The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)
1904
102
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
103
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
104
James Watson, 1740–1790
Madame La Marquise de Pompadour
105
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
106
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
107
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
108
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
109
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
110
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
111
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
112
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
113
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
114
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
115
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
116
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
117
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
118
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
119
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
120
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
121
John Dean, 1754–1798
Mrs. Martyr The Enchantress in the Pantomime of Omai
122
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
123
unknown artist
The New Imperial Crown to be worn by his Majesty George the Fourth
124
Print made by William Dickinson, 1746–1823
Lydia
1776
125
David Simson, 1803–1874
At Tunbridge Wells (city street)
1863
126
unknown artist
St. Leonard, Shoreditch
undated
127
unknown artist
The Plan of St. Martin's Church before 1730
128
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
129
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
130
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
131
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
132
Print made by Lucas Vorsterman I, 1595–1675
Wenceslaus Coeberger
ca. 1635
133
Print made by Pieter de Jode II, ca. 1606–1674
Adam de Coster
ca. 1635
134
Print made by Pieter de Jode II, ca. 1606–1674
Adam de Coster
ca. 1635
135
unknown artist
The N.E. Prospect of the Parish Church of St. Martin Outwich in Treadneedle St
136
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
137
unknown artist
Miss Shuttle-Cock / Ladies like Shuttlecocks are now array'd, The tail is Cork'd & feather'd is the Head
1776
138
Henry Hoppner Meyer, ca. 1782–1847
Equestrian Match against Time for 600 Guineas, to Ride from Canterbury to London Bridge in Three Hours ..
1819
139
James Pollard, 1792–1867
Pony Race for One Hundred Guineas...3 November 1819
1819
140
Print made by John Robert Cozens, 1752–1797
Aspin
1789
141
Print made by John Robert Cozens, 1752–1797
Weeping Willows
1789
142
Print made by John Robert Cozens, 1752–1797
Cedar
1789
143
Print made by John Robert Cozens, 1752–1797
Italian Pine and Cypress
1789
144
Print made by John Robert Cozens, 1752–1797
Birch
1789
145
Print made by John Robert Cozens, 1752–1797
Hawthorn
1789
146
Print made by John Robert Cozens, 1752–1797
Poplar
1789
147
Print made by John Robert Cozens, 1752–1797
Beech
1789
148
Print made by John Robert Cozens, 1752–1797
Horse Chestnut
1789
149
Mrs. P. D. H. Page, 20th century
Marrow, after the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 85]
undated
150
Edward Francis Finden, 1791–1857
Hester Lynch Piozzi (Mrs. Thrale)
1835
151
Print made by William Strang, 1859–1921
The Mark of the Beast
1900
152
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
153
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
154
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
155
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
156
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
157
James Gillray, 1756–1815
Half Natural
1799
158
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
159
James Gillray, 1756–1815
Hope
1802
160
James Gillray, 1756–1815
Despair
1802
161
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
162
James Gillray, 1756–1815
Liliputian Substitutes, Equiping for Public Services
1801
163
James Gillray, 1756–1815
The Comforts of a Rumford Stove
1800
164
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
165
James Gillray, 1756–1815
A Bouquet of the Last Century
1802
166
James Gillray, 1756–1815
Opposition Coaches
1788
167
Robert Cockburn, 1812–1836
Aleppo, January, 1835
1835
168
Robert Cockburn, 1812–1836
Aleppo - January 1836
1836
169
Robert Cockburn, 1812–1836
Aleppo - January 1836
1835-1836
170
Robert Cockburn, 1812–1836
Dervish Ali, and Mr. Geoffrey
1835-1836
171
Lionel Edwards, 1878–1966
Cubhunting with the North Cotswold, Oct. 1911, with vignettes
1911
172
Lionel Edwards, 1878–1966
'I'm no advocate for leapin (sic), but there are times when it can't be 'elped!'
1916
173
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
174
Print made by William Walcot, 1874–1943
Gondolas, St. Mark's, Venice
1938
175
Charles John Watson, 1846–1927
St. Marks, Venice
176
Print made by Sir Frank Short, 1857–1945
St. Mary Redcliffe, Bristol
1888
177
Sir William Nicholson, 1872–1949
Bismarck
178
Print made by James McBey, 1883–1959
The Pool
1914
179
Print made by Edward Bouverie-Hoyton, active 1930
Devon Coast
1920s
180
Print made by Sir David Young Cameron, 1865–1945
Craigievar
1908
181
Print made by W. R. Smith, active 1819–1851
Chain Bridge over the River Tees
1838
182
Print made by James Tibbits Willmore, 1800–1863
Richmond Terrace, Surrey
1838
183
Print made by Susan Fletcher Crawford, active 1892–died 1919
Railway and Commercial Hotel, Stirling
undated
184
Print made by Frederick Landseer Maur Griggs, 1876–1938
Castor
1927
185
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Maypole Inn
1929
186
Print made by Frederick Landseer Maur Griggs, 1876–1938
Fotheringhay
1932
187
Sir William Russell Flint, 1880–1969
Spanish Wheelwrights
1930
188
William Lee Hankey, 1869–1952
British General Headquarters at Montreuil
1917
189
Print made by Martin Hardie, 1875–1952
The Farm on the Hilltop
1926
190
Print made by Martin Hardie, 1875–1952
A Breton Farm
1921
191
Print made by Martin Hardie, 1875–1952
The Bridge, Blakeney, England
1937
192
Print made by Albany E. Howarth, 1872–1936
Chichester, Sussex
Between 1887 and 1936
193
Adeline S. Illingworth, 1858–ca.1930
On the Wall, Klingen Thor in Rothenburg
1899
194
Print made by William Strang, 1859–1921
William the Conqueror
1900
195
Graham Vivian Sutherland, 1903–1980
Number Forty-Nine
1924
196
Print made by Frederick Landseer Maur Griggs, 1876–1938