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Shirley Smith, Richard
The Paintings & Collages, 1957 to 2000 [trade copy of the above in dust jacket]
2002
Archival
The Paintings of James McNeil Whistler: Plates / Andrew McLaren Young, Margaret MacDonald, Robin Spencer ; with the assistance of Hamish Miles
1980
Archival
The Paintings of James McNeill Whistler: Text / Andrew McLaren Young, Margaret MacDonald, Robin Spencer ; with the assistance of Hamish Miles
1980
Archival
Paul Mellon Centre for Studies in British Art
The Paintings of J.M.W. Turner: Volume I: Text, by Martin Butlin and Evelyn Joll
1984
Archival
Paul Mellon Centre for Studies in British Art
The Paintings of J.M.W. Turner: Volume II: Plates, by Martin Butlin and Evelyn Joll
1984
Archival
The Palace Style
1972
Archival
Forbes, James, 1749–1819
The Palmyra, or Brab-Tree, at Bombay
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Papilio or Crimson Velvet Butterfly, at Bombay, with the Blossom of the Purple Limrah, a tree of great beauty, and a delicate fragrance. J. Forbes 1768
1768
Archival
Forbes, James, 1749–1819
The Pardak, or Tufted Fly-Catcher, at the Brazils. With the Aromatic Bay Tree, mentioned in the preceding Letter. J. Forbes
redrawn between 1794 and 1800
Archival
The Paston Treasure: Microcosm of the Known World
2018-02-15 2018-05-27
Archival
Forbes, James, 1749–1819
The Patagonian Bean, of Hindostan, of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Patterah, or Crested Long-tailed Pye, on a Branch of the Mango-Tree; all of the natural size. J. Forbes 1768
1768
Archival
The Paul Mellon Bequest: Treasures of a Lifetime
2001-02-17 2001-04-29
Archival
The Paul Mellon Center for British Art and British Studies 1968-69, by Jules Prown (final publication): booklet
1969
Archival
The Paul Mellon Center for British Art and British Studies 1968-1969 Annual Report, by Jules Prown (drafts): booklet
1969
Archival
The Paul Mellon Centre for Studies in British Art: A History, 1970-2010, preface by Brian Allen: book
2010
Archival
Forbes, James, 1749–1819
The Penguin. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Pepal Tree of the Brahmins. J. Forbes 1780
redrawn between 1794 and 1800
Archival
The Periodical. Oxford University Press, Spring, Summer, Autumn, Winter, 1970.
1970
Archival
Paul Mellon Centre for Studies in British Art
The Personal Art of Davis Octavius Hill, by Sara Stevenson
2002
Archival
Shirley Smith, Richard
The Piercéd Side, Point of Departure
1961
Archival
Forbes, James, 1749–1819
The Pilot-Fish; of the natural size. J. Forbes 1765
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Plaintain, Drawn from Nature, of the exact size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Plaintain Tree. J. Forbes 1765
redrawn between 1794 and 1800
Archival
Paul Mellon Centre for Studies in British Art
The Planters of the English Landscape Garden: Botany, Trees, and the Georgics, by D.D.C. Chambers
1993
Archival
Katayama, Toshihiro, 1928–
The Plastic Parthenon: Two
1968
Archival
Paul Mellon Centre for Studies in British Art
The Pleasures of Antiquity: British Collectors of Greece and Rome, by Jonathan Scott
2003
Archival
The pocket guide to London
1996
Archival
Spender, Stephen, 1909–1995
The Poems of Percy Bysshe Shelley. Selected, edited, and introduced by Stephen Spender Illustrated with wood engravings by Richard Shirley Smith. Cambridge: Limited Editions Club, 1971.
1971
Archival
Spender, Stephen, 1909–1995
The Poems of Percy Bysshe Shelley. Selected, edited, and introduced by Stephen Spender Illustrated with wood engravings by Richard Shirley Smith. Norwalk, CT, Heritage Press, 1974.
1974
Archival
Spender, Stephen, 1909–1995
The Poems of Percy Bysshe Shelley. Selected, edited, and introduced by Stephen Spender Illustrated with wood engravings by Richard Shirley Smith. Norwalk, CT, The Easton Press, 1974.
1974
Archival
“The Poet of Them All”: William Shakespeare and Miniature Designer Bindings from the Collection of Neale and Margaret Albert
2016-06-16 2016-08-21
Archival
The Poetry of Truth: Alfred William Hunt and the Art of Landscape, by Christopher Newall
2004
Archival
The Poetry of Truth: A.W. Hunt and the Art of Landscape
2004-09-18 2004-12-12
Archival
Forbes, James, 1749–1819
The Pompelmous divided. J. Forbes 1772
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Pompelmous, or Shaddock, at Goa; of the natural size. J. Forbes
1767?
Archival
Forbes, James, 1749–1819
The Poon, or Mast-Tree
redrawn between 1794 and 1800
Archival
The Postwar University: Utopianist Campus and College / Stefan Muthesius
2000
Archival
Paul Mellon Centre for Studies in British Art
The Pre-Raphaelite Landscape, by Allen Staley
2001
Archival
Shankland, Hugh
The Prettiest Love Letters in the World. Letters between Lucrezia Borgia & Pietro Bembo. Boston: David R. Godine, 1987.
1987
Archival
Shankland, Hugh
The Prettiest Love Letters in the World. Letters between Lucrezia Borgia & Pietro Bembo. Boston: David R. Godine, 1987.
1987
Archival
Shankland, Hugh
The Prettiest Love Letters in the World. Letters between Lucrezia Borgia & Pietro Bembo. London: Collins Harvill, 1987.
1987
Archival
Bretherton, J. C. (John Christopher), 1925–
The Prince and the Puppeteer. A fairy story by J. C. Bretherton with engravings by Richard Shirley Smith. Salisbury: Compton Press, 1969.
1969
Archival
The Print Collector's Newsletter vol.1-vol.12, index
1970–1982
Archival
Paul Mellon Centre for Studies in British Art
The Print in Early Modern England: an Historical Oversight, by Malcolm Jones
2010
Archival
The Prints of George Stubbs / Basil Taylor
1969
Archival
The Prints of George Stubbs, by Basil Taylor: book
1969
Archival
The Provost of Yale University: A History of the Office, 1919-1994, by Josephine Broude: book
2002
Archival
Forbes, James, 1749–1819
The purple-blossom Thorn-Apple, common in most parts of Hindostan. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Purple-breasted Humming-Bird, of South America; Drawn from Nature. J. Forbes
1767?
Archival
Forbes, James, 1749–1819
The Purple Brinjhal, a delicious vegetable in Hindostan. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Purple Caterpillar, on a Branch of the String-Wood Tree, at St. Helena. J. Forbes 1784
1784
Archival
Forbes, James, 1749–1819
The Purple-head Parrokeet, of the Malabar-Coast; of the natural size. J. Forbes 1773
1772
Archival
The Pursuit of Happiness
1977-07
Archival
The Pursuit of Happiness: A View of Life in Georgian England, by J. H. Plumb
1977
Archival
Hogg, James, 1770–1835
The raid of the Kers, by the Ettrick Shepherd. [London] : Thomas Kell, 1876.
1876
Archival
Forbes, James, 1749–1819
The Rattle-Snake, of a small size. J. Forbes
redrawn between 1794 and 1800
Archival
The Reading Room
1994 March–1994 May
Archival
Forbes, James, 1749–1819
The Red-headed Manakin; with the Mimosa, or Sensitive Plant, at Brazil. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Red Oriental-Periwinkle, with some Butteflies from China. J. Forbes
1769?
Archival
Forbes, James, 1749–1819
The Red Plantain, at Tellicherry. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Red Snake at Cubbeer-Burr, of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
The Reformation of the Bible/ The Bible of the Reformation
1996-02-03 1996-04-02
Archival
The Reformation of the Bible/The Bible of the Reformation by Jaroslav Jan Pelikan with Valerie R. Hotchkiss and David Price
1996
Archival
The Refusal. Mr. Macklin as Sir Gilbert Wrangle. De Wilde Pinxt. Thornthwaite sculp. London, Printed for J. Bell, British Library, Strand, Novr. 3 1792.
1792 November 3
Archival
The Residence of Sir Isaac Newton (from handwritten note).
undated
Archival
The Restorer's Work: Thoughts about Paintings Conservation
2004-04-07
Archival
Forbes, James, 1749–1819
The Revd. David Garrow; of Hadley; Middlesex
1782?
Archival
The Revd. James Berresford author of the "Miseries of human life" & drawn in the Print-room of the British Museum for my friend J.T. Smith. Thomas Foster. May 19th 1823.
1823 May 19
Archival
Forbes, James, 1749–1819
The Rhinoceros. Abbados, Bontius Ind: 50. The Unicorn of Scripture. J. Forbes
1776?
Archival
Forbes, James, 1749–1819
The Rhinoceros-Cicada; of the natural size, with a Sprig of the Falsey, a Fruit which makes delicious Sherbett. J. Forbes 1779
1779
Archival
Forbes, James, 1749–1819
The Rice-Bird, of the Brazils, with the Paddy, or Rice in the Ear
1765
Archival
The Right Hon: Charles James Fox. From an original picture by Sir Joshua Reynolds in the possession of the Right Hon. Lord Holland. Drawn by J. Jackson, engraved by H. Meyer. Published April 2, 1812 by T. Cadell & W. Davies, Strand, London.
1812 April 2
Archival
The Right Honourable Charles Abbot, Baron Colchester, &c. Engraved by H. Meyer from an original Painting by S. Drummond Esq. R.A. London, Published for the European Magazine, by J. Asperne 32 Cornhill 1st Octr 1817.
1817 October 1
Archival
The Right Honourable Charles Abbot, Baron Colchester. London, Published for the European Magazine, by J. Asperne, 32, Cornhill 1st. Octr. 1817. Engraved by H. Meyer; from an original painting by S. Drummond Esq. R.A.
1817 October 1
Archival
The Right Honourable George Canning from a bust by J. Nollekens Esqr. R.A.
undated
Archival
Whistler, Theresa
The River Boy. Introduction by Lord David Cecil. London: Oxford University Press, 1976.
1976
Archival
Paul Mellon Centre for Studies in British Art
The Riverside Gardens of Thomas More's London, by C Paul Christianson
2006
Archival
Paul Mellon Centre for Studies in British Art
The Romantic Interior: The British Collector at Home, 1750-1850, by Clive Wainwright
1989
Archival
The Romantic Landscape Print: The Chiaroscuro of Nature
2002-09-25 2002-12-29
Archival
The Romantic Print in the Age of Revolutions
2003-01-23 2003-03-30
Archival
Forbes, James, 1749–1819
The Root of the Cassava, or Mandicka, much used as a Provision for the Negroes, on the Coast of Brazil. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Rose-breasted Creeper, with the Kerney; a pleasant wild Fruit, in Guzerat. J. Forbes 1775
1775
Archival
Forbes, James, 1749–1819
The Rose-colored Spoonbill, at Brazil. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Rose-Linnet, or Wax-bill, of its natural size; with the Apricot Peach at St. Helena. J. Forbes 1784
1784
Archival
The Royal Palaces of Tudor England: Architecture and Court Life, 1460-1547 / Simon Thurley
1993
Archival
Stubbs, George, 1724–1806
The Royal Tiger, and sleeping Leopard, done from Nature, by Stubbs
late 18th century?
Archival
Forbes, James, 1749–1819
The Royal Tiger. J. Forbes
1779?
Archival
The Royal Veterinary College: Save Duncan's Horses Appeal, commemorative brochures
undated
Archival
The Ruskin Gallery
1994 January 22
Archival
Forbes, James, 1749–1819
The Sable, or Bone-Fish, at Bombay. F. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Sahi, or Blue Banana-Bird of the Brazils; on a Branch of the Guava-Tree; both of the natural size. Jam. Forbes
1780?
Archival
Forbes, James, 1749–1819
The Sahras, an elegant Bird in Guzerat; from four to six feet high. J. Forbes 1778
1778
Archival
Forbes, James, 1749–1819
The same Chameleon in a third change, when it approached any thing black, on a Sprig of the Neva Tree. J. Forbes 1771
1771
Archival
The Samuel H. Kress Foundation, Old Masters in Context 2000-2006, "Sensation and Sensibility: Viewing Gainsborough's "Cottage Door": project report
2006
Archival
Forbes, James, 1749–1819
The Sanguin, or Lion-Monkey of Brazil: The smallest of the Monkey Tribe
1767?
Archival
Forbes, James, 1749–1819
The Scarlet Bird, a pleasant Songster at the Cape of Good-Hope with the Protea-Argentea, or Silver Tree, common in that part of Africa. J. Forbes 1776
1776
Archival
Forbes, James, 1749–1819
The Scarlet-Crested Cockatoo; on a sprig of the Ficus Religiosa, or Banian Tree, of Malabar
1767?
Archival
The Scarlet Pimpernel : playbill for the Borough Theatre production
1903 April
Archival
The School of London and their Friends : the collection of Elaine and Melvin Merians / Intro. Essay by Richard Cork, Catalogue by Patrick McCoughey and Emily M. Weeks
2000
Archival