printed in brown ink; trial proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 15 7/8 inches (31.1 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

84. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with gouache; touched proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

85. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink; working proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

86. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 5/8 inches (29.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

87. Spithead: Two Captured Danish Ships entering Portsmouth Harbour

Creator:: Print made by Kenneth Hobson, 1897–1972
Date:: 1928
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Front of Wrapper; and Advertisement for Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826 to 1828
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Front Wrapper for Turner's Sketches from Nature, Part Three

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Bacchus and Ariadne

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph on medium, slightly textured, cream wove paper mounted on beige board
Dimensions:: Sheet: 18 3/4 × 18 1/2 inches (47.6 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Calm

Creator:: Print made by Sir Emery Walker, 1851–1933
Date:: 1913
Materials & Techniques:: Photogravure on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 13 3/8 inches (26.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Text for Picturesque Views on the Southern Coast

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress (five sheets)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Wrapper for Rivers of England (Number One)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Wrapper and Advertisements for Rivers of England (Number Three)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Wrapper for Rivers of England (Number Two)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Wrapper and Advertisements for Rivers of England (Number Four)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Map for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: between 1816 and 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Dedication for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Text for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

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1. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

2. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

3. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

4. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

5. London from Greenwich

6. The Victory Coming up the Channel with the Body of Nelson

7. The Victory coming up Channel with the body of Nelson on Board

8. Woodcock Shooting

9. Grouse Shooting

10. Venice - The Dogana, etc., Canaletto Painting

11. A Shipwreck

12. A Shipwreck

13. The Bay of Baiae - Apollo and the Sibyl

14. Italy - Childe Harold's Pilgrimage

15. Woodcock Shooting

16. The Field of Waterloo

17. Fishing Boats off Calais (The Pas de Calais)

18. Fishing Boats off Calais (The Pas de Calais)

19. Fishing Boats off Calais (The Pas de Calais)

20. Fishing Boats off Calais (The Pas de Calais)

21. Fishing Boats off Calais (The Pas de Calais)

22. Boccaccio, the Bird Cage

23. Boccaccio, the Bird Cage

24. The Festival of the Vintage

25. The Wreck of the Minotaur

26. The Mausoleum at Brocklesby

27. The Mausoleum at Brocklesby

28. The Mausoleum at Brocklesby

29. Wingfield Castle, Suffolk

30. Barnard Castle

31. Mountainous Landscape with Cows

32. Album of Monro School Drawings

33. The Lake of Geneva; Frontispiece, Title Page, and Index

34. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

35. Shipping By A Breakwater

36. The Shores of Wharfe

37. Between Quilleboeuf and Villequier

38. Rocks at Colgong on the Ganges

39. The Three Swords

40. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

41. St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

42. Dover

43. Oxford from North Hinksey

44. Chain Bridge over the River Tees

45. Richmond Terrace

46. Evening in Italy

47. Heidelberg from the Opposite bank of the Neckar

48. Kilchurn Castle, Loch Awe

49. Hastings

50. Hastings

51. Hastings

52. Heidelberg from the Opposite Bank of the Neckar

53. Italy - Childe Harold's Pilgrimage

54. The "Victory" Coming up the Channel, with the Body of Nelson

55. The "Victory" Coming Up Channel

56. Pan and Syrinx, No. 2

57. Pan and Syrinx, No. 2

58. Pan and Syrinx, No.2

59. Dover

60. Dover

61. Lake of Lucerne

62. Lake of Lucerne

63. Zurich

64. The Shipwreck

65. The Golden Bough

66. St. Michael's Mount, Cornwall

67. Dido Building Carthage

68. The Bay of Baiae - Apollo and the Sibyl

69. Margam Abbey, Glamorgan

70. Holy Ghost Chapel, Basingstoke

71. Holy Island Cathedral

72. The Golden Bough

73. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

74. Battle of Trafalgar, Nelson's Ship