Work Type: intaglio print / Height [cm]: 43 - YCBA Collections Search Search Results

Print made after George Stubbs, 1724–1806

Plate VII, Human Body, Lateral View

1804

Print made by William Hogarth, 1697–1764

Paul Before Felix

1752

Print made by William Hogarth, 1697–1764

Before

1736

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

ca. 1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Print made by William Blake, 1757–1827

Illustrations of The Book of Job; Title Page

1826

Print made by William Blake, 1757–1827

Illustrations of The Book of Job

1826

Print made by Joseph Stannard, 1797–1830

Landscape with Bridge

1824 to 1827

Print made by Joseph Stannard, 1797–1830

Whitlingham

1824

Print made by James Parker, 1750–1805

The Fall of Agandecca

1783

Valentine Green, 1739–1813

Louisa Finch (née Thynne), Countess of Aylesford

1783

Print made by Thomas Shotter Boys, 1803–1874

La rue des Prouvaires et l'église saint Eustache, Paris

1833

Thomas Malton, 1726–1801

Lincoln Cathedral

1800

Victor Marie Picot, 1744–1805

A Pastoral Scene with Cow

1777

Benjamin Green, ca. 1736–ca. 1800

The Lion and Stag

1770

Print made by Ludwig von Siegen, 1609–c.1680

Amelia Elisabetha, landgravine of Hesse

1643

Print made by William Nutter, 1754–1802

The Right Honorable Lady Beauchamp

1790

Print made by Valentine Green, 1739–1813

Miss Sarah Campbell

ca. 1779

Print made by Charles Wilkin, 1750–1814

Lady Cockburn and Children

1791

Print made by Francesco Bartolozzi, 1728–1815

Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope

1789

Print made by Richard Earlom, 1743–1822

George Augustus Elliot Lord Heathfield

1788

Print made by Francesco Bartolozzi, 1728–1815

Peniston, William, and Frederick James Lamb: The Affectionate Brothers

1791

Print made by John Young, 1755–1825

The Setting Sun

1790

Print made by George Clint, 1770–1854

Miss Arabella Jane Wilmot

after 1810

Print made by Charles Wilkin, 1750–1814

The Right Honourable Charlotte Viscountess St. Asaph

1797

Print made by Daniel Orme, 1766–1837

The Celebrated Victory ... on the Glorious First of June 1794

1795

Print made by Valentine Green, 1739–1813

Mrs. Le Maistre

1771

Print made by Charles Howard Hodges, 1764–1837

The Cottage Girl

1794

Print made by John Condé, 1765–1794

Mrs. Fitzherbert

1792

Print made by James Watson, 1740–1790

Lady Susan O'Brien

1772

Print made by Samuel Cousins, 1801–1887

La Surprise

1827

Print made by George Maile, active 1824–1840

A French Lady

1830

Print made by Thomas Burke, 1749–1815

Lady Rushout and Daughter

1784

Print made by Robert Graves, 1798–1873

William Esdaile

1826

Print made by John Raphael Smith, 1752–1812

Miss Carter

1777

Print made by William Say, 1768–1834

The Cottar's Door

1802

Print made by Richard Earlom, 1743–1822

Thomas King and Mrs. Baddeley

1772

Print made by unknown artist

January

1767

Print made by unknown artist

May

1767

Print made by unknown artist

June

1767

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Work Type intaglio print

Height [cm] 43

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Work Type intaglio print

Height [cm] 43

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