Image Available: Unavailable - YCBA Collections Search Search Results

701. Unexpected Visitors on the Subject of the Divorce Bill

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

702. Plucking a Rose

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

703. More Luxeries for John Bull

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1800
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

704. Crab

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 13 1/2 inches (25.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

705. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

706. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

707. The Right Honorable Edward, Lord Hawke

Creator:: Jonathan Hall
Date:: 1795
Materials & Techniques:: Colored, line engraving
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

708. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

709. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

710. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

711. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

712. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

713. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

714. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

715. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

716. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

717. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

718. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

719. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

720. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

721. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

722. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

723. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

724. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

725. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

726. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

727. [One of] 24 Drawings in an Album

Creator:: Rev. William Gilpin, 1724–1804
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

728. [One of] 24 Drawings in an Album

Creator:: Rev. William Gilpin, 1724–1804
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

729. [One of] 24 Drawings in an Album

Creator:: Rev. William Gilpin, 1724–1804
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

730. [One of] 24 Drawings in an Album

Creator:: Rev. William Gilpin, 1724–1804
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

731. [One of] 24 Drawings in an Album

Creator:: Rev. William Gilpin, 1724–1804
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

732. [One of] 24 Drawings in an Album

Creator:: Rev. William Gilpin, 1724–1804
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

733. [One of] 24 Drawings in an Album

Creator:: Rev. William Gilpin, 1724–1804
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

734. [One of] 24 Drawings in an Album

Creator:: Rev. William Gilpin, 1724–1804
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

735. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

736. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

737. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

738. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

739. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

740. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

741. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

742. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

743. No.12, Part of the Warren, Dr. Drury's, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

744. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

745. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

746. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

747. Panoramic View from Berry Head to Powderham

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

748. Afternoon

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige laid paper
Dimensions:: Sheet: 5 3/16 x 3 15/16in. (13.3 x 10cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

749. Chelsea

Creator:: Charles John Watson, 1846–1927
Date:: 1879
Materials & Techniques:: Etching and drypoint
Dimensions:: Sheet: 7 1/2 x 11 7/16in. (19 x 29cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

750. Composition: Sandy Road through Woodland

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

751. Three Landscape Studies

Creator:: Print made by John Crome, 1768–1821
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/16 x 9 3/16 inches (23.7 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

752. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

753. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

754. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

755. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

756. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

757. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

758. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

759. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

760. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

761. The Back of the Mills

Creator:: Print made by John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 7 9/16 inches (24.8 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

762. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/8 x 26 3/4in. (45.4 x 67.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

763. A Midsummer Night's Dream, Act IV, Scene I

Creator:: Peter Simon, 1750–1810
Date:: c.1796
Materials & Techniques:: Stipple, engraver's proof
Dimensions:: Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

764. Midsummer Night's Dream: Act IV, Scene I

Creator:: after Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

765. Ambleside, the Road to Kendal

Creator:: William Green, 1760–1823
Date:: ca. 1821
Materials & Techniques:: Soft-ground etching
Dimensions:: Sheet: 12 3/4 x 17 13/16in. (32.4 x 45.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

766. Barrier Island, Near Auckland, New Zealand

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 7 1/4 inches (7.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

767. Sea Scene

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and black ink, gray wash, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 5 3/4 inches (10.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

768. American Bay, Crozet Island

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 5/8 inches (19.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

769. Isle de la Fortune, Indian Ocean

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and black ink and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 7 3/4 inches (12.8 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

770. Coast of New Zealand, Near Auckland

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 7 1/2 inches (8.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

771. Santo Antônio Lighthouse at the Entrance to Bahia, Brazil

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

772. Romanus sum Civis

Creator:: Joseph Goupy, 1689–1769
Date:: 1726
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 17 1/2 inches (39.7 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

773. Woodcock Shooting

Creator:: Print made by Charles Blair Leighton, 1823–1855
Date:: 1852
Materials & Techniques:: Chromolithograph; early engraver's proof on medium, smooth, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 1/8 inches (35.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

774. Grouse Shooting

Creator:: Print made by Charles Blair Leighton, 1823–1855
Date:: 1852
Materials & Techniques:: Chromolithograph; first published state on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

775. Venice - The Dogana, etc., Canaletto Painting

Creator:: Print made by John Connell Ogle, active 1844–1864
Date:: 1855
Materials & Techniques:: Chromolithograph on thick, smooth, cream wove paper mounted on board
Dimensions:: Sheet: 20 × 32 1/2 inches (50.8 × 82.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

776. As You Like It: Act V Scene IV: Rosalind and Orlando

Creator:: Peter Simon, 1750–1810
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

777. Fugitives at Soissons

Creator:: Gerald Spencer Pryse, 1882–1956
Date:: 1915
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 10 1/2 x 16 1/4in. (26.7 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Donald & Willi Holden

778. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

779. Tempest, Act I, Scene II. The Enchanted Island.

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

780. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

781. Portrait of David Garrick

Creator:: Valentine Green, 1739–1813
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 1/2 x 15 1/4in. (62.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

782. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

783. Italy - Childe Harold's Pilgrimage

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

784. East Island, Crozet Group, Indian Ocean

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 5/8 inches (20.3 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

785. Woodcock Shooting

Creator:: Print made by Charles Blair Leighton, 1823–1855
Date:: 1855
Materials & Techniques:: Chromolithograph; first published state on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 1/8 inches (34.3 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

786. Algiers

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

787. The Field of Waterloo

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/8 × 34 3/8 inches (58.7 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

788. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint and white chalk; engraver's proof (a), touched on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/4 × 23 1/8 inches (46.4 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

789. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, graphite and white chalk; engraver's proof (b), touched on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:: Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

790. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite, white chalk, and scraping out; engraver's proof (c), touched proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 25 1/8 inches (47 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

791. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

792. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 33 5/8 inches (57.2 × 85.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

793. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

794. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

795. Mowers

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1920
Materials & Techniques:: Wood engraving on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

796. The Festival of the Vintage

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

797. The Wreck of the Minotaur

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Mezzotint with etching; published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

798. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

799. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1804
Materials & Techniques:: Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

800. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 × 26 1/2 inches (53 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Image Available Unavailable

Search Results

701. Unexpected Visitors on the Subject of the Divorce Bill

702. Plucking a Rose

703. More Luxeries for John Bull

704. Crab

705. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

706. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

707. The Right Honorable Edward, Lord Hawke

708. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

709. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

710. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

711. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

712. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

713. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

714. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

715. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

716. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

717. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

718. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

719. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

720. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

721. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

722. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

723. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

724. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

725. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

726. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

727. [One of] 24 Drawings in an Album

728. [One of] 24 Drawings in an Album

729. [One of] 24 Drawings in an Album

730. [One of] 24 Drawings in an Album

731. [One of] 24 Drawings in an Album

732. [One of] 24 Drawings in an Album

733. [One of] 24 Drawings in an Album

734. [One of] 24 Drawings in an Album

735. [One from a group of views] Thames and South Coast

736. [One from a group of views] Thames and South Coast

737. [One from a group of views] Thames and South Coast

738. [One from a group of views] Thames and South Coast

739. [One from a group of views] Thames and South Coast

740. [One from a group of views] Thames and South Coast

741. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

742. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

743. No.12, Part of the Warren, Dr. Drury's, etc.

744. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

745. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

746. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

747. Panoramic View from Berry Head to Powderham

748. Afternoon

749. Chelsea

750. Composition: Sandy Road through Woodland

751. Three Landscape Studies

752. Illustrations of the Travels of Lord Valentia: Two Volumes

753. Illustrations of the Travels of Lord Valentia: Two Volumes

754. Illustrations of the Travels of Lord Valentia: Two Volumes

755. Illustrations of the Travels of Lord Valentia: Two Volumes

756. Illustrations of the Travels of Lord Valentia: Two Volumes

757. Illustrations of the Travels of Lord Valentia: Two Volumes

758. Illustrations of the Travels of Lord Valentia: Two Volumes

759. Illustrations of the Travels of Lord Valentia: Two Volumes

760. Illustrations of the Travels of Lord Valentia: Two Volumes

761. The Back of the Mills

762. An Airing in Hyde Park

763. A Midsummer Night's Dream, Act IV, Scene I

764. Midsummer Night's Dream: Act IV, Scene I

765. Ambleside, the Road to Kendal

766. Barrier Island, Near Auckland, New Zealand

767. Sea Scene

768. American Bay, Crozet Island

769. Isle de la Fortune, Indian Ocean

770. Coast of New Zealand, Near Auckland

771. Santo Antônio Lighthouse at the Entrance to Bahia, Brazil

772. Romanus sum Civis

773. Woodcock Shooting

774. Grouse Shooting

775. Venice - The Dogana, etc., Canaletto Painting