America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
3
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
4
Print made by William Blake, 1757–1827
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
5
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
6
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
7
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
8
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
9
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
10
Print made by William Blake, 1757–1827
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
11
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
12
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
13
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
14
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
15
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
16
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
17
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
18
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
19
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
20
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
21
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
22
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
23
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
24
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
25
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
26
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
27
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
28
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
29
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
30
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
31
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
32
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
33
Thomas Girtin, 1775–1802
Ruins on the Coast
undated
34
Paul Sandby, 1731–1809
A Group of Men on Westminster Pier
ca. 1752
35
Sir James Thornhill, 1675–1734
Neptune
undated
36
David Charles Read, 1790–1851
Landscape with two figures beside an old building
undated
37
John Linnell, 1792–1882
Millbank
1806
38
John Nixon, ca. 1760–1818
The Steine, Brighton
1787
39
Sir David Wilkie, 1785–1841
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
40
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
41
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
42
Thomas Stothard, 1755–1834
For the Triumph of Britannia
undated
43
Sir James Thornhill, 1675–1734
The House of Commons
after 1731
44
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
45
Thomas Rowlandson, 1756–1827
Drawing Cover
undated
46
Thomas Rowlandson, 1756–1827
Dr Syntax outside the Halfway House
1821
47
unknown artist
Portrait of Two Men
18th century
48
unknown artist
A Three- Masted Ship
undated
49
John Fulleylove, 1845–1908
Argos and Larissa
undated
50
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Shepherds with Flock
undated
51
Samuel Atkins, active 1787–1808
Ships of the Line off Dover
undated
52
Henry Fuseli, 1741–1825
Girl and Youth at a Table
undated
53
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
54
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
55
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
56
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
57
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
58
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
59
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
60
Thomas Rowlandson, 1756–1827
Fruit and Nut Picking
undated
61
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
62
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
63
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
64
Thomas Rowlandson, 1756–1827
Diners in a Chop Shop
between 1800 and 1805
65
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
66
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
67
Sir George Clausen, 1852–1944
Sketch of Three Laborers
undated
68
Giulio Aristide Sartorio, 1860–1932
Study for Bacchanal
ca. 1894
69
Richard Cosway, 1742–1821
Cupid Overpowering a Satyr
undated
70
William Alexander, 1767–1816
Mourning at a Tomb
between 1792 and 1794
71
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
72
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
73
unknown artist
Oh an Ill Wind that Blows Nobody Good
undated
74
unknown artist
A Dissecting Scene
undated
75
Paul Sandby, 1731–1809
The Light Dragoons
undated
76
unknown artist
Farmers Harvesting
undated
77
Keith Vaughan, 1912–1977
Study for Fishermen and Bathers
ca. 1951
78
unknown artist
Views in the Levant: Death of Wolfe, Study of a Gem