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Smirke, Sydney, 1798–1877
Sydney Smirke letter to Richard Redgrave
1872 May 28
Archival
Smirke, Sydney, 1798–1877
Sydney Smirke letter to Richard Redgrave
1873 August 7
Archival
Smirke, Sydney, 1798–1877
Sydney Smirke letter to Richard Redgrave
undated (July 8)
Archival
Smirke, Sydney, 1798–1877
Sydney Smirke letter to Richard Redgrave
undated (June 24)
Archival
Sykes, Sandy
1987 April 12–1994 November 1
Archival
Symposium: Is This Permanence: Preservation of Born-digital Artists' Archives
2018-05-11
Archival
Symposium: John Ruskin
1983-09-24
Archival
Symposium: Recent British Cinema
1984-02-18
Archival
Symposium: The Future of the Past: Former Directors Look Backwards and Forwards
1997-04-15
Archival
Szczeklun, Stefan
1993–1995
Archival
T. Banks, Sculptor R.A. Drawn and engraved by I. Conde, from a model of T. Banks. European Magazine. Published...August 1, 1791 by J. Sewell Cornhill.
1791 August 1
Archival
Shirley Smith, Richard
Table Top
1964
Archival
Forbes, James, 1749–1819
Tamarind-Tree
redrawn between 1794 and 1800
Archival
Tanganyika & Tanzania, 1961-1986
1947-1992
Archival
Forbes, James, 1749–1819
Tannah Fort, on the Island of Salsette; as it appeared after the Siege, in December 1774
redrawn between 1794 and 1800
Archival
Tanzania
1988-1992
Archival
Taste and Beauty in Three Dimensions: Paul Mellon and British Sculpture
summer 2003
Archival
Tate floor plans
2002–2003
Archival
Tate Gallery to Paul Mellon
1979-12-05
Archival
Tate photo orders
undated
Archival
Taylor as Doodle [from handwritten note].
undated
Archival
Taylor, Chris
1993
Archival
Tea
undated
Archival
Shirley Smith, Richard
Temple of Antoninus and Fasustina, Rome
1961
Archival
Wales, James, 1746 or 1747–1795
Temple of Elephanta, Jany. 1792
1792 January
Archival
Jones, David, 1895–1974
Ten Letters to Two Young Artists Working in Italy: Juliet Wood & Richard Shirley Smith. Preface by John Montague, introduction by Shirley Smith, edited by Derek Shiel. London: Agenda Editions, 1996.
1996
Archival
Norris, Robert Provo, died 1851
Tents inside a fort/Incomplete sketch of tents.
circa 1846-1851
Archival
Shirley Smith, Richard
Tessa Keswick 'TK'
1988
Archival
Grey, Booth, 1740–1802
Teucrium pyrenaicum : pyrenean germander
1790s
Archival
Texas Vision: The Barrett Collection, The Art of Texas and Switzerland: book
2004
Archival
Thames Clippers : Private Charter Rates
2005–2006
Archival
Thames Estuary Partnership
2003
Archival
Thames path city to sea : one of the world's great journeys
circa 2005
Archival
Thames : the river and the path
2002
Archival
Paul Mellon Centre for Studies in British Art
The Age of Caricature (Hardcover), by Diana Donald
1996
Archival
Paul Mellon Centre for Studies in British Art
The Albert Memorial: the Prince Consort National Memorial: Its History, Contexts, and Conservation, by Chris Brooks
2000
Archival
Forbes, James, 1749–1819
The Albicore, from two to four Feet in length. J. Forbes 1765
redrawn between 1794 and 1800
Archival
The All London bus guide : April 1996, London Transport Buses
1996 April
Archival
The All London bus guide : December 1996
1996 December
Archival
The All London bus guide : September 1995
1995 September
Archival
Forbes, James, 1749–1819
The Alligator, at Anjengo. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Aloe in Guzerat. J. Forbes 1781
text added between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Alphonso Mango at Goa; which is deservedly esteemed one of the finest Oriental Fruits, with the Papilio Bolina, or Purple-eyed Butterfly. J. Forbes 1772
1772
Archival
The Alto Relievo in the front of the Shakspeare Gallery, Pall Mall.
undated
Archival
Forbes, James, 1749–1819
The Amphisboena, or Double-headed Snake; of the natural size, with the Antreville Creeper, a beautiful plant for Arbors, which eats like delicate Spinach. J. Forbes 1779
1779
Archival
Forbes, James, 1749–1819
The Anana, or Pine-Apple, at Velas, near Fort Victoria
text added between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Anana, or Pine-Apple; with the Papilio Bolina; and the large Black Ant, at Bombay. J. Forbes 1768
1768
Archival
Forbes, James, 1749–1819
The Angel Fish, on the Coast of Brazil. J. Forbes
redrawn between 1794 and 1800
Archival
The Anglo-Florentine Renaissance: Art for the Early Tudors, ed. Cinzia Maria Sicca and Louis A Waldman
2012
Archival
Forbes, James, 1749–1819
The Aqueduct at Rio de Janeiro, which conveys the Water from the inland Mountains to St. Sebastian. J. Forbes
redrawn between 1794 and 1800
Archival
The Archaeology of Architecture: C.R. Cockerell in Southern Europe and the Levant, 1810-1817
1993-03-23 1993-05-23
Archival
The Archaeology of Architecture: C.R. Cockerell in Southern Europe and the Levant, 1810-1817, by Pieter B. F. J. Broucke
1993
Archival
Paul Mellon Centre for Studies in British Art
The Architecture of British Transport in the Twentieth Century, ed. Julian Holder and Steven Parissien
2005
Archival
Paul Mellon Centre for Studies in British Art
The Architecture of the Scottish Medieval Church 1100-1560, by Richard Fawcett
2011
Archival
The Architecture of the Yale Center for British Art, by Jules David Prown
1977
Archival
The Architecture of the Yale Center for British Art, by Jules David Prown: book
1977
Archival
The Architecture of the Yale Center for British Art (reissue), by Jules David Prown: book
1982
Archival
The Architecture of the Yale Center for British Art (reissue), by Jules David Prown: book
2009
Archival
Forbes, James, 1749–1819
The ARECA, or Betel-Nut Tree. J. Forbes 1767
1767
Archival
The Art and Life of Lucas Johnson, "Lucas Johnson: A Humanist's Vision":essay in book
2006
Archival
The Art of Alexander and John Robert Cozens
1980-09-17 1980-11-16
Archival
The Art of Alexander and John Robert Cozens, by Andrew Wilton
1980
Archival
The Art of Bloomsbury
2000-05-20 2000-09-03
Archival
The Art of Bloomsbury, by Richard Shone
2000
Archival
Paul Mellon Centre for Studies in British Art
The Art of Captain Cook's Voyages: Volume III: The Voyage of the Resolution and the Discovery, 1776-1780, by Rüdiger Joppien and Bernard Smith
1988
Archival
Paul Mellon Centre for Studies in British Art
The Art of Domestic Life: Family Portraiture in Eighteenth-Century England, by Kate Retford
2006
Archival
The Art of James Ward
2004-05-21 2004-08-22
Archival
The Art of Natural History: Illustrated Treatises and Botanical Paintings, 1400-1850: book
2010
Archival
The Art of Paul Sandby
1985-04-10 1985-06-23
Archival
The Art of Paul Sandby, Designed by Greer Allen
1985
Archival
The Art of the First Fleet and other early Australian Drawings / edited by Bernard Smith and Alwyne Wheeler
1988
Archival
The Art of Thomas Gainsborough, Michael Rosenthal
1999
Archival
The Artists' Book Fair
1995 November 9
Archival
Paul Mellon Centre for Studies in British Art
The Arts and Crafts Movement in Scotland: A History, by Annette Carruthers
2013
Archival
Paul Mellon Centre for Studies in British Art
The Arts of Industry in the Age of Enlightenment, by Celina Fox
2010
Archival
The Author's Benefit Pasquin. At ye theatre in ye Hay-market. Tuesday April 24th. W. Hogarth, A.M. Ireland fe.
undated
Archival
Forbes, James, 1749–1819
The Bamboo Tree. J. Forbes 1781
1781
Archival
The Bancroft Collection of Pre-Raphaelite Art + The McCormick Collection of Victorian Art
1984-01-10
Archival
Paul Mellon Centre for Studies in British Art
The Battle for Realism: Figurative Art in Britain During the Cold War 1945-1960, by James Hyman
2001
Archival
Forbes, James, 1749–1819
The Baya, or Bottle-nested Sparrow, with the nest in which they roost in the rainy season; suspended on a leaf of the Cocoa-nut Tree. J. Forbes 1770
1770
Archival
The Beauty of Life: William Morris and the Art of Design
2004-10-14 2005-01-02
Archival
The Beauty of Life: William Morris & the Art of Design, Edited by Diane Waggoner
2004
Archival
The Beinecke Rare Book and Manuscript Library: A Guide to the Collections: book
1994
Archival
Forbes, James, 1749–1819
The Betel-Leaf, at Bombay; of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Betel Plant, on a reduced size; as cultivated in the Gardens of Hindostan. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Bird of Attinga, or Pyed Bird of Paradise; one of the most elegant Birds on the Malabar Coast. On a Sprig of the Cassia Tree. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Birds described in the preceding Letter; with the Red Convolvolus and Blue Creeper of Guzerat: J. Forbes 1775
text added between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Black Minah, and small Green Parrokeet
text added between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Black Monkey, in the Woods near Anjengo. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Black Ostrich, in the southern part of Africa. J. Forbes 1776
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Black-Partridge, of Guzerat; smaller than nature. J. Forbes 1780
1780
Archival
Forbes, James, 1749–1819
The Black Pepper, at Anjengo, of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Black Pepper Vine, as trained on the Mango, & other tall trees in the plantations in the King of Travencore's dominions. J. Forbes 1772
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Blossom of the Sugar-Cane. J. Forbes
text added between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Blue Banana Bird, with a Wild Fruit on the Coast of Brazil, called the Petango. J. Forbes 1765
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Blue Cobra-Minelle, and large Wild Bee of Guzerat, of the natural size and color. J. Forbes 1780
1780
Archival
Forbes, James, 1749–1819
The Blue Fly-catcher at Jamboseer, on a Branch of the Neuree Tree. J. Forbes 1782
1782
Archival
Forbes, James, 1749–1819
The Blue Indian Hawke, smaller than Nature. On a Branch of the Billembing Tree. J. Forbes 1768
1768
Archival
Forbes, James, 1749–1819
The Blue Lizard, of its natural size. With a Sprig of the Cuddum Tree in Guzerat. J. Forbes 1780
1780
Archival
Forbes, James, 1749–1819
The Blue Locust, and variegated Acacia, in Guzerat. J. Forbes 1779
1779
Archival