MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
undated
303
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
304
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
305
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
306
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
307
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
308
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
309
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
310
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
311
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
312
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
313
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
314
Theodor von Holst, 1810–1844
Faust and Margaret
undated
315
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
316
George Henry Harlow, 1787–1819
Hecate
1815
317
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
318
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
319
Robert Smirke, 1752–1845
Anne Page and Slender
1821
320
Robert Smirke, 1752–1845
Prospero and Ariel
1821
321
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
322
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
323
Dante Gabriel Rossetti, 1828–1882
Illustration to the Maids of Elfen-Mere
1854
324
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
325
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
326
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
327
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
328
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
329
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
330
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
331
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
332
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
333
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
334
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
335
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
336
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
337
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
338
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
339
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
340
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
341
Thomas Carwitham, active 1723
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
342
Samuel De Wilde, 1748–1832
Head of a Man with a Beard and Long Hair in the Wind
1786
343
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
344
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
345
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
346
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
347
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
348
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
349
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
350
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
351
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
352
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
353
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
354
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
355
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
356
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
357
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
358
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
359
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
360
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
361
unknown artist
Troilus and Cressida?
undated
362
unknown artist
A Midsummer Night's Dream: Three Figures
undated
363
unknown artist
Scene from the Inferno Dramatic Landscape
undated
364
unknown artist
Scene from the Inferno
undated
365
unknown artist
Study for the Damned
undated
366
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
367
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
368
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
369
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
370
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
371
unknown artist
Hudibras and Rolpho
undated
372
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
373
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
374
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
375
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
376
Mary Hoare, 1744–1820
Prospero and Miranda
1781
377
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
378
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
379
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
380
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
381
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
382
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
383
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
384
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
385
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
386
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
387
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
388
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
389
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
390
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
391
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
392
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
393
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
394
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
395
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
396
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
397
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
398
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
399
David Cox, 1783–1859
Pirate's Isle
1826
400
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'