Work Type: intaglio print / Height [cm]: 38 / Topic subjectplace ss: United Kingdom

Print made by David Lucas, 1802–1881

Summer Evening

1831

Print made by David Lucas, 1802–1881

Stratford Mill, The Young Waltonians

1834 to 1840

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Landseer, 1769–1852

Fall of the Tees

1821

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1822

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Jacob van Schley, 1715–1779

The Monument of King Henry III, in Westminster Abbey

1735

George Vertue, 1684–1756

The Monument in Westminster Abbey of King Henry V

between 1699-1756

Claude Du Bosc, c.1711–1740

The Monument of King Edward III in Westminster Abbey

undated, ca. 1726-1740

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Horsburgh, 1791–1869

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Shanklin Castle

1799

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by W. R. Smith, active 1819–1851

The Entrance to Fowey Harbour, Cornwall

1829

Print made by James T. Willmore, 1800–1863

Penmaen Mawr, Caernarvonshire

1832

Print made by B. Winkles, active 1830–1840

Longitudinal Section of Westminster Hall

ca. 1821

Print made by James Basire the younger, 1769–1822

Plate XI: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate X: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by James Basire, 1730–1802

Plate XII: St Stephen's Chapel

1795

Print made by Thomas Talbot Bury, 1811–1877

Elevation of the River Front

ca. 1835

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Printed by Frederick Landseer Maur Griggs, 1876–1938

Ashwell

1914

Print made by unknown artist

Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church

undated

Hedley Fitton, 1859–1929

The Shrine of Edward the Confessor, Westminster

1910

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Work Type intaglio print

Height [cm] 38

Topic subjectplace ss United Kingdom

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Work Type intaglio print

Height [cm] 38

Topic subjectplace ss United Kingdom

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