"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
3
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
4
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
5
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
6
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
7
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
8
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
9
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
10
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
11
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
12
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
13
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
14
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
15
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
16
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
17
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
18
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
19
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
20
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
21
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
22
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
23
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
24
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
25
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
26
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
27
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
28
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
29
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
30
George Richmond, 1809–1896
William Blake in Youth and Age
ca. 1830
31
Benjamin Robert Haydon, 1786–1846
Figure Studies of the Virgin Mary
undated
32
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1814 to 1820
33
Samuel Scott, ca. 1702–1772
Men Loading a Boat with Barrels
undated
34
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
35
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
36
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
37
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
38
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
39
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
40
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
41
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
42
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
43
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
44
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
45
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
46
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
47
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
48
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
49
Robert Pollard, 1755–1838
Fly Fishing
undated
50
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
51
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
52
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
53
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
54
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
55
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
56
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
57
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
58
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
59
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
60
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
61
James Pollard, 1792–1867
The Meat Market
undated
62
James Pollard, 1792–1867
The Poultry Market
undated
63
John Varley, 1778–1842
View of New Street, near London Bridge
undated
64
attributed to Peter DeWint, 1784–1849
The Harvesters
undated
65
Thomas Hearne, 1744–1817
The Chestnut Tree at Little Wymondley, Hertfordshire
undated
66
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
67
Samuel Prout, 1783–1852
Beauvais Cathedral
undated
68
John Frederick Lewis, 1804–1876
The Torre de Comares, Alhambra, 1835
1835
69
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
70
Walter Richard Sickert, 1860–1942
Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
ca. 1888
71
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
72
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
73
James Ward, 1769–1859
Study of a Cossack: Gregory Yellowstuff
1814
74
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
75
Samuel Scott, ca. 1702–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
76
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
77
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
78
Samuel Prout, 1783–1852
The Porch, Reims Cathedral
ca. 1840
79
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
80
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
81
Dominic Serres, 1722–1793
Shipping in the Solent off Calshot Castle
between 1760 and 1793
82
Thomas Rowlandson, 1756–1827
Settling a Love Quarrell
undated
83
unknown artist
Commemorative Portrait of a Racehorse called Othello
undated
84
Thomas Allom, 1804–1872
The House of a Chinese Merchant near Canton
ca. 1843
85
François Louis Thomas Francia, 1772–1839
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
86
Walter Richard Sickert, 1860–1942
Sketch for Dieppe Sands
1919
87
John White Abbott, 1763–1851
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
1811
88
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
89
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice