Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
102
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
103
James Gillray, 1756–1815
Patience on a Monument
1791
104
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
105
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
106
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
107
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
108
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
109
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
110
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
111
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
112
James Gillray, 1756–1815
The Royal Academy
1786
113
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
114
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
115
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
116
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
117
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
118
James Gillray, 1756–1815
The Bubbles of Opposition
1788
119
James Gillray, 1756–1815
The Friendly Agent
1787
120
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
121
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
122
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
123
James Gillray, 1756–1815
John Bull Triumphant
1780
124
James Gillray, 1756–1815
The Triumphant Britons
1780
125
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
126
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
127
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
128
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
129
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
130
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
131
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
132
James Gillray, 1756–1815
Jack A Both Sides!
1783
133
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
134
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
135
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
136
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
137
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
138
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
139
Charles Turner, 1774–1857
James Gillray
1819
140
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
141
James Gillray, 1756–1815
A Morning Ride
1804
142
Imitator of James Gillray, 1756–1815
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
143
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
144
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
145
James Gillray, 1756–1815
A London Street Crier
undated
146
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
147
Charles Williams, active 1796–1830
The Union Club
undated
148
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
149
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
150
James Gillray, 1756–1815
The Soliloquy
1782
151
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
152
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
153
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
154
James Gillray, 1756–1815
The Legacy
1786
155
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
156
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
157
Print made by James Gillray, 1756–1815
The Sick Prince
1787
158
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
159
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
160
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
161
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
162
James Gillray, 1756–1815
The Tottering Pyramid
1784
163
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
164
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
165
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
166
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
167
James Gillray, 1756–1815
The Battle of Bow-Street
1788
168
James Gillray, 1756–1815
The English Regency
1789
169
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
170
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
171
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
172
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
173
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
174
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
175
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
176
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
177
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
178
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
179
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
180
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
181
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
182
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
183
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
184
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
185
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
186
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
187
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
188
James Gillray, 1756–1815
What a Cur ' tis
1795
189
James Gillray, 1756–1815
The Prodigal Son
1787
190
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
191
James Gillray, 1756–1815
Love's Last Shift
1787
192
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
193
James Gillray, 1756–1815
The Royal Society
1786
194
James Gillray, 1756–1815
Les Trois Magots
1791
195
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
196
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
197
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
198
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
199
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)