YCBA Collections Search
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- Turner, J. M. W. (Joseph Mallord William), 1775–1851[remove]243
- Cooke, George, 1781–183424
- Finden, Edward Francis, 1791–185719
- Goodall, Edward, 1795–187018
- Willmore, James Tibbits, 1800–186318
- Wallis, Robert, 1794–187814
- Cooke, William Bernard, 1778–185512
- Miller, William, 1796–188212
- Radclyffe, William, 1780–185511
- Smith, William R., active 1819–185111
- Brandard, Robert, 1805–186210
- Short, Frank, Sir, 1857–194510
- Varrall, J. C., active 1815–18279
- Basire, James, 1769–18228
- Horsburgh, John, 1791–18698
- Pye, John, 1782–18745
- Jeavons, Thomas, ca. 1800–18674
- Middiman, Samuel, ca. 1750–18314
- Allen, James Baylis, 1803–18763
- Le, Keux Henry, 1787–18683
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Current results range from 1774 to 1920
- Picturesque Views in England and Wales80
- Cooke's Picturesque Views of the Southern Coast of England26
- Byron's Life and Works19
- Rogers's Italy13
- A Picturesque Tour of Italy9
- Provincial Antiquities of Scotland8
- Subjects from the Liber Studiorum after J.M.W. Turner6
- Whitaker's 'History of the Parish of Whalley,' 1800-18016
- Liber Studiorum5
- Whitaker's History of Richmondshire5
- Cooke's Views in Sussex3
- Scott's Poetical Works3
- The Keepsake3
- The Turner Gallery3
- The Rivers of England (River Scenery)2
- The Small Replicas of the Foregoing in Skelton's Oxonia Antiqua Restaurata2
- 'British Gallery of Pictures - Stafford Gallery,' 18081
- Britton's 'Fine Arts of The English School,' 18111
- Cooke's Rivers of Devon1
- Howlett's 'Selection of Views in the County of Lincoln,' 1797-18011
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- wove paper206
- line engraving188
- etching (printing process)150
- chine collé85
- engraving (printing process)22
- mezzotint13
- brown ink12
- graphite8
- laid paper5
- watercolor5
- stipple engraving4
- aquatint3
- scratching out3
- gray wash2
- oil paint2
- painting (technique)2
- blue wash1
- brown wash1
- engraver's proof1
- panel (wood)1
- more Materials & Techniques »
Current results range from 0 to 56
Current results range from 0 to 286
- Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)11
- The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)6
- Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)6
- Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)6
- Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)6
- The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)4
- The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)3
- English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)2
- Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)2
- Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)1
- J. M. W. Turner - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1968-10-31 - 1969-04-21)1
- Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)1
- The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)1
- Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)1
- Yale Center for British Art, Paul Mellon Collection237
- Yale Center for British Art, Gift of Daniel Bell2
- Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 19481
- Yale Center for British Art, Bequest of Richard L. Purdy1
- Yale Center for British Art, Paul Mellon Fund1
- Yale Center for British Art, Yale Art Gallery Collection, John Hill Morgan Fund1