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Creator Lawrence, Thomas, Sir, 1769–1830

Remove constraint Creator: Lawrence, Thomas, Sir, 1769–1830

Height [cm] 76

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Samuel Lysons
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1799
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 25 inches (76.2 x 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Admiral John Markham
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
ca. 1793
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 25 inches (76.2 x 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Field Marshal the Duke of Wellington, K. G.
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1848
Materials & Techniques:
Mezzotint and stipple engraving on thick, slightly textured, beige wove paper with chine-collé
Dimensions:
Sheet: 32 7/8 × 23 1/4 inches (83.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968
Lady Leicester as Hope
Creator:
Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:
1823
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 30 1/16 × 19 1/2 inches (76.4 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Georgiana Elizabeth Duchess of Newcastle
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Mezzotint (state unknown) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 21 7/16 inches (76.2 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1833
Materials & Techniques:
Mezzotint (first state) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 20 1/2 inches (76.2 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund