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Creator Hogarth, William, 1697–1764

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Height [cm] 39

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1. The First Stage of Cruelty

The First Stage of Cruelty
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

3. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

4. The First Stage of Cruelty: Children Torturing Animals

The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

5. The Fourth Stage of Cruelty: The Reward of Cruelty

The Fourth Stage of Cruelty: The Reward of Cruelty
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

6. Study for the Foundlings

Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Marriage à la Mode, Plate 6

Marriage à la Mode, Plate 6
Creator:
Print made by William Hogarth, 1697–1764
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

8. Simon Lord Lovat

Simon Lord Lovat
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 9 3/8 inches (38.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

9. John Wilkes, Esq.

John Wilkes, Esq.
Creator:
William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Etching and engraving
Dimensions:
Sheet: 15 1/2 x 10 1/4in. (39.4 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A.

10. The First Stage of Cruelty: First, Children Torturing Animals

The First Stage of Cruelty: First, Children Torturing Animals
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Marriage à la Mode, Plate 4

Marriage à la Mode, Plate 4
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

13. Marriage à la Mode, Plate 1

Marriage à la Mode, Plate 1
Creator:
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

14. Marriage A-La-Mode, Plate VI: The Death of the Countess

Marriage A-La-Mode, Plate VI: The Death of the Countess
Creator:
Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/2 x 18 1/4in. (39.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Marriage A-La-Mode, Plate I: The Contract

Marriage A-La-Mode, Plate I: The Contract
Creator:
Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Marriage à la Mode, Plate 2

No cover image available
Creator:
Print made by Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 1/4 inches (38.7 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker