Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
5
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
6
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
7
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
8
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
9
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
10
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
11
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
12
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
13
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
15
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
16
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
17
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
18
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
19
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
20
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
21
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
22
George Romney, 1734–1802
River God
undated
23
George Romney, 1734–1802
Glade in a Forest
undated
24
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
25
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
26
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
27
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
28
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
29
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
30
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
31
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
32
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
33
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
34
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
35
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
36
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
37
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1791
38
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
39
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
40
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
41
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
42
Sir Richard Colt Hoare, 1758–1838
View on the River Liris at Isola di Sora
1791
43
Sir Richard Colt Hoare, 1758–1838
View at Isola di Sora
1790
44
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
45
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
46
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
47
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
48
Sir Richard Colt Hoare, 1758–1838
View on the River Liris
1790
49
Sir Richard Colt Hoare, 1758–1838
View on the Liris, near Isola di Sora
1790
50
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
51
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
52
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
53
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
1791
54
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
55
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
56
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, in Abbruzo
1791
57
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
58
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
59
unknown artist
A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
1759
60
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
61
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
62
Ceri Richards, 1903–1971
Piano Recital
1943
63
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
64
Lionel Edwards, 1878–1966
The Lodge Gate
1922
65
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
66
Joseph Crawhall, 1861–1913
Tangier
1887
67
Francis Sartorius, 1734–1804
`Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800
1800
68
Thomas Daniell, 1749–1840
Bongley
undated
69
Thomas Daniell, 1749–1840
Plant Sketches
undated
70
Isaac Johnson, 1754–1835
Survey of Tunstall Marshes
1753
71
Richard Wilson, ca. 1712–1782
Shepherd Seated Under a Tree
undated
72
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
73
James Bruce, 1730–1794
No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
undated
74
James Bruce, 1730–1794
No. 21 view from the North Angle of the peristyle of the temple
undated
75
James Bruce, 1730–1794
No. 25 drawing of temple remains at Baalbec or Palmyra
undated
76
James Bruce, 1730–1794
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
77
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
78
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
79
James Bruce, 1730–1794
Trajans Arch, Makter
undated
80
James Bruce, 1730–1794
Lambressa, the Praerorium
undated
81
James Bruce, 1730–1794
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
82
James Bruce, 1730–1794
Constantine
undated
83
James Bruce, 1730–1794
Graphite elevation of unidentified column with graphite and pen and ink dimensions