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Creator Ackermann, Rudolph, 1764–1834

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Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
Thomas Goldsworth Dutton The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
Print made by Thomas Goldsworth Dutton, 1819/20–1891
The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
1843
John Bluck Water Engine, Cold-Bath-Field's Prison
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
John Bluck Saint Stephen's, Walbrook
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
Thomas Rowlandson Freemasons Hall, Great Queen Street
Drawn and etched by Thomas Rowlandson, 1756–1827
Freemasons Hall, Great Queen Street
1808
John Hill Dining Hall, Asylum
John Hill, 1770–1850
Dining Hall, Asylum
1808
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Luigi Schiavonetti William Blake, Frontispiece
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808, published 1813
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
Daniel Havell A View of the Bank of England
Daniel Havell, 1785–1826
A View of the Bank of England
1816
Rudolf Ackermann [Advertisement] Eclipse Sporting Gallery
Rudolf Ackermann, 1764–1834
[Advertisement] Eclipse Sporting Gallery
ca. 1833
Francesco Bartolozzi Cupid Disarmed by Venus
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
unknown artist Messrs. Morgan & Sanders, Catherine St., Strand
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
unknown artist Luscombe, Seat of Charles Hoare, Esquire
Print made by unknown artist
Luscombe, Seat of Charles Hoare, Esquire
undated
Samuel Prout Rudiments of Landscape in Progressive Studies, Plate 46
Print made by Samuel Prout, 1783–1852
Rudiments of Landscape in Progressive Studies, Plate 46
1813
Rudolf Ackermann The Repository of Arts, Royal Waterloo Bath
Published by Rudolf Ackermann, 1764–1834
The Repository of Arts, Royal Waterloo Bath
1819
Newton Limbird Smith Fielding The Stable
Print made by Newton Limbird Smith Fielding, 1799–1856
The Stable
1836
Henry Walter Untitled Images of Livestock, Plate 16
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 16
1824
Henry Walter Untitled Images of Livestock, Plate 12
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 12
1824
Henry Walter Untitled Images of Livestock, Plate 9
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 9
1824
Henry Walter Untitled Images of Livestock, Plate 13
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 13
1824
Henry Walter Untitled Images of Livestock, Plate 15
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 15
1824
Henry Walter Untitled Images of Livestock, Plate 8
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 8
1824
Henry Walter Untitled Images of Livestock, Plate 3
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 3
1824
Henry Walter Untitled Images of Livestock, Plate 5
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 5
1824
Henry Walter Untitled Images of Livestock
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock
1824
Henry Walter Untitled Images of Livestock, Plate 6
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 6
1824
Henry Walter Untitled Images of Livestock, Plate 11
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 11
1824
Henry Walter Untitled Images of Livestock, Plate 14
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 14
1824
Newton Limbird Smith Fielding Goats in Glencoe
Print made by Newton Limbird Smith Fielding, 1799–1856
Goats in Glencoe
1836
Newton Limbird Smith Fielding Fallow Deer
Print made by Newton Limbird Smith Fielding, 1799–1856
Fallow Deer
1836
unknown artist New Bethlem Hospital, St. George's Fields
Print made by unknown artist
New Bethlem Hospital, St. George's Fields
1809
unknown artist Somerset House and the New Church, Strand, Taken from the Morning Post Office
Print made by unknown artist
Somerset House and the New Church, Strand, Taken from the Morning Post Office
1809
unknown artist Russell Institution, Great Coram Street
Print made by unknown artist
Russell Institution, Great Coram Street
1811
unknown artist Royal Hospital of St. Catherine's, Regent's Park
Print made by unknown artist
Royal Hospital of St. Catherine's, Regent's Park
1828
unknown artist New Bethlem Hospital, St. George's Fields
unknown artist
New Bethlem Hospital, St. George's Fields
1817
Daniel Havell St. John's Library
Print made by Daniel Havell, 1785–1826
St. John's Library
1815
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
Rudolf Ackermann The Castle of Isola, Italy
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
unknown artist The Banqueting House, Whitehall
Print made by unknown artist
The Banqueting House, Whitehall
undated
unknown artist Somerset House and the New Church, Strand, Taken from the Morning Post Office
Print made by unknown artist
Somerset House and the New Church, Strand, Taken from the Morning Post Office
1809
unknown artist New Bethlem Hospital, St. George's Fields
Print made by unknown artist
New Bethlem Hospital, St. George's Fields
1817
unknown artist Waterfal of Pissevache
Print made by unknown artist
Waterfal of Pissevache
1818
unknown artist Royal Hospital of St. Catherines, Regent's Park
Print made by unknown artist
Royal Hospital of St. Catherines, Regent's Park
1828
unknown artist View of the Site of the Monastery of the Simplon, & of Mount Rosa
Print made by unknown artist
View of the Site of the Monastery of the Simplon, & of Mount Rosa
1820
unknown artist Bullock's Museum Piccadilly
Print made by unknown artist
Bullock's Museum Piccadilly
1815
unknown artist The Sacred page Displayed
Print made by unknown artist
The Sacred page Displayed
1821
John Bluck Clare Hall
Print made by John Bluck, active 1791–1831
Clare Hall
1814
unknown artist Winding Silk
Print made by unknown artist
Winding Silk
1822
John Hill St. Sepulchres, The Round Church
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
John Raphael Smith Rosalind
Print made by John Raphael Smith, 1752–1812
Rosalind
1802
Samuel William Reynolds The Rt. Honorable Lord Charles Callis Western
Print made by Samuel William Reynolds, 1773–1835
The Rt. Honorable Lord Charles Callis Western
1844
John Harris The Arrival at Waterford, Commin's Hotel
Print made by John Harris, 1811–1865
The Arrival at Waterford, Commin's Hotel
1856
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
John Hassell Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
1810
Thomas Rowlandson Dr. Syntax Returned from His Tour
Print made by Thomas Rowlandson, 1756–1827
Dr. Syntax Returned from His Tour
1813
Charles J. Hullmandel Groups of Cattle Drawn from Nature, Frontispiece
Printed by Charles J. Hullmandel, 1789–1850
Groups of Cattle Drawn from Nature, Frontispiece
1839
Thomas Goldsworth Dutton The Steam Yacht 'North Star,' New York Yacht Club
Print made by Thomas Goldsworth Dutton, 1819/20–1891
The Steam Yacht 'North Star,' New York Yacht Club
1853
Ackermann, Rudolph, 1764-1834. A fourth book, containing twelve imitations of drawings, of modern carriages :
Ackermann, Rudolph, 1764–1834
A fourth book, containing twelve imitations of drawings, of modern carriages
[1797]
Ackermann, Rudolph, 1764-1834. A list of caricatures,
Ackermann, Rudolph, 1764–1834
A list of caricatures,
1814]
Ackermann, Rudolph, 1764-1834, creator. Packet of embossed gilt paper ornaments.
Ackermann, Rudolph, 1764–1834
Packet of embossed gilt paper ornaments
1810?
Ackermann, Rudolph, 1764-1834. Ackermann's new drawing book of light and shadow :
Ackermann, Rudolph, 1764–1834
Ackermann's new drawing book of light and shadow
1809
Ackermann, Rudolph, 1764-1834. A treatise on Ackermann's superfine water colours :
Ackermann, Rudolph, 1764–1834
A treatise on Ackermann's superfine water colours
[1801]
Ackermann, Rudolph, 1764-1834. Proposals for publishing by subscription in monthly numbers, forming one volume, The history of the colleges of Winchester, Eton & Westminster; :
Ackermann, Rudolph, 1764–1834
Proposals for publishing by subscription in monthly numbers, forming one volume, The history of the colleges of Winchester, Eton & Westminster;
1815.]
Ackermann, Rudolph, 1764-1834, author. Books, &c. published by R. Ackermann, No. 101, Strand, London.
Ackermann, Rudolph, 1764–1834
Books, &c. published by R. Ackermann, No. 101, Strand, London
[1823]
Ackermann, Rudolph, 1764-1834. Selection of ornaments ...
Ackermann, Rudolph, 1764–1834
Selection of ornaments ..
1817-19
Ackermann, Rudolph, 1764-1834. Change of proposals for publishing by subscription in monthly numbers, forming one volume, The history of the colleges of Winchester, Eton & Westminster; :
Ackermann, Rudolph, 1764–1834
Change of proposals for publishing by subscription in monthly numbers, forming one volume, The history of the colleges of Winchester, Eton & Westminster;
1816.]
Ackermann, Rudolph, 1764-1834. Watercolor box.
Ackermann, Rudolph, 1764–1834
Watercolor box
between 1799 and 1827
Ackermann, Rudolph, 1764-1834. Ackermann's manual of colours, used in the different branches of water-colour painting: :
Ackermann, Rudolph, 1764–1834
Ackermann's manual of colours, used in the different branches of water-colour painting:
MDCCCXLIV [1844]
Ackermann, Rudolph, 1764-1834. Number I. Of a new series of Ackermann's Repository of Arts, Literature, Fashion, &c. ...
Ackermann, Rudolph, 1764–1834
Number I. Of a new series of Ackermann's Repository of Arts, Literature, Fashion, &c. ..
1815.]
Ackermann, Rudolph, 1764-1834. R. Ackermann's pattern card for embossed ornaments in gold, white, or other colours.
Ackermann, Rudolph, 1764–1834
R. Ackermann's pattern card for embossed ornaments in gold, white, or other colours
[1810]
Ackermann, Rudolph, 1764-1834. The history of the colleges of Winchester, Eton, and Westminster :
Ackermann, Rudolph, 1764–1834
The history of the colleges of Winchester, Eton, and Westminster
MDCCCXVI [1816]
Ackermann, Rudolph, 1764-1834. Proposals for publishing by subscription,
Ackermann, Rudolph, 1764–1834
Proposals for publishing by subscription,
[1815]
Ackermann, Rudolph, 1764-1834, publisher. Prospectus. The history of Little Johnny, the foundling of the late Doctor Syntax :
Ackermann, Rudolph, 1764–1834
Prospectus. The history of Little Johnny, the foundling of the late Doctor Syntax
[1821?]
Ackermann, Rudolph, 1764-1834. Ackermann's new drawing book of light and shadow in imitation of indian ink.
Ackermann, Rudolph, 1764–1834
Ackermann's new drawing book of light and shadow in imitation of indian ink
1812
Ackermann, Rudolph, 1764-1834. Proposals for publishing by subscription, in twenty monthly numbers, forming two volumes, The history of the University of Cambridge :
Ackermann, Rudolph, 1764–1834
Proposals for publishing by subscription, in twenty monthly numbers, forming two volumes, The history of the University of Cambridge
1814.]