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Creator Wilkinson, Robert, 1758–1825

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101. Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. The Aelian Bridge and Castle of St. Angelo, with part of the City of Rome

The Aelian Bridge and Castle of St. Angelo, with part of the City of Rome
Creator:
Print made by Carington Bowles, 1724–1793
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. The Church of St. Peter at Rome

The Church of St. Peter at Rome
Creator:
Print made by Carington Bowles, 1724–1793
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. The New Gallery of the Vatican Library at Rome. With the Cornishes ornamented with Etrusian Vases

The New Gallery of the Vatican Library at Rome. With the Cornishes ornamented with Etrusian Vases
Creator:
Print made by Carington Bowles, 1724–1793
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Salmon Leap at Leixlip

Salmon Leap at Leixlip
Creator:
Giles King, active 1732–1746
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. A View of the City of Oporto

A View of the City of Oporto
Creator:
Print made by unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar
Creator:
Print made by William Austin, 1721–1820
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. A View of the Bridge over the Thames at Walton in Surry, distance 20 miles from London

A View of the Bridge over the Thames at Walton in Surry, distance 20 miles from London
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. A Ground Plan of Bermondsey Abbey

A Ground Plan of Bermondsey Abbey
Creator:
Print made by Robert Wilkinson, 1758–1825
Date:
1822
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. A Plan of the Fire in Bishopsgate Street

A Plan of the Fire in Bishopsgate Street
Creator:
Print made by unknown artist
Date:
1825
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. S.W. View of Gerrard's Hall

S.W. View of Gerrard's Hall
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

114. The Pursuit of the French after the Victory at Ramellies

The Pursuit of the French after the Victory at Ramellies
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 7/8 × 12 1/2 inches (27.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. The Foundling Hospital

The Foundling Hospital
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. The Choir of St. Paul's Cathedral

The Choir of St. Paul's Cathedral
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1752 and 1762
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. A Prospect of St. James's Park

A Prospect of St. James's Park
Creator:
Nathaniel Parr, active 1742–1751
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. A Perspective View of Whitehall

A Perspective View of Whitehall
Creator:
John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. The Royal Palace of St. James's next the Park

The Royal Palace of St. James's next the Park
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens

The Chinese House, the Rotunda, & the Company in Masquerade in Renelagh Gardens
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. The Inside View of King Henry VII Chappel, in Westminster Abby

The Inside View of King Henry VII Chappel, in Westminster Abby
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury

A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury
Creator:
John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. A Perspective of ye Royal Palace of Somerset next ye River

A Perspective of ye Royal Palace of Somerset next ye River
Creator:
John Maurer, active 1713–1761
Date:
1742
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. The Inside of St. Martin's Church in the Fields

The Inside of St. Martin's Church in the Fields
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. The Inside of St. Paul's Cathedral from the West End to the Choir

The Inside of St. Paul's Cathedral from the West End to the Choir
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. The Inside View of the Rotunda in Renelagh Gardens with the Company at Breakfast

The Inside View of the Rotunda in Renelagh Gardens with the Company at Breakfast
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens
Creator:
John S. Muller, ca. 1715–1792
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. A View from one Tree-Hill in Greenwich Park

A View from one Tree-Hill in Greenwich Park
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. The Inside of Westminster Abby

The Inside of Westminster Abby
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Ranelagh House & Gardens with the Rotunda at the Time of the Jubilee Ball

Ranelagh House & Gardens with the Rotunda at the Time of the Jubilee Ball
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. A North West View of the Tower of London

A North West View of the Tower of London
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church

A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords

A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
Creator:
John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. A South View of Westminster Abby & St. Margarets Church

A South View of Westminster Abby & St. Margarets Church
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. A Strong Gale or Squall

A Strong Gale or Squall
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Fresh Gale

Fresh Gale
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. A Squadron of Ships Sailing before the Wind

A Squadron of Ships Sailing before the Wind
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Night & a Ship on fire

Night & a Ship on fire
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. The Representations of the Most Considerable Actions in the Siege of a Place...

The Representations of the Most Considerable Actions in the Siege of a Place...
Creator:
Remi Parr, 1743–after 1750
Materials & Techniques:
Hand-colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves

A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. The Prospect of the Town of Dunkeld

The Prospect of the Town of Dunkeld
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 3/4 x 17in. (27.3 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Battle of Ramillies MDCCVI

The Battle of Ramillies MDCCVI
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London

The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London
Creator:
Print made by Maddocks, active 1825
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

146. Megg's Almshouses. Repaired, Improved, and further Endowed by Benjamin Goodwin

Megg's Almshouses. Repaired, Improved, and further Endowed by Benjamin Goodwin
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1819
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

147. E.S.E. View of John Bunyan's Meeting House in Zoar Street, Gravel Lane, Southwark with the Adjacent Plan

E.S.E. View of John Bunyan's Meeting House in Zoar Street, Gravel Lane, Southwark with the Adjacent Plan
Creator:
Published by Robert Wilkinson, 1758–1825
Date:
1814
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

148. David Garrick, Esq.

David Garrick, Esq.
Creator:
John Dixon, ca. 1740–1811
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 19 15/16 x 14 1/8 inches (50.6 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mary E. Knapp

149. The Buildings of the Imperial Colleges in St. Petersburg on the left side. And the Ware houses for Merchants on ye right

No cover image available
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. The North View of the Summer Palace of Her Imperial Majesty at St. Petersburg

No cover image available
Creator:
unknown artist
Date:
18th century
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Image: 9 9/16 x 16 1/16in. (24.3 x 40.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection