Work Type: intaglio print / Height [cm]: 23 - YCBA Collections Search Search Results

801. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

802. Nineveh, Moussul on the Tigris

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835-1836
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

803. Assos

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

804. Assos

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 inches (27.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

805. Valley of the Dhoon

Creator:: Print made by W. Floyd, active 1845
Date:: 1837
Materials & Techniques:: Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 12 5/8 inches (28.3 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

806. Jerusalem from the Latin Convent

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

807. Sidon

Creator:: Print made by William Finden, 1787–1852
Date:: 1835-1836
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

808. Sandy Knowe, or Smailholm Tower

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper mounted on verso of canceled intaglio print
Dimensions:: Sheet: 4 1/2 × 3 3/8 inches (11.4 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

809. Assos

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

810. Valley of the Brook Kedron

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

811. John Constable

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 6 7/16 inches (25.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

812. Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 5 7/8 inches (23.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

813. George Gower

Creator:: Print made by James Basire, 1730–1802
Date:: 1800
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 11/16 inches (36.8 x 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

814. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 5/8 inches (39.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

815. Samuel Johnson

Creator:: Samuel Freeman, 1773–1857
Date:: 1813
Materials & Techniques:: Line engravng and stipple engraving
Dimensions:: Sheet: 8 7/8 x 5 1/4in. (22.5 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

816. Samuel Johnson

Creator:: Samuel Freeman, 1773–1857
Date:: 1819
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 9 x 5 5/8in. (22.9 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

817. View of the Front of the New Public Buildings, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

818. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

819. Caudebec

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 1/4 inches (22.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

820. Mucius Scaevola Burning his Hand

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

821. The Elect

Creator:: Conrad Martin Metz, 1749–1827
Date:: 1801
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 25 7/8 inches (28.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

822. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

823. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

824. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

825. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

826. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

827. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

828. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

829. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

830. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

831. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

832. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

833. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

834. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

835. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

836. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

837. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

838. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

839. Frontispiece: Hercules Fighting the Hydra

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

840. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

841. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

842. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

843. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

844. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

845. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

846. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

847. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

848. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

849. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

850. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

851. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

852. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

853. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

854. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

855. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

856. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

857. Studies for the Instruction of Painters, two suites. Rome

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

858. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

859. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

860. Judith, or Cowper's Oak

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

861. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

862. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

863. Tombs of the Kings of Golconda

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1837
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 10 7/8 inches (22.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

864. A Man of the Tuda Race

Creator:: Print made by unknown artist
Date:: 1844
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 5 1/2 inches (23.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

865. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

866. A Flight Across the Herring Pool

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1800
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 5/8 × 15 1/2 inches (24.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

867. Flying News or Seringapatam Taken by Strategem

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 15 inches (23.5 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

868. The New Petty Coat Administration

Creator:: Print made by William Heath, 1795–1840
Date:: ca. 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

869. Sailors on Shore at Navarino

Creator:: Print made by William Heath, 1795–1840
Date:: ca. 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

870. A Mistake

Creator:: Print made by William Heath, 1795–1840
Date:: 1829
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 5/8 × 16 1/2 inches (32.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

871. Quay at Straddon Point Near Plymouth

Creator:: Print made by William Daniell, 1769–1837
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, sightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

872. The Back of the Mills

Creator:: Print made by John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 7 9/16 inches (24.8 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

873. Miss Macdonald

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint (first published state) on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/8 × 19 1/8 inches (63.8 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

874. Falls of the Rhine, Shaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

875. Falls of the Rhine, Shaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching; blind proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 15 5/8 inches (33 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

876. Little Devil's Bridge

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

877. Falls of the Rhine, Schaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/4 inches (30.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

878. Falls of the Rhine, Shaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/4 inches (30.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

879. Killundine

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1929
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 15 inches (22.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

880. Petrus Stevens

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving, and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 11 7/8 × 10 1/8 inches (30.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

881. The Binnacle

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 20 7/8 inches (33.4 × 53.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

882. A Spanish Christening

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1928
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 15 9/16 inches (34.1 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

883. Her New Heir, Stokesay

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

884. The Meuse [Belgian Set: No. 4]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 16 3/8 inches (23.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

885. The Tomb of Mary Magdalene

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1690s
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 × 11 7/16 inches (22.9 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

886. Basket of Flowers

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 6 15/16 inches (22.5 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

887. Good Samaritan

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, with burinwork on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 7 9/16 inches (22.9 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

888. The Sacrifice of Isaac

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 7/8 inches (24.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

889. R. 47 Ayr. No. 18 in the Clyde Set

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

890. The Paris Set: R. 366 Rue Saint Julien le Pauvre

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 1/8 inches (23.5 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

891. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

892. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

893. Miss Flora MacDonald

Creator:: Print made by unknown artist
Date:: between 1700 and 1750
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 16 inches (54.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

894. The Duchess of Monmouth

Creator:: Print made by Robert Williams, active 1680–1704
Date:: between 1682 and 1704
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

895. Blood on Thunder Fording the Red Sea

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/16 × 13 1/4 inches (24 × 33.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

896. The Four Trees, Petit Andely

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1914
Materials & Techniques:: Etching; trial proof
Dimensions:: Sheet: 8 7/8 × 10 7/8 inches (22.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

897. Dawn, The Camel Patrol Setting Out

Creator:: Print made by James McBey, 1883–1959
Date:: 1917
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Associates in Fine Arts

898. Hester Lynch Piozzi (Mrs. Thrale)

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching, line engraving, and stipple engraving, with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 × 9 15/16 inches (34.2 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

899. Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 7/8 inches (26.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

900. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Work Type intaglio print

Height [cm] 23

Search Results

801. Rievaulx Abbey

802. Nineveh, Moussul on the Tigris

803. Assos

804. Assos

805. Valley of the Dhoon

806. Jerusalem from the Latin Convent

807. Sidon

808. Sandy Knowe, or Smailholm Tower

809. Assos

810. Valley of the Brook Kedron

811. John Constable

812. Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

813. George Gower

814. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

815. Samuel Johnson

816. Samuel Johnson

817. View of the Front of the New Public Buildings, Guildford

818. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

819. Caudebec

820. Mucius Scaevola Burning his Hand

821. The Elect

822. Studies for the Instruction of Painters, two suites. Rome, c. 1630

823. Studies for the Instruction of Painters, two suites. Rome, c. 1630

824. Studies for the Instruction of Painters, two suites. Rome, c. 1630

825. Studies for the Instruction of Painters, two suites. Rome, c. 1630

826. Studies for the Instruction of Painters, two suites. Rome, c. 1630

827. Studies for the Instruction of Painters, two suites. Rome, c. 1630

828. Studies for the Instruction of Painters, two suites. Rome, c. 1630

829. Studies for the Instruction of Painters, two suites. Rome, c. 1630

830. Studies for the Instruction of Painters, two suites. Rome, c. 1630

831. Studies for the Instruction of Painters, two suites. Rome, c. 1630

832. Studies for the Instruction of Painters, two suites. Rome, c. 1630

833. Studies for the Instruction of Painters, two suites. Rome, c. 1630

834. Studies for the Instruction of Painters, two suites. Rome, c. 1630

835. Studies for the Instruction of Painters, two suites. Rome, c. 1630

836. Studies for the Instruction of Painters, two suites. Rome, c. 1630

837. Studies for the Instruction of Painters, two suites. Rome, c. 1630

838. Studies for the Instruction of Painters, two suites. Rome, c. 1630

839. Frontispiece: Hercules Fighting the Hydra

840. Studies for the Instruction of Painters, two suites. Rome, c. 1630

841. Studies for the Instruction of Painters, two suites. Rome, c. 1630

842. Studies for the Instruction of Painters, two suites. Rome, c. 1630

843. Studies for the Instruction of Painters, two suites. Rome, c. 1630

844. Studies for the Instruction of Painters, two suites. Rome, c. 1630

845. Studies for the Instruction of Painters, two suites. Rome, c. 1630

846. Studies for the Instruction of Painters, two suites. Rome, c. 1630

847. Studies for the Instruction of Painters, two suites. Rome, c. 1630

848. Studies for the Instruction of Painters, two suites. Rome, c. 1630

849. Studies for the Instruction of Painters, two suites. Rome, c. 1630

850. Studies for the Instruction of Painters, two suites. Rome, c. 1630

851. Studies for the Instruction of Painters, two suites. Rome, c. 1630

852. Studies for the Instruction of Painters, two suites. Rome, c. 1630

853. Studies for the Instruction of Painters, two suites. Rome, c. 1630

854. Studies for the Instruction of Painters, two suites. Rome, c. 1630

855. Studies for the Instruction of Painters, two suites. Rome, c. 1630

856. Studies for the Instruction of Painters, two suites. Rome, c. 1630

857. Studies for the Instruction of Painters, two suites. Rome

858. Studies for the Instruction of Painters, two suites. Rome, c. 1630

859. Studies for the Instruction of Painters, two suites. Rome, c. 1630

860. Judith, or Cowper's Oak

861. Studies for the Instruction of Painters, two suites. Rome, c. 1630

862. Studies for the Instruction of Painters, two suites. Rome, c. 1630

863. Tombs of the Kings of Golconda

864. A Man of the Tuda Race

865. The Temple of Aphaia at Aegina: Sections

866. A Flight Across the Herring Pool

867. Flying News or Seringapatam Taken by Strategem

868. The New Petty Coat Administration

869. Sailors on Shore at Navarino

870. A Mistake

871. Quay at Straddon Point Near Plymouth

872. The Back of the Mills

873. Miss Macdonald

874. Falls of the Rhine, Shaffhausen