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- Turner, J. M. W. (Joseph Mallord William), 1775–1851[remove]318
- Unknown artist55
- Allen, George, 1832–190737
- Pellissier, & Allen, active late 19th century37
- Cooke, William Bernard, 1778–185513
- Long, M. H., active mid-19th century7
- Lupton, Thomas Goff, 1791–18737
- Hill, John, 1770–18506
- Miller, William, 1796–18826
- Reeve, Richard Gilson, 1803–18896
- Gauci, William, active 1825–18545
- Illustrated, London News, 1842–20034
- Walker, Emery, Sir, 1851–19334
- Havell, Robert, 1769–18323
- Lewis, Frederick Christian the Elder, 1779–18563
- Simpson, William, 1823–18993
- Stadler, Joseph Constantine, active 1780–18123
- Himely, Sigismond, 1801–18722
- Akerman, James, active 1873–19081
- Carrick, Robert, ca. 1829–19041
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- The Rivers of England (River Scenery)11
- 'History of Cassiobury Park,' 1816 and 18378
- The Ports of England7
- Turner's Vignette Drawings6
- Scotland Delineated5
- Scott's Prose Works5
- Cooke's Views in Sussex4
- 'Landscape by Eminent English Masters,' 18523
- A Selection of Facsimiles of Watercolour Drawings by British Artists, 1826-18362
- Cooke's Rivers of Devon2
- Marine Views2
- Marvy's 'Landscape Painters of England,' 18522
- Scott's Poetical Works2
- Sundry Coloured Lithographs2
- Cooke's Picturesque Views of the Southern Coast of England1
- John Ruskin, The Laws of Fésole1
- Rogers's Italy1
- Some Book or Serial Unknown 1807-18091
- Turner, J. M. W. (Joseph Mallord William), 1775-1851.35
- Turner, J. M. W. (Joseph Mallord William), 1775-1851 -- Exhibitions.18
- marine art6
- France -- Description and travel.4
- Rivers -- France.4
- Turner, J. M. W. (Joseph Mallord William), 1775-1851 -- Notebooks, sketchbooks, etc.4
- England -- Pictorial works.3
- Turner, J. M. W. (Joseph Mallord William), 1775-1851 -- Catalogs.3
- Wales -- Pictorial works.3
- architectural subject3
- bridge3
- cathedral3
- church3
- cityscape3
- landscape3
- river3
- Loire River Valley (France)2
- Rivers in art.2
- Seine River Valley (France)2
- Turner, J. M. W. (Joseph Mallord William), 1775-1851 -- Criticism and interpretation.2
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