Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
102
John Hamilton Mortimer, 1740–1779
Ophelia, from Hamlet, Act IV, Scene 7
1775
103
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
104
John Hamilton Mortimer, 1740–1779
Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)
105
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
106
Print made by Robert Blyth, 1750–1784
The Captive
1781
107
John Hamilton Mortimer, 1740–1779
Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
108
unknown artist
Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)
109
Robert Blyth, 1750–1784
Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
1782
110
John Hamilton Mortimer, 1740–1779
Tragedy
1778
111
John Hamilton Mortimer, 1740–1779
Bardolph, "Henry IV", Part II, Act II, Scene IX
1775
112
John Hamilton Mortimer, 1740–1779
Cassandra, "Troilus and Cressida", Act II, Scene IV
1776
113
John Hamilton Mortimer, 1740–1779
Edgar, "King Lear", Act III, Scene III
1775
114
John Hamilton Mortimer, 1740–1779
"Richard II", Act III, Scene II
1775
115
John Hamilton Mortimer, 1740–1779
York, "Henry IV", Part II, Act V, Scene IV
1775
116
unknown artist
Falstaff - "Henry IV", Part II, Act V, Scene IV
ca. 1837
117
unknown artist
Richard II - "Richard II", Act III, Scene II
ca. 1837
118
John Hamilton Mortimer, 1740–1779
The Poet, "A Midsummer Night's Dream", Act V, Scene I
1775
119
attributed to John Hamilton Mortimer, 1740–1779
Two Heads in a Roundel
undated
120
attributed to John Hamilton Mortimer, 1740–1779
Portrait of John Saxby
undated
121
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
122
Robert Blyth, 1750–1784
John Hamilton Mortimer, Historical Painter, Self-Portrait (Note to number 4 of Catalogue Mortimer Exhibition 1968)
1782
123
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
124
John Hamilton Mortimer, 1740–1779
Comedy
1778
125
Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
126
John Hamilton Mortimer, 1740–1779
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
127
John Hamilton Mortimer, 1740–1779
Salvator Rosa (no.2 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
128
John Hamilton Mortimer, 1740–1779
Gerard de Lairesse (no.3 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
129
John Hamilton Mortimer, 1740–1779
Banditti taking his post (no.4 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
130
John Hamilton Mortimer, 1740–1779
Banditti on the lookout (no.5 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
131
John Hamilton Mortimer, 1740–1779
Reposa (no.6 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
132
John Hamilton Mortimer, 1740–1779
Successful Monster (no.7 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
133
John Hamilton Mortimer, 1740–1779
Jealous Monster (no.8 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
134
John Hamilton Mortimer, 1740–1779
Captain of Banditti sending out a party (no.10 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
135
John Hamilton Mortimer, 1740–1779
Musical Monster (no.11 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
136
John Hamilton Mortimer, 1740–1779
Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
137
John Hamilton Mortimer, 1740–1779
Elegy (no.15 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
138
John Hamilton Mortimer, 1740–1779
Tragedy (no.13 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
139
John Hamilton Mortimer, 1740–1779
Comedy (no.12 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
140
John Hamilton Mortimer, 1740–1779
Pastoral (no.14 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
141
Joseph Haynes, 1760–1829
Six Banditti with Dog (no.1 of 10)
1780
142
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
143
Joseph Haynes, 1760–1829
Monster (no.5 of 10)
1750
144
Joseph Haynes, 1760–1829
Woman warding off Monster (no.4 of 10)
1780
145
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
146
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
147
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
148
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
149
Joseph Haynes, 1760–1829
Banditti and Woman (no.8 of 10)
150
John Hamilton Mortimer, 1740–1779
Sleeping Monsters
1780
151
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
152
Joseph Haynes, 1760–1829
Two Women and a Man (no.9 of 10)
1780
153
John Hamilton Mortimer, 1740–1779
Revengeful Monsters
1780
154
Joseph Haynes, 1760–1829
Winged Monster (no.10 of 10)
1780
155
Francesco Bartolozzi, 1728–1815
The Death Of Sir Philip Sidney
1788
156
Print made by Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
157
William Woollett, 1735–1785
Dido and Aeneas
1787
158
Print made by Benedictus Antonio van Assen, active 1788–died 1817
John Hamilton Mortimer
1810
159
Print made by Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
160
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
161
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
162
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
163
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
164
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
165
John Hamilton Mortimer, 1740–1779
Pastoral (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
166
John Hamilton Mortimer, 1740–1779
Elegy (Four laid down on one sheet)(Notes to numbers 84-86 of Catalogue Mortimer Exhibition 1968)
167
Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
168
unknown artist
Alcibiades and Timon
undated
169
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
170
Print made by Lydia Bates, active 1784
Little Missenden Church from the Southeast
1784
171
Print made by Lydia Bates, active 1784
Landscape with Classical Ruins
1784
172
Print made by Lydia Bates, active 1784
Coastal Scene
1784
173
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
174
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
175
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
176
John Hamilton Mortimer, 1740–1779
Reclining Female Figure in an Italian Landscape
undated
177
John Hamilton Mortimer, 1740–1779
A Man Kneeling
1770
178
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
179
John Hamilton Mortimer, 1740–1779
Two Men Fighting Before a Woman
1771
180
John Hamilton Mortimer, 1740–1779
Studies of Groups of Heads
undated
181
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
182
John Hamilton Mortimer, 1740–1779
Saint Paul Preaching to the Britons
between 1775 and 1778
183
attributed to John Hamilton Mortimer, 1740–1779
Portrait of James Tuffs
undated
184
John Hamilton Mortimer, 1740–1779
Three Soldiers in Armour Sitting on Stone Blocks
undated
185
John Hamilton Mortimer, 1740–1779
Studies of Academics
undated
186
Engraved by Francis Chesham, 1749–1806
Nicholas the Carpenter and Robin, from "The Canterbury Tales"
1787
187
Engraved by Francis Chesham, 1749–1806
Palamon and Arcita, from "The Canterbury Tales"
1787
188
Print made by Robert Blyth, 1750–1784
John Hamilton Mortimer
1782
189
John Hamilton Mortimer, 1740–1779
An Academy
ca. 1773
190
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
191
Princess Augusta Charlotte, 1766–1828
Head of an Aga of the Janisseries
undated
192
unknown artist
Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)