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No cover image available
Creator:
John R. Skeaping, 1901–1980
Date:
1963
Materials & Techniques:
Watercolor on thick, rough, cream wove paper
Dimensions:
Sheet: 18 3/4 × 15 inches (47.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Skeleton, Posterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper with traces of platemarks
Dimensions:
Sheet: 18 7/8 x 14 3/4 inches (47.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper with traces of platemark
Dimensions:
Sheet: 18 7/8 x 14 7/8 inches (47.9 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper with traces of a platemark
Dimensions:
Sheet: 19 x 14 7/8 inches (48.3 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design after a Greek Vase
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 26 × 20 9/16 inches (66 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wellesley-Pole Sisters
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1814
Materials & Techniques:
Graphite, black chalk, red chalk and watercolor on medium, smooth, cream wove paper
Dimensions:
Frame: 25 1/2 × 21 7/16 × 1 3/4 inches (64.8 × 54.5 × 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund