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Creator Larrabee, Constance Stuart

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Work Type photograph

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1. Blind Basuto(Lesotho) Miner and his dog, 1947

Blind Basuto(Lesotho) Miner and his dog, 1947
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1947, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Afrikaner Family Returning Home after Nagmaal, near Pretoria, 1947

Afrikaner Family Returning Home after Nagmaal, near Pretoria, 1947
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1947, printed-1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Village Warehouse, Basutoland, (Lesotho), 1947

Village Warehouse, Basutoland, (Lesotho), 1947
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1947, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Basuto (Lesotho) Herd Boy Dancing, 1941

Basuto (Lesotho) Herd Boy Dancing, 1941
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1947, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. South African Soldier, Grezzana, Italy, 1944

South African Soldier, Grezzana, Italy, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1944, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund