Work Type: drawing / Image Use: Free to Use / Subject Terms: angel

1. Infant Joy (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief and white-line etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Songs of Experience, Frontispiece (Plate 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Europe. A Prophecy; Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief and white-line etching printed in brown ink; proof; verso: color printed relief etching with pen and ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Prophetess Rising from Her Grave (Design 81)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Ode for Music, Performed in the Senate-House; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Divine Image (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Condens'd his Emanations..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "And the Two that escaped..." (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Fatal Sisters, An Ode; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "Nor fear the rocks, nor seek the shore..." (Design 101)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Her Henry's holy shade..." (Design 15)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Progress of Poesy, A Pindaric Ode; Title Page

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Cytherea's Day..." (Design 45)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827
Date:: 1784 to 1785
Materials & Techniques:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. An Angel with a Trumpet

Creator:: William Blake, 1757–1827
Date:: between 1805 and 1808
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Scenes from an Eastern Romance [Arabian Nights]

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and graphite on medium, moderately textured, cream wove paper mounted to medium, moderately textured, gray wove paper
Dimensions:: Sheet: 4 1/8 × 3 inches (10.5 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Brass Chrism of Constance Bownell and her Baby from Heston Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: 1796-1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 × 4 1/2 inches (24.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Joshua and the Angel (Joshua 5:13)

Creator:: Richard Westall, 1765–1836
Date:: before 1835
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 x 5 3/8 inches (8.6 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Allegory of Sea Trades

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 4 7/8 inches (9.2 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Venus and Cupid

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and gray wash and gouache on medium, moderately textured, gray wove paper mounted to medium slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Professor Richard L. Purdy

32. Design for the Brass Eagle Lectern Base

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1846
Materials & Techniques:: Graphite and pen and black ink on moderately thick, smooth, beige paper
Dimensions:: Sheet: 32 1/2 x 27 7/8 inches (82.6 x 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Winged Figure Slaying a Bull

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/8 inches (14.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

34. Angel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 7 15/16 × 3 3/8 inches (20.2 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. An Angel

Creator:: Isaac Oliver, ca. 1565–1617
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 2 15/16 inches (10.8 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Cupid and Psyche

Creator:: Edward Burne-Jones, 1833–1898
Date:: ca. 1870
Materials & Techniques:: Watercolor, gouache and pastel on moderately thick, moderately textured, wove paper mounted on linen
Dimensions:: Sheet: 27 5/8 x 19 inches (70.2 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund

37. Time raising Truth, after Rubens’s “The Triumph of Truth”

Creator:: Attributed to Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 x 11 15/16 inches (20.3 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

38. The Archangel Gabriel Awaiting Night

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor and brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/16 x 9 7/8 inches (30.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Flight into Egypt

Creator:: Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Gray ink, gray wash, watercolor, black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 7 1/2 inches (23.5 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

40. Doorhead of the Palazzo Contarini della Porta di Ferro

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

41. Two Designs for Ecclesiastical Niches

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, moderately textured, cream wove paper mounted on board
Dimensions:: Sheet: 7 5/8 × 3 1/8 inches (19.4 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

42. School of St. Rocco, Venice, Study of Curved Decoration

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: ca. 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 15/16 x 7 1/4in. (22.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Infant Joy (Plate 28)

2. Songs of Experience, Frontispiece (Plate 32)

3. Europe. A Prophecy; Frontispiece

4. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

5. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

6. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

7. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

8. Songs of Innocence, Frontispiece (Plate 1)

9. The Prophetess Rising from Her Grave (Design 81)

10. Ode for Music, Performed in the Senate-House; Title Page

11. A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

12. "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

13. Songs of Innocence, Frontispiece (Plate 1)

14. The Divine Image (Plate 12)

15. "Condens'd his Emanations..." (Plate 9)

16. "And the Two that escaped..." (Plate 30)

17. The Fatal Sisters, An Ode; Title Page

18. "Nor fear the rocks, nor seek the shore..." (Design 101)

19. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

20. "Her Henry's holy shade..." (Design 15)

21. The Progress of Poesy, A Pindaric Ode; Title Page

22. "Cytherea's Day..." (Design 45)

23. Satan Approaching the Court of Chaos

24. An Angel with a Trumpet

25. 'Behold him, when past by; what then is seen' (Page 25)

26. Scenes from an Eastern Romance [Arabian Nights]

27. Brass Chrism of Constance Bownell and her Baby from Heston Church

28. Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk

29. Joshua and the Angel (Joshua 5:13)

30. Allegory of Sea Trades

31. Venus and Cupid

32. Design for the Brass Eagle Lectern Base

33. Winged Figure Slaying a Bull

34. Angel

35. An Angel

36. Cupid and Psyche

37. Time raising Truth, after Rubens’s “The Triumph of Truth”

38. The Archangel Gabriel Awaiting Night

39. Flight into Egypt

40. Doorhead of the Palazzo Contarini della Porta di Ferro

41. Two Designs for Ecclesiastical Niches

42. School of St. Rocco, Venice, Study of Curved Decoration