Work Type: intaglio print / Width [cm]: 32 - YCBA Collections Search Search Results

101. Whitby

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. The Palace of the Stuarts

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

103. Glasgow Cathedral

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

104. Cour des Bons Enfants, Rouen

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1897
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/4 inches (27.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

105. Notre Dame

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: 1908
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 11/16 x 15 inches (52.5 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

106. Lulworth Castle, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Moss Dale Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1822
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Crichton Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/16 × 20 1/4 inches (36.4 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Heriot's Hospital

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Bass Rock

Creator:: Print made by William Miller, 1796–1882
Date:: 1826
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Bass Rock

Creator:: Print made by William Miller, 1796–1882
Date:: 1826
Materials & Techniques:: Line engraving and etching, 2nd state on thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 3/16 × 15 1/8 inches (28.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1827
Materials & Techniques:: Etching and line-engraving, Engraver's proof, 1st Published State on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. View of the Chapel and Hall of Oriel College

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1801
Materials & Techniques:: Line engraving, unfinished proof before letters on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Weymouth, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving. on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. East & West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Spot where Harold Fell

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Crowhurst, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 15 3/4 inches (28.9 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Rome; Bridge and Castle of St. Angelo on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. The Roman Forum from the Tower of the Capitol

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818
Materials & Techniques:: Line engraving, and etching, engraver's proof (very early) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. The Roman Forum from the Tower of the Capitol

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Isola Bella on the Lago Maggiore

Creator:: Print made by James Fittler, 1758–1835
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 15/16 × 12 5/8 inches (25.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. High Street, Edinburgh

Creator:: Engraved by Henry Le Keux, 1787–1868
Date:: 1819
Materials & Techniques:: Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 7/8 × 19 3/8 inches (32.7 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Heriot's Hospital

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Penmaen Mawr, Caernarvonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof (completed) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Village Ford

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1881
Materials & Techniques:: Etching with drypoint
Dimensions:: Sheet: 9 7/8 × 12 1/2 inches (25.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

130. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Oliverio Gatti, 1568–1651
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Frontispiece: Hercules Fighting the Hydra

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Studies for the Instruction of Painters, two suites. Rome

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Creator:: Print made by Francesco Curti, 1610–1690
Date:: ca. 1633
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Calais Pier

Creator:: Print made by John Cousen, 1804–1880
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Wreck off Hastings

Creator:: Print made by William Miller, 1796–1882
Date:: 1866
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Henry Fuseli, Esq.

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 12 11/16 inches (46.4 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Sir Thomas Lawrence P. R. A.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1830
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. The Golden Stairs

Creator:: Print made by Felix Jasinski, 1862 - 1901
Date:: 1894
Materials & Techniques:: Etching on vellum
Dimensions:: Sheet: 28 1/8 × 13 inches (71.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

175. Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 12 5/8 inches (32.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

176. From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

177. Evening in Little Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 12 5/8 inches (45 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

178. Night from the River

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 12 5/8 inches (44.8 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

179. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Houses of Parliament

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Stone Buildings, Lincoln's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Inner Temple

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Lion's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Lincoln's Inn Gate

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Garden Front of Furnival's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 5/8 inches (12.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. The Pursuit of the French after the Victory at Ramellies

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 7/8 × 12 1/2 inches (27.6 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Elm

Creator:: John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

188. The Battle of Taniers, Part Second

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 × 12 1/2 inches (26.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. The Battle of Blenheim MDCCIV, Part the Second

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 3/4 × 12 5/8 inches (27.3 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. The Battle of Ramillies MDCCVI

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1831
Materials & Techniques:: Etching and line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Chelsea

Creator:: James McNeill Whistler, 1834–1903
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 3/4 inches (24.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

193. Middle Temple Gate

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Southwest View of Middle Temple

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Gray's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Guildhall

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 5/8 inches (12.4 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Sergeant's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Barnard's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. North Front of Temple Hall

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Temple Church

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Work Type intaglio print

Width [cm] 32

Search Results

101. Whitby

102. The Palace of the Stuarts

103. Glasgow Cathedral

104. Cour des Bons Enfants, Rouen

105. Notre Dame

106. Lulworth Castle, Dorsetshire

107. Florence, from the Chiesa al Monte

108. Moss Dale Fall

109. Weathercote Cave when Half Filled with Water

110. Crichton Castle

111. Heriot's Hospital

112. Bass Rock

113. Bass Rock

114. Saltash, Cornwall

115. Freshwater Bay

116. View of the Chapel and Hall of Oriel College

117. Weymouth, Dorset

118. East & West Looe, Cornwall

119. The Spot where Harold Fell

120. Crowhurst, Sussex

121. Rome; Bridge and Castle of St. Angelo on the Tyber

122. The Roman Forum from the Tower of the Capitol

123. The Roman Forum from the Tower of the Capitol

124. Isola Bella on the Lago Maggiore

125. High Street, Edinburgh

126. The Entrance to Fowey Harbour, Cornwall

127. Heriot's Hospital

128. Penmaen Mawr, Caernarvonshire

129. The Village Ford

130. Studies for the Instruction of Painters, two suites. Rome, c. 1630

131. Studies for the Instruction of Painters, two suites. Rome, c. 1630

132. Studies for the Instruction of Painters, two suites. Rome, c. 1630

133. Studies for the Instruction of Painters, two suites. Rome, c. 1630

134. Studies for the Instruction of Painters, two suites. Rome, c. 1630

135. Studies for the Instruction of Painters, two suites. Rome, c. 1630

136. Studies for the Instruction of Painters, two suites. Rome, c. 1630

137. Studies for the Instruction of Painters, two suites. Rome, c. 1630

138. Studies for the Instruction of Painters, two suites. Rome, c. 1630

139. Studies for the Instruction of Painters, two suites. Rome, c. 1630

140. Studies for the Instruction of Painters, two suites. Rome, c. 1630

141. Studies for the Instruction of Painters, two suites. Rome, c. 1630

142. Studies for the Instruction of Painters, two suites. Rome, c. 1630

143. Studies for the Instruction of Painters, two suites. Rome, c. 1630

144. Studies for the Instruction of Painters, two suites. Rome, c. 1630

145. Studies for the Instruction of Painters, two suites. Rome, c. 1630

146. Studies for the Instruction of Painters, two suites. Rome, c. 1630

147. Studies for the Instruction of Painters, two suites. Rome, c. 1630

148. Studies for the Instruction of Painters, two suites. Rome, c. 1630

149. Studies for the Instruction of Painters, two suites. Rome, c. 1630

150. Studies for the Instruction of Painters, two suites. Rome, c. 1630

151. Studies for the Instruction of Painters, two suites. Rome, c. 1630

152. Studies for the Instruction of Painters, two suites. Rome, c. 1630

153. Studies for the Instruction of Painters, two suites. Rome, c. 1630

154. Studies for the Instruction of Painters, two suites. Rome, c. 1630

155. Studies for the Instruction of Painters, two suites. Rome, c. 1630

156. Frontispiece: Hercules Fighting the Hydra

157. Studies for the Instruction of Painters, two suites. Rome, c. 1630

158. Studies for the Instruction of Painters, two suites. Rome, c. 1630

159. Studies for the Instruction of Painters, two suites. Rome, c. 1630

160. Studies for the Instruction of Painters, two suites. Rome, c. 1630

161. Studies for the Instruction of Painters, two suites. Rome, c. 1630

162. Studies for the Instruction of Painters, two suites. Rome, c. 1630

163. Studies for the Instruction of Painters, two suites. Rome, c. 1630

164. Studies for the Instruction of Painters, two suites. Rome, c. 1630

165. Studies for the Instruction of Painters, two suites. Rome, c. 1630

166. Studies for the Instruction of Painters, two suites. Rome

167. Studies for the Instruction of Painters, two suites. Rome, c. 1630

168. Studies for the Instruction of Painters, two suites. Rome, c. 1630

169. Calais Pier

170. Wreck off Hastings

171. Henry Fuseli, Esq.

172. Sir Thomas Lawrence P. R. A.

173. Arundel Castle and Town, Sussex

174. The Golden Stairs