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Creator Rysbrack, John Michael, 1694–1770

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Sir Isaac Newton
Creator:
unknown artist
Date:
ca. 1735
Materials & Techniques:
Boxwood
Dimensions:
Overall: 6 1/2 x 5 1/4 inches (16.5 x 13.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Peter Tillemans
Creator:
John Michael Rysbrack, 1694–1770
Date:
1727
Materials & Techniques:
Terracotta
Dimensions:
Overall: 27 1/2 × 18 1/2 × 8 3/4 inches, 73.5 lb. (69.9 × 47 × 22.2 cm, 33.3 kg)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection, partial Gift of Cyril Humphris
On View:
Not on view
Hercules
Creator:
John Michael Rysbrack, 1694–1770
Date:
between 1745 and 1752
Materials & Techniques:
Terracotta
Dimensions:
Overall: 22 1/2 x 21 1/2 x 9 inches (57.2 x 54.6 x 22.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
William III
Creator:
John Michael Rysbrack, 1694–1770
Date:
ca. 1736
Materials & Techniques:
Marble
Dimensions:
Overall: 25 1/2 x 18 x 11 3/4 inches (64.8 x 45.7 x 29.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
John Locke
Creator:
unknown artist
Date:
ca. 1750
Materials & Techniques:
Plaster
Dimensions:
Overall: 21 inches (53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
John Locke
Creator:
unknown artist
Date:
between 1790 and 1800
Materials & Techniques:
Plaster (on metal base)
Dimensions:
Overall: 9 1/2 inches (24.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Portrait of a Man, called Francois Duquesnoy
Creator:
unknown artist
Date:
ca. 1750
Materials & Techniques:
Ivory relief
Dimensions:
Overall: 5 7/8 × 3 15/16 inches (15 × 10 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
The Stoning of St. Stephen
Creator:
Imitator of John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 20 1/8 inches (31.8 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustration to the Iliad
Creator:
John Michael Rysbrack, 1694–1770
Date:
between 1760 and 1769
Materials & Techniques:
Watercolor and gouache with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 15 1/8 inches (23.5 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for a Monument to Sir James Reade, Hatfield
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and brown wash on slightly textured, medium, brown laid paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Penitent Magdalene
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over red chalk on medium, slightly textured, cream laid paper mounted on medium, moderately textured, white paper
Dimensions:
Sheet: 5 7/16 x 5 3/4in. (13.8 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scene on Mount Olympus
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Admiral Vernon's Monument in Westminster Abbey
Creator:
John Michael Rysbrack, 1694–1770
Date:
ca. 1763
Materials & Techniques:
Pen and brown ink, black ink, gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper mounted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 11/16 x 6 13/16in. (29.7 x 17.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Monument (male bust with military emblems)
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 10 1/2in. (36.8 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Horse's Head
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Black ink, gray and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch for 'The Continence of Scipio'
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 inches (13.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Horses' Heads
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, red chalk, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 8 11/16 inches (13.2 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 9 7/8 inches (34.4 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection