Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851 / Height [cm]: 19 / Image Use: Free to Use

1. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with graphite; Engraver's proof (d)(touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Temple of Jupiter in the Island of Aegina

Creator:: Attributed to Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Via Mala

Creator:: Attributed to Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 14 3/4 inches (28.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Stonehenge at Daybreak

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1815 to 1819
Materials & Techniques:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Evening Gun

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint and scraping; touched engraver's proof c on medium, slightly textured, cream laid paper
Dimensions:: Plate: 7 1/2 x 9 3/16in. (19 x 23.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; trial proof
Dimensions:: Plate: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Whitchurch, Devonshire

Creator:: Attributed to Joseph Mallord William Turner, 1775–1851
Date:: 1800
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 3/8 x 10 7/8 inches (18.7 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anne Parmelee Reed Dean in memory of her grandfather, the Reverend Edward Allen Reed, and her father, Professor Edward Bliss Reed, Yale 1894

12. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Evening Landscape with Castle and Bridge in Yorkshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Paestum

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Hedging and Ditching

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Crowhurst

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Procris and Cephalus

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Stonehenge at Daybreak

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1815 to 1819
Materials & Techniques:: Mezzotint, printed in brown ink Modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Solway Moss

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Frontispiece

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink Third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Hedging and Ditching

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 11 1/8 inches (20.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1860
Materials & Techniques:: Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 7/8 inches (34 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of a River from a Terrace, Macon

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on Medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Shields on the River Tyne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint; engraver's proof (a)(touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Newcastle-on-Tyne

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper with chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. More Park, near Watford, on the River Colne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; first engraver's proof before (a) (very early) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 10 7/8 inches (21.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Val d'Aosta

Creator:: Print made by Alfred Dawson, active 1860–1894
Date:: 1885
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 14 1/2 inches (26.2 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

40. Ely

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Birmingham

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1795
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Bridgenorth

Creator:: Print made by James Walker, 1748–1808
Date:: 1795
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 20 inches (33.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Vale of Heathfield, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 3/8 inches (34.6 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Vale of Heathfield, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 7/8 inches (30.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Hurstmonceux Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 14 1/4 inches (29.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Raby Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hylton Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Gibside, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1819
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Lake of Nemi

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof (touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 11 5/8 inches (19.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/16 × 18 3/4 inches (33.2 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Aske Hall

Creator:: Print made by John Scott, 1774–1828
Date:: 1821
Materials & Techniques:: Etching; engraver's proof (a), open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 1/4 inches (41 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Aske Hall

Creator:: Print made by John Scott, 1774–1828
Date:: 1818-1823
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 × 19 7/16 inches (33.2 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1821
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/16 inches (30.8 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 11/16 inches (34 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1819
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper with cream chine collé
Dimensions:: Sheet: 11 15/16 × 17 15/16 inches (30.3 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/16 inches (21.6 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1821
Materials & Techniques:: Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 18 1/16 inches (30 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on very thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Aysgarth Force

Creator:: Print made by John Scott, 1774–1828
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Simmer Lake near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Simmer Lake near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Hornby Castle from Tatham Church

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1822
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 15/16 × 18 3/4 inches (37.9 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Hardraw Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1817
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Hornby Castle from Tatham Church

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1818-1823
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 19 3/8 inches (30.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Heysham and Cumberland Mountain

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Heysham and Cumberland Mountain

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/16 × 11 3/16 inches (20.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 18 15/16 inches (32.2 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 20 7/8 inches (40.3 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Line engraving, 1st published state on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Hampton Court, Herefordshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Whalley Abbey (nearer view)

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1800
Materials & Techniques:: Line engraving, published State
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Mr. Fawkes Gallery

Creator:: Print made by Henry Moses, ca. 1782–1870
Date:: 1819-1820
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 11 1/16 inches (22.5 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Open etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Richmondshire Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof (touched) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Observatory at Rosehill, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof touched on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 inches (25.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Height [cm] 19

Image Use Free to Use

Search Results

1. Dumblain Abbey, Scotland

2. The Source of the Arveron in the Valley of Chamouni, Savoy

3. The Source of the Arveron in the Valley of Chamouni, Savoy

4. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

5. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

6. The Temple of Jupiter in the Island of Aegina

7. Via Mala

8. Stonehenge at Daybreak

9. The Evening Gun

10. Catania, Sicily

11. Whitchurch, Devonshire

12. North East View of Grantham Church, Lincolnshire

13. Evening Landscape with Castle and Bridge in Yorkshire

14. Paestum

15. Shields Lighthouse

16. Gloucester Cathedral

17. Hedging and Ditching

18. Procris and Cephalus

19. Crowhurst

20. Bonneville, Savoy

21. Bonneville, Savoy

22. Procris and Cephalus

23. Stonehenge at Daybreak

24. Apuleia in Search of Apuleius

25. The Stork and Aqueduct

26. Bonneville, Savoy

27. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

28. Solway Moss

29. Frontispiece

30. Dumblain Abbey, Scotland

31. The Source of the Arveron in the Valley of Chamouni, Savoy

32. Hedging and Ditching

33. Procris and Cephalus

34. The Source of the Arveron in the Valley of Chamouni, Savoy

35. View of a River from a Terrace, Macon

36. Shields on the River Tyne

37. Newcastle-on-Tyne

38. More Park, near Watford, on the River Colne

39. Val d'Aosta

40. Ely

41. Birmingham

42. Westminster Bridge

43. Bridgenorth

44. Gledhow

45. The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.

46. The Observatory at Rosehill, Sussex

47. Vale of Heathfield, Sussex

48. The Vale of Ashburnham

49. The Vale of Ashburnham

50. Vale of Heathfield, Sussex

51. Crowhurst, Sussex

52. Hurstmonceux Castle

53. Bodiham Castle, Sussex

54. Plymouth Citadel

55. Raby Castle, County of Durham

56. Hylton Castle, County of Durham

57. Gibside, County of Durham

58. Lake of Nemi

59. Fall of the Tees

60. Aske Hall

61. Aske Hall

62. Fall of the Tees

63. Fall of the Tees

64. Fall of the Tees

65. Junction of the Greta and Tees at Rokeby

66. Junction of the Greta and Tees at Rokeby

67. Junction of the Greta and Tees at Rokeby

68. Wycliffe, near Rokeby

69. Brignall Church

70. Wycliffe, near Rokeby

71. Aysgarth Force

72. Simmer Lake near Askrig

73. Moss Dale Fall