The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
13
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
14
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
15
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
16
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
17
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
18
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
19
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
20
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
21
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
22
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
23
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
24
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
25
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
26
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
27
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
28
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
29
John Godfrey
Herstmonceux Castle, Sussex Pl. 3
undated
30
John Godfrey
Herstmonceux Castle, Sussex Pl. 2
undated
31
John Godfrey
Herstmonceux Castle, Sussex Pl. 1
undated
32
John Godfrey
Herstmonceux Castle Pl. I
1779
33
unknown artist
South View of the Same - when the Spire was Standing
34
unknown artist
Vue de la Partie exterieure du Choeur, du Cote D'Accident Avant le feu de Tot
35
unknown artist
Samuel Johnson
36
Michael Phillips, born 1940
Songs of Innocence, Titlepage
1996
37
Print made by Michael Phillips, born 1940
Songs of Innocence, Titlepage
1996
38
Print made by George Baxter, 1804–1867
Foreign Department at the Great Exhibition, Hyde Park
1853
39
Print made by unknown artist
An Apotheosis Scene
undated
40
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
41
Edward P. Brandard, 1819–1898
Marlowe Meadows
1884
42
Print made by Katharine Clayton, active 1918–1930
Fish
1925
43
John Frederic Greenwood, 1885–1954
Forester's Arms
ca. 1925
44
Gertrude Hermes, 1901–1983
Fish Haulers
1926
45
Martin Hardie, 1875–1952
Old Mill, Biddenden
1943
46
John Northcote Nash, 1893–1977
Ono, Elegy 6, BK2
c.1925
47
Maud L. Wethered, 1898
[Harbor]
ca. 1925
48
Print made by Frederick Landseer Maur Griggs, 1876–1938
Duntisbourne Rouse
1927
49
Print made by George Baxter, 1804–1867
The Landing of Her Majesty at Cove, Ireland in 1849
1850
50
Print made by Carington Bowles, 1724–1793
A View in Richmond Gardens, Surry
undated
51
William Lee Hankey, 1869–1952
The Trinket Box
1919
52
Print made by Frederick Landseer Maur Griggs, 1876–1938
Netherton Chapel
1935
53
Print made by Frederick Landseer Maur Griggs, 1876–1938
Syde
1936
54
Print made by Oliver Hall, 1869–1957
The Kirkstone Pass
undated
55
William Lee Hankey, 1869–1952
The Trinket Box
1919
56
unknown artist
Carriage
57
John Postle Heseltine, 1843–1929
Le Pont de Waterloo a Londres
1897
58
unknown artist
Plymouth Garrison
1841
59
unknown artist
Beaumaris
60
Niccoló Schiavonetti, 1771–1813
Samuel Johnson
1809
61
unknown artist
Dalswinton on the Frith
62
unknown artist
South Front of Melrose Abbey, 1835
1835
63
Print made by Thomas Higham, 1796–1844
Aberdeen
1838
64
unknown artist
Dryburgh Abbey, Sir Walter Scott's Sepulchre 1835
1835
65
unknown artist
Burney's Cold Harbour, Gosport...Cold Harbour is now called Clarence Square