"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
21
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
22
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
23
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
24
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
25
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
26
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
27
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
28
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
29
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
30
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
31
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
32
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
33
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
34
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
35
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
36
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
37
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
38
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
39
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
40
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
41
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
42
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
43
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
44
George Romney, 1734–1802
Standing Female Figure
undated
45
George Romney, 1734–1802
Crowd before a Prophetess
undated
46
George Romney, 1734–1802
Small Sketchbook / Album
undated
47
Robert Smirke, 1752–1845
Scene from Timon of Athens
undated
48
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
49
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
50
Henry Swinburne, 1743–1803
Entrance of the Torre de las dos Hermanas in the Alhambra
1775 to 1776
51
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
52
Henry Swinburne, 1743–1803
Arch Near Tivoli
1777 to 1778
53
Henry Swinburne, 1743–1803
Vaucluse, France
undated
54
Luigi Balugani, 1737–1770
[One of] Miscellaneous Sketches in Wrapper
1770
55
Luigi Balugani, 1737–1770
El Hudderi
undated
56
Joseph Cartwright, c.1789–1829
Side View of Single Barque
undated
57
Joseph Cartwright, c.1789–1829
Adelaide: Side View of Schooner
undated
58
Joseph Cartwright, c.1789–1829
Single Brig (?) Another Sailing Vessel Against Outline of City on Background
undated
59
John Inigo Richards, 1730/31?–1810
Thornbury Castle, Gloucestershire
undated
60
unknown artist
Half-length Portrait of Man in Peasant Dress
undated
61
unknown artist
Four Figures on a Sheet
undated
62
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
63
Louisa Anne Beresford, 1818–1891
Haymakers
undated
64
James Sowerby, 1756–1822
A Dog
undated
65
James Sowerby, 1756–1822
A Dog (marked with measurements)
undated
66
James Sowerby, 1756–1822
Great Blue Turaco
undated
67
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
68
James Sowerby, 1756–1822
A Wren
undated
69
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
70
James Sowerby, 1756–1822
A Sea Eagle
undated
71
James Sowerby, 1756–1822
Two Birds on a Branch
undated
72
James Sowerby, 1756–1822
Elephant with Rider
undated
73
James Ward, 1769–1859
Elijah Casting off His Mantle
undated
74
Robert Smirke, 1752–1845
Illustration for Don Quixote (with figures on a donkey)
undated
75
Sir Joshua Reynolds, 1723–1792
Two Swimmers
undated
76
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
77
Capt. Thomas Hastings, 1778–1854
Near Saint Lawrence, Isle of Wight
1826
78
unknown artist
West View of the Ruins of Gleaston Castle, Gleaston, Aldingham, Lancashire, and The Castle or Tower of Dalton, Dalton-in-Furness, Dalton Town with Newton, Lancashire
1805
79
Sir Robert Smirke the younger, 1781–1867
Specimens of the Private Houses of Venice
1802-1804
80
Sir Robert Smirke the younger, 1781–1867
Another Specimen of the Same Style
1802-1804
81
Sir Robert Smirke the younger, 1781–1867
Specimens of a Private House in Venice
1802-1804
82
Sir Robert Smirke the younger, 1781–1867
At Ancona, Italy
1802-1804
83
Sir Robert Smirke the younger, 1781–1867
Gateway to a House in Ancona
1802-1804
84
Sir Robert Smirke the younger, 1781–1867
View of the Interior of One of the Churches in Ancona
1802-1804
85
Sir Robert Smirke the younger, 1781–1867
In One of the Churches of Ancona
1802-1804
86
Sir Robert Smirke the younger, 1781–1867
The Plains of Senta
1803
87
Sir Robert Smirke the younger, 1781–1867
Ruins of the Temple of Jupiter on the Plains of Nemea
1803
88
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
One of the Lions Taken From the Piraeus Port of Athens
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
Study of an Older Palace in Venice
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
A Carita - On the Walls of a Hospital or Public School, Venice
1802-1804
93
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
94
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
95
Sir Robert Smirke the younger, 1781–1867
Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance