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1. George, Prince of Wales

George, Prince of Wales
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1783
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 3/8 × 18 3/4 inches (67 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Duchess of York

Duchess of York
Creator:
Print made by William Dickinson, 1746–1823
Date:
1795
Materials & Techniques:
Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 27 × 19 3/4 inches (68.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. The West Window of the Chapel, New College Oxford:

The West Window of the Chapel, New College Oxford:
Creator:
Richard Earlom, 1743–1822
Date:
1785
Materials & Techniques:
Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 1/16 × 19 1/8 inches (66.2 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Woodman's Return

The Woodman's Return
Creator:
John Whessell, 1760–ca. 1823
Date:
1797
Materials & Techniques:
Colored stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 24 1/4 × 18 7/8 inches (61.6 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Drawing Academy

Drawing Academy
Creator:
Print made by William Pether, ca. 1738–1821
Date:
ca. 1772
Materials & Techniques:
Mezzotint, proof before title
Dimensions:
Plate: 22 7/8 x 17 7/8in. (58.1 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Salutation

No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1778
Materials & Techniques:
Mezzotint (? state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/2 × 18 7/8 inches (64.8 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund