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Creator Gillray, James, 1756–1815

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James Gillray Hint to Modern Sculptors, as an Ornament to a Future Square ---
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
James Gillray Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
James Gillray Patience on a Monument
James Gillray, 1756–1815
Patience on a Monument
1791
James Gillray The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe.
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
James Gillray John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
James Gillray The - Battle Royal, or Who Wears the Breeches
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
James Gillray A Sun Setting in a Fog, With The Old Hanover Hack Descending
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
James Gillray A Witch, Upon a Mount's Edge - Vide: Fuzelli
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
James Gillray A Natural Crop; - Alias - A Norfolk Dumpling
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
James Gillray Which is the Better Man or The Pot Calls the Kettle Blacka-e
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
James Gillray The April Fool or The Follies of a Night ---
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
James Gillray The Royal Academy
James Gillray, 1756–1815
The Royal Academy
1786
James Gillray Gloria Mundi, or - The Devil Addressing the Sun
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
James Gillray Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
James Gillray Gloria Mundi, or The Devil Addressing the Sun
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
James Gillray Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
James Gillray Committee of Grievances and Apprehensions
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
James Gillray The Bubbles of Opposition
James Gillray, 1756–1815
The Bubbles of Opposition
1788
James Gillray The Friendly Agent
James Gillray, 1756–1815
The Friendly Agent
1787
James Gillray The Fall of the Wolsey of the Woolsack
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
James Gillray A New Administration, or - The State Quacks Administring
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
James Gillray Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
James Gillray John Bull Triumphant
James Gillray, 1756–1815
John Bull Triumphant
1780
James Gillray The Triumphant Britons
James Gillray, 1756–1815
The Triumphant Britons
1780
James Gillray A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
James Gillray Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc.
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
James Gillray Ah, Grant A Me Von Letel Bite
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
James Gillray Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
James Gillray The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
James Gillray The R't Hon'ble Catch Singers
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
James Gillray A Block for the Wigs - or, The New State Whirligig
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
James Gillray Jack A Both Sides!
James Gillray, 1756–1815
Jack A Both Sides!
1783
James Gillray Two New Sliders for the State Magic Lanthern
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
James Gillray The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
James Gillray The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
unknown artist We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
unknown artist Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
Charles Turner James Gillray
Charles Turner, 1774–1857
James Gillray
1819
James Gillray A Cognocenti Contemplating ye Beauties of ye Antique
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
James Gillray A Morning Ride
James Gillray, 1756–1815
A Morning Ride
1804
James Gillray The Reflection: Grotesque Fat man Looking in a Hand Mirror
Imitator of James Gillray, 1756–1815
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
James Gillray Two Men at Fisticuffs
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
George Moutard Woodward A Minute Regulation of the Opera Step
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
James Gillray A London Street Crier
James Gillray, 1756–1815
A London Street Crier
undated
George Moutard Woodward Spy's Taken at Greenwich on Easter Monday
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
Charles Williams The Union Club
Charles Williams, active 1796–1830
The Union Club
undated
James Gillray The King of Brobdingnag and Gulliver
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
James Gillray Venus Attired by the Graces
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
James Gillray The Soliloquy
James Gillray, 1756–1815
The Soliloquy
1782
James Gillray Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
James Gillray Paille d'Avoine - Paille d'Avoine
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray The Legacy
James Gillray, 1756–1815
The Legacy
1786
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray The Dutch Divisions
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
James Gillray The Sick Prince
Print made by James Gillray, 1756–1815
The Sick Prince
1787
James Gillray Swearing to the Cutting Monster or - A Scene in Bow Street
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
James Gillray The (Prince's) Nursery or Nine Months After
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
James Gillray The Doctor Indulged with his Favorite Scene ---
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
James Gillray The Fall of Dagon - or Rare News for Leaden-Hall Street
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
James Gillray The Tottering Pyramid
James Gillray, 1756–1815
The Tottering Pyramid
1784
James Gillray The Funeral Procession of Miss Regency
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
James Gillray The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
James Gillray A Modern Cherub, - Vide Peters
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
James Gillray The Butchers of Freedom
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
James Gillray The Battle of Bow-Street
James Gillray, 1756–1815
The Battle of Bow-Street
1788
James Gillray The English Regency
James Gillray, 1756–1815
The English Regency
1789
James Gillray Mason, The Duke's Confectioner Disposing of the Trinkets
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
James Gillray The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
James Gillray To Be Paid For - The Dog Tax
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
James Gillray The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
James Gillray Leaving off Powder, - or - a Frugal Family Saving the Guinea
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
James Gillray Portrait of an Irish Chief; Drawn from Life at Wexford
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
James Gillray A Slice of Glo'ster Cheese
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
James Gillray Councellor Ego. - i.e.: - Little I, Myself, I.
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
James Gillray -Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
James Gillray John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
James Gillray Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
James Gillray Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
James Gillray Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
James Gillray Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
James Gillray Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
James Gillray The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
James Gillray Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
James Gillray What a Cur ' tis
James Gillray, 1756–1815
What a Cur ' tis
1795
James Gillray The Prodigal Son
James Gillray, 1756–1815
The Prodigal Son
1787
James Gillray The Noble Sans - Culotte
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
James Gillray Love's Last Shift
James Gillray, 1756–1815
Love's Last Shift
1787
James Gillray Blindmans-Buff - or - Too Many for John Bull
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
James Gillray The Royal Society
James Gillray, 1756–1815
The Royal Society
1786
James Gillray Les Trois Magots
James Gillray, 1756–1815
Les Trois Magots
1791
James Gillray The York Reverence; - or - City - Loyalty Amply Rewarded
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
James Gillray Taking Physick; - or - The News of Shooting the King of Sweden!
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
James Gillray Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
James Gillray The Slough of Despond----; Vide - The Patriots Progress
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
James Gillray Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
James Gillray The Dagger Scene: - or - The Plot Discover'd
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792