III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
3
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
4
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
5
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
6
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
7
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
8
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
9
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
10
Edward Lear, 1812–1888
Sorrento, 2 August 1838
1838
11
Edward Lear, 1812–1888
Bassenthwaite
1836
12
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
13
Edward Lear, 1812–1888
Reggio
1847
14
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
15
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
16
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
17
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
18
James Ward, 1769–1859
Study of Undergrowth
undated
19
unknown artist
Docks, September 6, 1777
1777
20
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
21
John Henry Dearle, 1860–1932
Design for a tapestry hanging
undated
22
Samuel Woodforde, 1763–1817
A Rocky Stream
undated
23
John Robert Cozens, 1752–1797
Virgil's Tomb, August 1
undated
24
Paul Jacob Naftel, 1817–1891
Head of Loch Lomond, with Ben Lomond in the Distance
1859
25
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
26
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
27
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
28
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
29
John Minton, 1917–1957
Landscape, Corsica
1947
30
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
31
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
32
Francis Barlow, 1622–1704
Hare Hunting
undated
33
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
34
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
35
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
36
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
37
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
38
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
39
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
40
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
41
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
42
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
43
Thomas Daniell, 1749–1840
Sketches
undated
44
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
45
Thomas Hearne, 1744–1817
Cottage
undated
46
Henry Monro, 1791–1814
A Wooded Track
1813
47
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
48
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
49
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh