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Creator Fores, S. W., 1761–1838

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1. Hog Hunting: The Burst

Hog Hunting: The Burst
Creator:
S. W. Fores, 1761–1838
Date:
ca. 1840
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hog Hunting: The Charge

Hog Hunting: The Charge
Creator:
Print made by S. W. Fores, 1761–1838
Date:
ca. 1840
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Information for the Public

Information for the Public
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Hog Hunting: The Find

Hog Hunting: The Find
Creator:
Print made by S. W. Fores, 1761–1838
Date:
ca. 1840
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

Anticipation - Ways & Means - or - Buonaparte Really Taken!!
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 15in. (27 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. St. George & The Dragon & Mad[emoise]lle Rippooting

St. George & The Dragon & Mad[emoise]lle Rippooting
Creator:
Print made by unknown artist
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 3/4in. (23.2 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. La Fruitiere / Le Tailleur

La Fruitiere / Le Tailleur
Creator:
Print made by unknown artist
Date:
ca. 1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. L'Armurier / Le Pecheur

L'Armurier / Le Pecheur
Creator:
Print made by unknown artist
Date:
ca. 1800
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Hog Hunting: The Tired Pig

Hog Hunting: The Tired Pig
Creator:
Print made by S. W. Fores, 1761–1838
Date:
ca. 1840
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 21 5/8 x 29 3/8in. (54.9 x 74.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Resignation

The Resignation
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 7/8 x 10 1/8in. (30.2 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Fox That Lost His Tail

The Fox That Lost His Tail
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 14 5/8in. (22.2 x 37.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Ceceders in Limbo - ie - Vagabounds Made Useful

Ceceders in Limbo - ie - Vagabounds Made Useful
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 5/8 x 10 7/8in. (34.6 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Rival Accoucheurs or Who Shall Deliver Europe

The Rival Accoucheurs or Who Shall Deliver Europe
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Dilemma or the German-Macheath

A Dilemma or the German-Macheath
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 13 13/16in. (24.4 x 35.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Gilpin Whigs Return to Rochester without their Candidate

The Gilpin Whigs Return to Rochester without their Candidate
Creator:
Print made by unknown artist
Date:
ca. 1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 x 18in. (17.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Small Blunders or Irish Bulls

Small Blunders or Irish Bulls
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Hopes of the Family, An Admission at the University

The Hopes of the Family, An Admission at the University
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

18. A Spy!!! Or the Blessings of a Convention Bill

A Spy!!! Or the Blessings of a Convention Bill
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

19. The New Petty Coat Administration

The New Petty Coat Administration
Creator:
Print made by William Heath, 1795–1840
Date:
ca. 1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

20. A Complete Turn-Out among the Cabinet-Makers

A Complete Turn-Out among the Cabinet-Makers
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 14 1/2 inches (28.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

21. A Parti Carré for a Crown

A Parti Carré for a Crown
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 14 1/2 inches (28.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

22. Out of Court. Auspicium Melioris Devi

Out of Court. Auspicium Melioris Devi
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

23. A Flight Across the Herring Pool

A Flight Across the Herring Pool
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1800
Materials & Techniques:
Etching with hand coloring in watercolor on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 9 5/8 × 15 1/2 inches (24.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

24. Washing the Blackamoor

Washing the Blackamoor
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Salutation Tavern

The Salutation Tavern
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Strephon and Chloe

Strephon and Chloe
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Cambridge University: Queens College

Cambridge University: Queens College
Creator:
Print made by Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Charge of Bastardy before Justice Juggle

A Charge of Bastardy before Justice Juggle
Creator:
Print made by George Moutard Woodward, ca. 1760–1809
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 9in. (20.3 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Wrangling Friends or Opposition in Disorder

The Wrangling Friends or Opposition in Disorder
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 5/8 x 14 3/8in. (24.4 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends

The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 15 5/16in. (22.9 x 38.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Dead, Positively Dead

Dead, Positively Dead
Creator:
Attributed to Henry Kingsbury, active 1750–1780
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Les Sacrefices Forces

Les Sacrefices Forces
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/16 x 15 1/4in. (24 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply

Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 13in. (22.5 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. False Courage

False Courage
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Dutch Divisions

The Dutch Divisions
Creator:
Print made by James Gillray, 1756–1815
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 1/2 x 8 1/2in. (14 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Sick Prince

The Sick Prince
Creator:
Print made by James Gillray, 1756–1815
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 9 3/4in. (21 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Battle Royal Between the Prig Major and Big Bess

The Battle Royal Between the Prig Major and Big Bess
Creator:
Attributed to Henry Kingsbury, active 1750–1780
Date:
1788
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 13 3/8in. (22.5 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Treaty of Peace, or Satisfaction for all Parties

The Treaty of Peace, or Satisfaction for all Parties
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 15 1/2in. (23.8 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A Brace of Blessings

A Brace of Blessings
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/16 x 12 13/16in. (21.4 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

40. A Brace of Blessings

A Brace of Blessings
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/16 x 12 13/16in. (21.4 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

41. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament

A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

42. The New Birth

The New Birth
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 15 1/8in. (23.5 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Resignation the Greatest of all Virtues

Resignation the Greatest of all Virtues
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 15/16 x 13 1/8in. (22.7 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

44. Le Roi Esclave on Les Sujets Rois Female Patriotism

Le Roi Esclave on Les Sujets Rois Female Patriotism
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 x 28in. (17.8 x 71.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

45. Bless Thee Bottom, Bless Thee-Thou Art Translated

Bless Thee Bottom, Bless Thee-Thou Art Translated
Creator:
Attributed to Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/16 x 8 3/8in. (24 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

46. How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water

How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 15 3/4in. (22.9 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

47. The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes

The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/16 x 15 1/4in. (21.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

48. Sedition, Levelling and Plundering

Sedition, Levelling and Plundering
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

49. Strong Symptoms of Loyalty

Strong Symptoms of Loyalty
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 7/8in. (21.6 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Strong Symptoms of Loyalty

Strong Symptoms of Loyalty
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!

The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 1/8 x 14 1/2in. (25.7 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A Flight of Parsons

A Flight of Parsons
Creator:
Print made by George Moutard Woodward, ca. 1760–1809
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 12 7/8in. (21.9 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes

Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/2 x 9 1/8in. (31.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Malbrouke

Malbrouke
Creator:
Print made by unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 13in. (21.3 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees

The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Cloathing

Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Cloathing
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Ilustration to Goldsmith's poems (chiefly The Deserted Village)

No cover image available
Creator:
Myles Birket Foster, 1825–1899
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 22 3/4in. (57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Propagation of a Lie (Left)

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1794
Materials & Techniques:
Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:
Sheet: 11 13/16 × 23 13/16 inches (30 × 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of William S. Konecky

59. Propagation of a Lie (Center)

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1794
Materials & Techniques:
Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:
Sheet: 11 13/16 × 24 5/8 inches (30 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of William S. Konecky

60. Propagation of a Lie (Right)

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1794
Materials & Techniques:
Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:
Sheet: 11 5/8 × 21 7/8 inches (29.5 × 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of William S. Konecky

61. A Long String of Resolutions for the New Year (Left)

No cover image available
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 40 1/2 inches (27.9 × 102.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of William S. Konecky

62. A Long String of Resolutions for the New Year (Right)

No cover image available
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 29 3/4 inches (27.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of William S. Konecky

63. The Brazen Image erected on a Pedestal wrought by Himself

No cover image available
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching with hand coloring in watercolor on medium, textured, cream laid paper
Dimensions:
Sheet: 17 1/8 × 10 3/4 inches (43.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

64. Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

No cover image available
Creator:
Print made by Thomas Jones, active 1828
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 7/8 inches (28.6 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

65. The Bond Street Battalion - or the Hospital Staff from Holland!!!

No cover image available
Creator:
Print made by John Cawse, 1779–1862
Date:
1799
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 11 3/4 × 14 inches (29.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

66. The Royal Hunt

No cover image available
Creator:
Print made by unknown artist
Date:
1786
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 1/2 x 19 1/4in. (34.3 x 48.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Blood on Thunder Fording the Red Sea

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1788
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/16 × 13 1/4 inches (24 × 33.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection