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1. The Horse Mart (with further sketches in the margin)

The Horse Mart (with further sketches in the margin)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1918
Materials & Techniques:
Chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Visions of the Daughters of Albion; Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. "And none but Bromian can hear my lamentations..." (Plate 6)

"And none but Bromian can hear my lamentations..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Visions of the Daughters of Albion; Title Page (Plate 2)

Visions of the Daughters of Albion; Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Opposite Beni Hassan

Opposite Beni Hassan
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 15/16 x 9 13/16 inches (15.1 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Bachanalia Scene

Bachanalia Scene
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Image: 5 × 3 1/2 inches (12.7 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Two Jeyties Fighting

Two Jeyties Fighting
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
ca. 1792
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Port

Port
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 10in. (17.6 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Church Interior

Church Interior
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 9 13/16 inches (17.6 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Three Men

Three Men
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Reconcilation

The Reconcilation
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Hogarth at Old Slaughter's Hobbing with Highmore the Painter
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Royal Palace, Madrid, 1832

The Royal Palace, Madrid, 1832
Creator:
David Roberts, 1796–1864
Date:
1832
Materials & Techniques:
Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Foxhunting: Drawing Covert

Foxhunting: Drawing Covert
Creator:
George Alken, 1794–active 1837
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 7/8 inches (15.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. "Landscape Scenery", No. 13: Groups of Infantry and Army Horses

"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 9 11/16 inches (16 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Rubbing Down a Horse in a Paddock at a Racetrack

Rubbing Down a Horse in a Paddock at a Racetrack
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 11/16 × 9 11/16 inches (19.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Racing: a Match in Progress

Racing: a Match in Progress
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Hare Hunting

Hare Hunting
Creator:
Francis Barlow, 1622–1704
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Vauxhall Stairs, from Millbank, July 5, 1797

Vauxhall Stairs, from Millbank, July 5, 1797
Creator:
Francis Towne, 1740–1816
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
Creator:
Thomas Daniell, 1749–1840
Date:
1796
Materials & Techniques:
Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Tattersall's Training School

Tattersall's Training School
Creator:
unknown artist
Date:
1771
Materials & Techniques:
Pen and gray ink, brown ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 12 3/8 × 14 7/16 inches (31.4 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Return from Coursing

The Return from Coursing
Creator:
William Hamilton, 1751–1801
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 11/16 inches (18.3 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Haymaking

Haymaking
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Black and gray ink with watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 8 3/4 x 10 inches (22.2 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Two Prize Fighters

Two Prize Fighters
Creator:
Hubert-François Gravelot, 1699–1773
Date:
ca. 1742
Materials & Techniques:
Brown wash, pen and brown ink and red chalk on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/2 × 10 inches (24.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Leeds Castle, Kent

Leeds Castle, Kent
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Gateway of Lancaster Castle

The Gateway of Lancaster Castle
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Ruins of Leiston Abbey

The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817
Date:
1781
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Winchester Tower, Windsor Castle

Winchester Tower, Windsor Castle
Creator:
Thomas Malton, 1726–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Falstaff in the Boar's Head

Falstaff in the Boar's Head
Creator:
Robert Smirke, 1752–1845
Date:
1807
Materials & Techniques:
Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Planting the sugar cane (Trinidad)

Planting the sugar cane (Trinidad)
Creator:
Richard Bridgens, active 1838
Date:
1838
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper mounted to medium, smooth cream wove paper
Dimensions:
Sheet: 7 7/8 × 9 3/4 inches (20 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Bachelor's Hall

Bachelor's Hall
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen, brown ink, and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 7/8 inches (34.6 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Loading Sacks into a Cart

Loading Sacks into a Cart
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Avenue and Entrance to St. James Barracks

Avenue and Entrance to St. James Barracks
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1857
Materials & Techniques:
Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Sketch for "Reading the Will"

Sketch for "Reading the Will"
Creator:
Sir David Wilkie, 1785–1841
Date:
before 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper, mounted in moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 8 1/4 × 10 inches (21 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Design for Wall Paper

Design for Wall Paper
Creator:
unknown artist
Date:
ca. 1760
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 x 9 3/4 inches (17.8 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Henry Angelo and Madame Cain Fencing

Henry Angelo and Madame Cain Fencing
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 11/16 x 13 3/16 inches (24.6 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Glasgow Cathedral

Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. A Gathering at Fulham Palace

A Gathering at Fulham Palace
Creator:
George Richmond, 1809–1896
Date:
between 1843 and 1845
Materials & Techniques:
Iron gall ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Richard J. Mammana Jr., Yale MAR 2012, in memory of Cynthia McFarland

43. Parisian Street Figures

Parisian Street Figures
Creator:
Thomas Rowlandson, 1756–1827
Date:
1786
Materials & Techniques:
Gray wash and graphite with pen and brown ink; verso: watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 9 7/8 inches (15.9 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A View at Blackwall

A View at Blackwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. A Book Auction

A Book Auction
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 13/16 inches (15.2 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. A Village Scene outside a Church

A Village Scene outside a Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Boats and Men on Shore

Boats and Men on Shore
Creator:
William Anderson, 1757–1837
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 9 7/8 inches (9.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Studies of five heads after Rembrandt

Studies of five heads after Rembrandt
Creator:
Edward Luttrell, active 1680–1724
Date:
undated
Materials & Techniques:
Pastel on copper plate
Dimensions:
Sheet: 4 1/8 x 9 13/16in. (10.5 x 25cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Leland G. Howard

49. Caricature of Two Men with Drawn Swords (One of a Set of Three)

Caricature of Two Men with Drawn Swords (One of a Set of Three)
Creator:
John Sell Cotman, 1782–1842
Date:
1799
Materials & Techniques:
Watercolor and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 5/8 x 9 3/4 inches (19.4 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. View in China: Figures with Pagoda and Mountain

View in China: Figures with Pagoda and Mountain
Creator:
William Alexander, 1767–1816
Date:
1792 to 1794
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 3/4 x 9 3/4 inches (19.7 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. View in the Province of Kiang-nan, China, Taken from Nature

View in the Province of Kiang-nan, China, Taken from Nature
Creator:
William Alexander, 1767–1816
Date:
1793
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 9/16 x 9 11/16 inches (19.2 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection