Work Type: drawing / Height [cm]: 43 - YCBA Collections Search Search Results

1. Chichester (Cathedral series)

Creator:: Sheila Girling, 1924–2015
Date:: 2009
Materials & Techniques:: Collage and acrylic on handmade wove paper
Dimensions:: Frame: 25 1/4 × 20 1/4 × 1 1/4 inches (64.1 × 51.4 × 3.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Barford Sculptures, Ltd.
On View:: Not on view

2. Timber Hauling

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Taking Down Steady

Creator:: John R. Skeaping, 1901–1980
Date:: 1963
Materials & Techniques:: Watercolor on thick, rough cream wove paper
Dimensions:: Sheet: 17 × 21 1/2 inches (43.2 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Coming Home Alone

Creator:: John R. Skeaping, 1901–1980
Date:: 1963
Materials & Techniques:: Watercolor and gouache on thick, rough, cream wove paper
Dimensions:: Sheet: 17 × 23 1/2 inches (43.2 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Villa d'Este

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Christ Appearing to the Apostles after the Resurrection

Creator:: Print made by William Blake, 1757–1827
Date:: 1795 to 1805
Materials & Techniques:: Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:: Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

30. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Fruit trees, 3 April 1863

Creator:: Edward Lear, 1812–1888
Date:: 1863
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 16 13/16 x 10 inches (42.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

35. Achilles Wounded

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 12 3/8 inches (42.5 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Bridge

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 x 14 7/8 inches (43.2 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Dove

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 10 7/8 inches (43.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Pheasant Wing

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 11 inches (43.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: 1793
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 22 inches (43.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/16 x 22 1/8 inches (40.8 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View on the river Vulturnus, Sept.r 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 22 1/16 inches (40.3 x 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Ferry over the Vulturnus, Sept.r 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 22 1/4 inches (40.6 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Duke of Richmond: Sloops, Schooners, Rowboats

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 17 × 15 13/16 inches (43.2 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

44. A Grecian Polacker

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 17 × 15 13/16 inches (43.2 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

45. Study for an Allegorical Figure of Religion

Creator:: Edward John Poynter, 1836–1919
Date:: undated
Materials & Techniques:: Black chalk, white chalk, and graphite, squared for transfer on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 16 3/4 × 7 1/2 inches (42.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Castle at Dieppe, Normandy

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 21 13/16in. (42.5 x 55.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Design for a Monument to Sir James Reade, Hatfield

Creator:: John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and brown wash on slightly textured, medium, brown laid paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Olivia Returns to Her Family

Creator:: Francis Wheatley, 1747–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 21 7/8 inches (43.2 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Bothwell Castle, Lanarkshire

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1798
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 17 × 24 3/4 inches (43.2 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Design for Court of Edinburgh University

Creator:: Robert Morrison, active ca. 1791
Date:: 1779
Materials & Techniques:: Watercolor, with pen in black ink, gray ink, and brown ink over graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 17 x 22 3/4 inches (43.2 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. At Oxford

Creator:: Edna Kaulbach, active 1874
Date:: 1874
Materials & Techniques:: Black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward I. Elicofon

52. The Huntsman

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on linen
Dimensions:: Sheet: 17 × 12 1/2 inches (43.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite and black and white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 22 3/4 inches (34.6 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Shooting Party Returning Home

Creator:: Frederick George Byron, 1764–1794
Date:: 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 21 1/4 inches (42.9 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ...

Creator:: Heywood Hardy, 1843–1933
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 13 7/16 × 8 3/8 inches (34.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat

Creator:: Heywood Hardy, 1843–1933
Date:: undated
Materials & Techniques:: Black chalk, with white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 13 3/8 × 8 5/16 inches (34 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Shooting Party Setting Out

Creator:: Frederick George Byron, 1764–1794
Date:: 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 × 21 1/4 inches (42.7 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1834
Materials & Techniques:: Pen and black ink, wash, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1834
Materials & Techniques:: Pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 3/8 inches (43.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1834
Materials & Techniques:: Pen and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Rustic Lover

Creator:: Francis Wheatley, 1747–1801
Date:: 1786
Materials & Techniques:: Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 x 13 3/4 inches (43.2 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. St. Laurent, Rouen

Creator:: James Holland, 1799–1870
Date:: 1850
Materials & Techniques:: Graphite, washes and white gouache on slightly textured, medium, light brown wove paper
Dimensions:: Sheet: 17 1/16 × 11 3/4 inches (43.3 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Clare College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1841
Materials & Techniques:: Watercolor, pen and gray ink, gouache, black chalk, gum and graphite on wove paper
Dimensions:: Sheet: 16 3/4 × 24 1/8 inches (42.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Cremorne Gardens, Chelsea

Creator:: Walter Greaves, 1846–1930
Date:: 1871
Materials & Techniques:: Pen and black ink, watercolor, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 × 12 3/4 inches (43.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A Greek Girl Standing on a Balcony

Creator:: John Frederick Lewis, 1804–1876
Date:: 1840
Materials & Techniques:: Watercolor and gouache over graphite on off-white wove paper, laid down on contemporary mount
Dimensions:: Sheet: 16 3/4 x 11 7/16 inches (42.5 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Man in Egyptian Dress

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, and graphite with scratching out on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 x 11 1/2 inches (43.2 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A Street Scene in Granada on the Day of the Bullfight

Creator:: John Frederick Lewis, 1804–1876
Date:: 1833
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Beauvais

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: ca. 1831
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Head of a Man

Creator:: Attributed to Sir Godfrey Kneller, 1646–1723
Date:: 1732
Materials & Techniques:: Black chalk, red chalk, and white chalk on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 16 7/8 x 11 1/8in. (42.9 x 28.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Park Scene with Deer, Cattle, and a Group of Figures

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Black chalk, white chalk, and gray ground on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 23 5/8 inches (42.9 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Pike Pool, Beresford Hall, Derbyshire

Creator:: John Linnell, 1792–1882
Date:: 1814
Materials & Techniques:: Black and white chalk and graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 16 7/8 x 22 inches (42.9 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. On a Man-o'-War

Creator:: William Anderson, 1757–1837
Date:: between 1794 and 1799
Materials & Techniques:: Watercolor, graphite, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 10 1/2 inches (43.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View Within the Southern Entrance of Gundecotta Pass (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Study of a Man

Creator:: Nathaniel Smith, 1740–1787
Date:: 1743
Materials & Techniques:: Black chalk and white chalk on thin, slightly textured, blue laid paper
Dimensions:: Sheet: 17 × 10 1/2 inches (43.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Study of a Woman

Creator:: Nathaniel Smith, 1740–1787
Date:: 1743
Materials & Techniques:: Black chalk and white chalk on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 16 3/4 × 10 1/4 inches (42.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Study of Trees

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and brown and black ink on medium, smooth, blue white wove paper mounted on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/4 x 10 5/8 inches (37.5 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Jedburgh Parish Church

Creator:: Thomas Henry Wyatt, 1807–1880
Date:: undated
Materials & Techniques:: Graphite with pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 17 × 13 1/8 inches (43.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 16 7/8 × 6 3/8 inches (42.9 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Road Scene in Windsor Forest

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/4 x 20 1/4 inches (42.5 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A Doorway in the Acropolis, Athens

Creator:: William James Muller, 1812–1845
Date:: 1838
Materials & Techniques:: Watercolor over graphite with gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 16 3/4 × 10 3/4 inches (42.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Seated Turk

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1840 and 1841
Materials & Techniques:: Watercolor, white gouache, black chalk, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 x 11 5/8 inches (43.2 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Study for Burying the Royal Children

Creator:: James Northcote, 1746–1831
Date:: ca. 1790
Materials & Techniques:: Oil on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 x 11 1/4 inches (43.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Studies of a Suit of Armor

Creator:: Edward Burne-Jones, 1833–1898
Date:: 1875
Materials & Techniques:: Graphite, watercolor, and gouache on thick, moderately textured, brown wove paper
Dimensions:: Sheet: 16 3/4 x 12 3/4 inches (42.5 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Thames Wharf with Westminster Bridge in the Distance

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

89. Westminster Bridge under Construction

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

90. Fancy, Cupid and Pleasure

Creator:: Simeon Solomon, 1840–1905
Date:: undated
Materials & Techniques:: Red chalk on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 16 3/4 × 23 7/8 inches (42.5 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

91. The Disobedient Prophet

Creator:: William Mulready, 1786–1863
Date:: 1848, retouched 1863
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. The Cheese Dish

Creator:: Duncan Grant, 1885–1978
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Frame: 16 3/4 × 12 1/2 × 1 inches (42.5 × 31.8 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kathleen Hart in memory of her brother, Kevin C. Patterson

93. Near Bossiney, Cornwall

Creator:: Charles Reginald Aston, 1832–1908
Date:: 1906
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Frame: 17 × 28 1/2 × 3/4 inches (43.2 × 72.4 × 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

94. The Claudian Aquaduct, Rome

Creator:: Francis Towne, 1740–1816
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Landscape: India

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 7/8 × 23 3/8 inches (42.9 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

96. Tremal Naig's Choultry, Madura

Creator:: Thomas Daniell, 1749–1840
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 19 3/8 × 25 15/16 inches (49.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

97. Untitled

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and black ink on very thick, slightly textured, beige card
Dimensions:: Portfolio: 16 3/4 × 11 9/16 inches (42.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Landscape Study of a River Valley with Cattle in the Foreground

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 19 1/4 inches (43.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

99. View of Richmond Castle, Yorkshire

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor heightened with gouache on two sheets of laid paper, laid on a contemporary wash line mount
Dimensions:: Sheet: 16 13/16 x 31 inches (42.7 x 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Entrance Gate to Printers

Creator:: Harry Willson, Active 1813–1852
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphie, brown wash, pen and brown ink and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 10 3/16 × 6 5/8 inches (25.9 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

YCBA Collections Search

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Work Type drawing

Height [cm] 43

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1. Chichester (Cathedral series)

2. Timber Hauling

3. Taking Down Steady

4. Coming Home Alone

5. Villa d'Este

6. 'Tis greatly wise to talk with our past hours' (Page 31)

7. 'Like that, the dial speaks; and points to thee' (Page 33)

8. 'Teaching, we learn; and giving, we retain' (Page 35)

9. 'Love, and love only, is the loan for love' (Page 37)

10. 'Angels should paint it, angels ever there' (Page 40)

11. 'One radiant mark, – the death-bed of the just' (Page 41)

12. Night the Third. Narcissa; Title Page

13. 'Where sense runs savage broke from reason's chain' (Page 46)

14. Night the First. On Life, Death, and Immortality; Title Page

15. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

16. 'What, though my soul fantastick measures trod' (Page 4)

17. 'Disease invades the chastest temperence' (Page 10)

18. 'Its favours here are trials, not rewards' (Page 12)

19. 'The present moment terminates our sight' (Page 13)

20. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

21. 'Emblem of that which shall awake the dead' (Page 19)

22. 'O treacherous conscience!' (Page 27)

23. 'As if the sun could envy, check'd his beam' (Page 49)

24. 'The vale of death! that hush'd cimmerian vale' (Page 54)

25. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

26. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

27. 'This King of Terrors is the Prince of Peace' (Page 63)

28. The Christian Triumph; Title Page

29. Christ Appearing to the Apostles after the Resurrection

30. 'Till at Death's toll, whose restless iron tongue' (Page 7)

31. 'The longest night though longer far, would fail' (Page 15)

32. 'We censure nature for a span too short' (Page 23)

33. 'Behold him, when past by; what then is seen' (Page 25)

34. Fruit trees, 3 April 1863

35. Achilles Wounded

36. The Bridge

37. A Dove

38. A Pheasant Wing

39. Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right

40. Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790

41. View on the river Vulturnus, Sept.r 1790

42. Ferry over the Vulturnus, Sept.r 1790

43. Duke of Richmond: Sloops, Schooners, Rowboats

44. A Grecian Polacker

45. Study for an Allegorical Figure of Religion

46. Castle at Dieppe, Normandy

47. Design for a Monument to Sir James Reade, Hatfield

48. Olivia Returns to Her Family

49. Bothwell Castle, Lanarkshire

50. Design for Court of Edinburgh University

51. At Oxford

52. The Huntsman

53. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

54. Shooting Party Returning Home

55. A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ...

56. A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat

57. Shooting Party Setting Out

58. [One from] A Volume of Drawings and Prints

59. [One from] A Volume of Drawings and Prints

60. [One from] A Volume of Drawings and Prints

61. [One from] A Volume of Drawings and Prints

62. [One from] A Volume of Drawings and Prints

63. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

64. The Rustic Lover

65. St. Laurent, Rouen

66. Clare College, Cambridge

67. Cremorne Gardens, Chelsea

68. A Greek Girl Standing on a Balcony

69. Man in Egyptian Dress

70. A Street Scene in Granada on the Day of the Bullfight

71. Beauvais

72. Head of a Man

73. Interior of the Belfry, Bushey Church

74. Park Scene with Deer, Cattle, and a Group of Figures