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1
- East Bergholt Church, Looking Out the South Archway of the Ruined Tower
- 1806
2
- Carlisle
- ca. 1832
3
- Near Eb-bosh
- 1867
4
- Shelaal
- 1867
5
- Philae, 6:00-6:15 am, 31 January 1867 (277)
- 1867
6
- Philae
- 1867
7
- Between Ibreem and Wady Halfeh, 2:45 pm, 2 February 1867 (328)
- 1867
8
- Below Rabat, Malta
- 1866
9
- Massa Forno, Gozo
- 1866
10
- Boats
- 1867
11
- Figure Composition Study 20
- undated
12
- Rape
- undated
13
- Female Figures
- undated
14
- Jeptha and His Daughter
- undated
15
- Seated Figure
- undated
16
- Seated Woman
- undated
17
- Prison Scene
- undated
18
- Couple Reading a Book
- undated
19
- Mother and Child
- undated
20
- Two Heads Looking Up
- undated
21
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
22
- Children and a Goat
- undated
23
- Caladon and Amelia (So-called)
- undated
24
- Sibyl
- undated
25
- Study of an Animal
- undated
26
- Noah's Children Rejoicing
- undated
27
- Charity
- undated
28
- Possibly a Fight Scene
- undated
29
- Richard Cumberland Frontispiece
- undated
30
- Profile of a Grotesque Head Facing Right
- undated
31
- Two Sketches of a Female Figure
- undated
32
- Possibly One Reclining Figure and One Dancing Figure
- undated
33
- Figure Composition Study 6
- undated
34
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
35
- A Visionary Head
- 1819 to 1820
36
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
37
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
38
- Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
- 1804 to 1820
39
- Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
- 1789
40
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
41
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
42
- Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
- 1789
43
- Jerusalem, Plate 56, "Then Los heaved...."
- 1804 to 1820
44
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
45
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
46
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
47
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
48
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
49
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
50
- Near Eb-Bosh; 2:15 P.M., 2 Jan. 1867 (33)
- 1867
51
- Gebel S. Eredi; 2:10 P.M., 10 Jan. 1867 (118)
- 1867
52
- Gebel S. Eredi; 8:45 A.M., 10 Jan. 1867 (114)
- 1867
53
- Negadah; 5:30 P.M., 17 Jan. 1867 (192)
- 1867
54
- Boats (Dahabeahs); 28 Feb. [1867] (565)
- 1867
55
- Tough; 8:45 A.M., 25 Feb. 1867 (551)
- 1867
56
- Salo; 2:35 P.M., 14 May 1867 (89)
- 1867
57
- One of the Lions Taken From the Piraeus Port of Athens
- 1802-1804
58
- A Shop in Berlin
- 1804
59
- East Cowes Castle
- 1826
60
- On the Whippingham Road, Isle of Wight
- between 1826 and 1830
61
- Near Agen
- undated
62
- Ducal Palace of Urbino in Marche, Italy
- 1777 to 1778
63
- Tynemouth from the Spanish Fort
- undated
64
- Study of a Section Piece From The Lions Court at Alahambra
- 1775 to 1776
65
- Palace, Surrounded by, Fortification Walls,with Sea and Sailboat in the Foreground
- undated
66
- Landscape View of a Grotto
- undated
67
- Borrodale, Scotland
- undated
68
- Antelope Head
- undated
69
- Watermill
- undated
70
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
71
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
72
- The Smock Exposed
- 1817
73
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
74
- The Reconcilation
- 1817
75
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
76
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
77
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
78
- Landscape with a Clump of Trees near a Road and a Stream
- undated
79
- Studies of Pigs
- undated
80
- Delft
- 1845
81
- View near Auckland: Evening-Trees and Ferns
- ca. 1849
82
- Hog Deer
- after 1813
83
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
84
- The Eleventh Hour
- 1817
85
- Caricature Self-Portrait
- undated
86
- Westminster Abbey
- undated
87
- St. Maws Castle, Falmouth, East South East
- undated
88
- Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
- undated
89
- Conversation Piece
- undated
90
- Wayfarers
- undated
91
- Romney Marsh
- undated
92
- Romney Marsh
- undated
93
- Miss Charlotte Sandby
- undated
94
- Theatrical Group
- undated
95
- Design for a Hunting Trophy or Loving Cup
- undated
96
- Llama
- undated
97
- Weymouth: with figures, shipping and view of (?) the Custon House
- undated
98
- A Sandwich Islands Group
- June 5, 1824
99
- Kun Futta or Ear Good Joguee
- undated
100
- A Species of Wild Duck
- undated