The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
2
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
3
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
4
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
5
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
6
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
7
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
8
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
9
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
10
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
11
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
12
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
13
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
14
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
15
James Gillray, 1756–1815
United Irishmen in Training
1798
16
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
17
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
18
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
19
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
20
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
21
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
22
James Gillray, 1756–1815
Le Coup de Maitre
1797
23
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
24
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
25
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
26
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
27
James Gillray, 1756–1815
The Tree of Liberty
1797
28
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
29
James Gillray, 1756–1815
John Bull Ground Down
1795
30
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
31
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
32
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
33
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
34
James Gillray, 1756–1815
The Death of the Great Wolf
1795
35
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
36
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
37
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
38
James Gillray, 1756–1815
The Lover's Dream
1795
39
James Gillray, 1756–1815
Copenhagen House
1795
40
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
41
James Gillray, 1756–1815
Presages of the Millenium
1795
42
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
43
James Gillray, 1756–1815
A Hackney Meeting
1796
44
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
45
James Gillray, 1756–1815
A Uniform Whig ---
1791
46
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
47
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
48
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
49
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
50
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
51
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
52
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
53
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
54
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
55
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
56
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
57
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
58
James Gillray, 1756–1815
The Republican - Attack
1795
59
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
60
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
61
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
62
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
63
James Gillray, 1756–1815
Destruction of the French Collossus
1798
64
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
65
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
66
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
67
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
68
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
69
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
70
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
71
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
72
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
73
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
74
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
75
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
76
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
77
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
78
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
79
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
80
James Gillray, 1756–1815
A Man of Importance
1799
81
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
82
James Gillray, 1756–1815
Independence
1799
83
James Gillray, 1756–1815
A Portrait ------------
1799
84
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
85
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
86
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
87
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
88
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
89
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
90
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
91
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
92
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
93
James Gillray, 1756–1815
Patience on a Monument
1791
94
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
95
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
96
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
97
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
98
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
99
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
100
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e