Work Type: intaglio print / Width [cm]: 36 / Image Use: Free to Use

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by William Hogarth, 1697–1764

Hogarth Painting the Comic Muse

1764

Etched by Joseph Mallord William Turner, 1775–1851

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Print made by William Hogarth, 1697–1764

Four Heads from the Raphael Cartoons at Hampton Court

1781

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

John Grant, Died 1873

Rocket Practice in the Marshes

1845

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by Thomas Frye, 1710–1762

Portrait of a Man Wearing Turban

1760

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by William Bernard Cooke, 1778–1855

Views in Sussex, Publisher's Printed Wrapper

1819

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by James C. Allen, active 1821–1831

The Ivy Bridge, Devonshire

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Gerard Edelinck, 1640–1707

Édouard Colbert, Marquis de Villacerf

1696

Sir David Young Cameron, 1865–1945

Venice from the Lido [North Italian Set: No. 17]

1896

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Sir David Young Cameron, 1865–1945

Dinant [Belgian Set: No. 9]

1907

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1816

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

Florence from the Chiesa al Monte

1820

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

Print made by W. E. Albutt, active 1836–1863

High Street, Oxford (small replica)

1828

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Print made by David Lucas, 1802–1881

Mill Near Colchester

1845

Print made by David Lucas, 1802–1881

Flatford Mill

1844

Print made by David Lucas, 1802–1881

Noon

1830

Print made by David Lucas, 1802–1881

Summer Morning

1831

Print made by David Lucas, 1802–1881

Hampstead Heath, Harrow in the Distance

1845

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by John Raphael Smith, 1752–1812

A Lady at Haymaking

1780

Print made by Adam Ludwig Wirsing, 1733–1797

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

Thomas Gaugain, 1748–1812

Turnips and Carrots

1797

Print made by Samuel Halle, 1824–1889

Carl August Struensee von Carlsbach

undated

John Raphael Smith, 1752–1812

A Maid - Une Pucelle

1791

John Raphael Smith, 1752–1812

A Widow - Une Veuve

1791

Print made by Jacobus Houbraken, 1698–1780

Joseph Addison

1748

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by James McNeill Whistler, 1834–1903

Black Lion Wharf

1859

Print made by George Cruikshank, 1792–1878

Mr. B seeking the Bubble reputation - Plate 5

1820

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

1820

Print made by Thomas Frye, 1710–1762

Portrait of a Man Wearing a Turban, Leaning on Book

1760

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

John Dixon, ca. 1740–1811

David Garrick, Esq

1779

Print made by Thomas Hall, active early 19th century

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

1808

Print made by unknown artist

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

1834

Print made by George Hawkins, active 1795–1810

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by Paul Fourdrinier, 1698–1758

A Sea Engagement between the English and Algerines

ca. 1743

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by Gainsborough Dupont, 1754–1797

Elizabeth Ann (Linley) Sheridan

between 1787 and 1797

Print made by Samuel William Reynolds, 1773–1835

James Northcote

1802

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by Francesco Bartolozzi, 1728–1815

King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I

1800

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by Remi Parr, active 1723–1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Thomas Malton the Younger, 1748–1804

Banqueting House, Whitehall

undated

Print made by George Cruikshank, 1792–1878

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by unknown artist

Henry VII Chapel (Exterior)

ca. 1890

Print made by unknown artist

Key to Life School at the Royal Academy

1794

Print made by Thomas Rowlandson, 1756–1827

One Tree Hill Greenwich Park

1811

Print made by Ernest Stamp, 1869–1942

Rainy Day at Cookham

1894

Print made by William Heath, 1795–1840

The Throne in Danger

ca. 1828

Print made by William Heath, 1795–1840

Druming Out. Or Making an Example of a Mutineer

ca. 1827

Print made by William Heath, 1795–1840

Sailors on Shore at Navarino

ca. 1827

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Work Type intaglio print

Width [cm] 36

Image Use Free to Use

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Work Type intaglio print

Width [cm] 36

Image Use Free to Use

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