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Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925
Ploughing the Hillside
ca. 1905
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake The Ancient of Days; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
Sir Robert Smirke the younger The Convent of St. Nicholas
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
John Linnell Studies of Horses, Men and Carriages
John Linnell, 1792–1882
Studies of Horses, Men and Carriages
1811
James Seymour A Boar Hunt
James Seymour, 1702–1752
A Boar Hunt
undated
Henry Thomas Alken Two Riders and a Couple of Hounds Clearing a Wall
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
Henry Thomas Alken Grouse Shooting: The Right Sort
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
Henry Thomas Alken Grouse Shooting: The Wrong Sort
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
Henry Thomas Alken The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
Henry Thomas Alken The Leicestershire Hunt - A Struggle for the Start
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
Henry Thomas Alken The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
Joseph Crawhall The Riding School
Joseph Crawhall, 1861–1913
The Riding School
undated
Henry Thomas Alken Rider on a Brown Horse Going at a Wall
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse Going at a Wall
undated
Henry Thomas Alken The Huntsman, Galloping to Left and Encouraging Hounds
Henry Thomas Alken, 1785–1851
The Huntsman, Galloping to Left and Encouraging Hounds
undated
Henry Thomas Alken Gone Away
Henry Thomas Alken, 1785–1851
Gone Away
undated
Henry Thomas Alken The Death: Yokels Watching in Foreground
Henry Thomas Alken, 1785–1851
The Death: Yokels Watching in Foreground
undated
Henry Thomas Alken Rider Holding on to a Gray Horse After a Fall
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
Henry Thomas Alken Two Jockeys Galloping Neck and Neck to Right
Henry Thomas Alken, 1785–1851
Two Jockeys Galloping Neck and Neck to Right
undated
Henry Thomas Alken Foxhunting: The Toast
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
Sawrey Gilpin Hunt Followers...Moving with the Hounds to the Left
Sawrey Gilpin, 1733–1807
Hunt Followers...Moving with the Hounds to the Left
undated
Jan Wyck Stag Hunting
Jan Wyck, ca. 1645–1700
Stag Hunting
undated
Peter Tillemans Horse and Rider Walking to Left in a Hilly Landscape
Peter Tillemans, 1684–1734
Horse and Rider Walking to Left in a Hilly Landscape
undated
James Pollard The Meat Market
James Pollard, 1792–1867
The Meat Market
undated
James Pollard The Poultry Market
James Pollard, 1792–1867
The Poultry Market
undated
Benjamin West Characters in the Streets of London
Benjamin West, 1738–1820
Characters in the Streets of London
1799
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
Sir Stanley Spencer Study of Three Figures for "Adoration of Old Men"
Sir Stanley Spencer, 1891–1959
Study of Three Figures for "Adoration of Old Men"
undated
William Henry Hunt St. Paul's Cathedral and Blackfriar's Bridge
William Henry Hunt, 1790–1864
St. Paul's Cathedral and Blackfriar's Bridge
ca. 1817
Michael "Angelo" Rooker Kenilworth Castle, with Figures on the Hillside
Michael "Angelo" Rooker, 1746–1801
Kenilworth Castle, with Figures on the Hillside
undated
Lt. Joseph Sparkhall Rundle Action at Kowloon
Lt. Joseph Sparkhall Rundle, 1815–1880
Action at Kowloon
1839
Edward Francis Burney Bathampton Mill
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
Anthony Walker Political Caricature: "The Spiritualists"
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
Samuel Hieronymus Grimm The Horse Guard's Parade, Whitehall
Samuel Hieronymus Grimm, 1733–1794
The Horse Guard's Parade, Whitehall
undated
Samuel Hieronymus Grimm North East View of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
Canaletto Capriccio of a Venetian Courtyard
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
George Richmond John Linnell
George Richmond, 1809–1896
John Linnell
1828
unknown artist River Landscape with Men Fishing and Cattle
unknown artist
River Landscape with Men Fishing and Cattle
undated
Michael "Angelo" Rooker The Chapel of the Greyfriars Monastery, Winchester
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
John Hamilton Mortimer Portrait of James Tuffs
attributed to John Hamilton Mortimer, 1740–1779
Portrait of James Tuffs
undated
Samuel Atkins A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond
Samuel Atkins, active 1787–1808
A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond
between 1787 and 1808
George Richmond A Gathering at Fulham Palace
George Richmond, 1809–1896
A Gathering at Fulham Palace
between 1843 and 1845
Keith Vaughan The Wall at Ashton Gifford (II)
Keith Vaughan, 1912–1977
The Wall at Ashton Gifford (II)
1944
Thomas Rowlandson Lord Harrington Leaving Mother Matthew's
Thomas Rowlandson, 1756–1827
Lord Harrington Leaving Mother Matthew's
undated
Thomas Rowlandson Hyde Park Corner
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
Thomas Rowlandson Feeding the Ducklings
Thomas Rowlandson, 1756–1827
Feeding the Ducklings
undated
Thomas Rowlandson Skating on the Serpentine
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
Thomas Rowlandson A Livery Stable
Thomas Rowlandson, 1756–1827
A Livery Stable
undated
Thomas Rowlandson Dr Syntax outside the Halfway House
Thomas Rowlandson, 1756–1827
Dr Syntax outside the Halfway House
1821
Thomas Rowlandson Three Clerical Scholars
Thomas Rowlandson, 1756–1827
Three Clerical Scholars
1789
Thomas Rowlandson Harvesters Setting Out
Thomas Rowlandson, 1756–1827
Harvesters Setting Out
undated
Thomas Rowlandson The Inn Door (A Man escorted by two link boys to a door to the left)
Thomas Rowlandson, 1756–1827
The Inn Door (A Man escorted by two link boys to a door to the left)
undated
Thomas Rowlandson Soldiers on a March
Thomas Rowlandson, 1756–1827
Soldiers on a March
1805
Thomas Rowlandson The Connoisseurs
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
Richard Cosway Venus and Mars
Richard Cosway, 1742–1821
Venus and Mars
ca. 1790
David Allan Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
Thomas Daniell William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
Thomas Daniell, 1749–1840
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
Henry Edridge On the Monnow, Monmouth
Henry Edridge, 1769–1821
On the Monnow, Monmouth
undated
William Marshall Craig Landscape with Lime-Kiln and Workmen
William Marshall Craig, 1763 or 1764–1829
Landscape with Lime-Kiln and Workmen
ca. 1808
William Alexander View Near the City of Tientsin
William Alexander, 1767–1816
View Near the City of Tientsin
1800
George Dance Portrait of a Young Man
George Dance, 1741–1825
Portrait of a Young Man
1805
George Dance Cut and Come Again
George Dance, 1741–1825
Cut and Come Again
undated
Capt. Francis Grose Holy Island and Castle, Northumberland
Capt. Francis Grose, 1731–1791
Holy Island and Castle, Northumberland
undated
George Lambert Landscape with Two Men on a Road
George Lambert, 1700–1765
Landscape with Two Men on a Road
undated