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Work Type intaglio print

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1. The Early Ploughman

The Early Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Royal Artillery Repository Exercises, 1844

Royal Artillery Repository Exercises, 1844
Creator:
John Grant, Died 1873
Date:
1844
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Irrawaddy Nights

Irrawaddy Nights
Creator:
Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on moderately thick, slightly textured, light blue laid paper
Dimensions:
Sheet: 13 1/16 x 17 9/16 inches (33.2 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Classical Landscape with Travellers, a Dog and House on the left

Classical Landscape with Travellers, a Dog and House on the left
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1741
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 × 15 1/4 inches (30.5 × 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. A Lecture on Gadding

A Lecture on Gadding
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Etching, stipple engraving, and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/16 x 15 1/16 inches (46.9 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Sacrifice

The Sacrifice
Creator:
John Goldar, 1729–1795
Date:
1767
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 × 14 3/4 inches (33 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Wrestling

Wrestling
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Watercolor over etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 11 5/8 × 14 3/4 inches (29.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/8 inches (37.5 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

13. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

14. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

15. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

16. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 19 × 15 1/2 inches (48.3 × 39.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. Two Women Listening to a Bird, with a Man Holding a Gun

Two Women Listening to a Bird, with a Man Holding a Gun
Creator:
Print made by Johann Gottfried Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/16 x 17 5/8 inches (34.1 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. La fille éveillée

La fille éveillée
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 9/16 x 15 1/16 inches (49.7 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Here Poor Boy

Here Poor Boy
Creator:
Print made by Charles Wilkin, 1750–1814
Date:
1796
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/2 × 16 3/4 inches (52.1 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. The Choice

The Choice
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1737
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 15 1/8 inches (27 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Portrait of Man

Portrait of Man
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
early 1750s
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 14 15/16 inches (51.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Portrait of a Man

Portrait of a Man
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
early 1750s
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 21 x 15 1/16 inches (53.4 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Le garcon content

Le garcon content
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/8 x 15 1/8 inches (49.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. Monstrosities of 1822 - Pt. 5

Monstrosities of 1822 - Pt. 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Washing the Blackamoor

Washing the Blackamoor
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 1/8 × 22 5/8 inches (76.5 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Wooded Landscape with Two Country Carts and Figures

Wooded Landscape with Two Country Carts and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1838
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/2 × 17 1/4 inches (57.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Dilettanti Society

The Dilettanti Society
Creator:
Print made by William Say, 1768–1834
Date:
1812
Materials & Techniques:
Mezzotint (proof before letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. Bath: The Circus

Bath: The Circus
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 15/16 × 14 13/16 inches (27.8 × 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Bath: Queen Square

Bath: Queen Square
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The City of Bath taken from the London Road

The City of Bath taken from the London Road
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Bath: The New Bridge

Bath: The New Bridge
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. South View of Bath

South View of Bath
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Slumbers of Ragotin Interrupted

The Slumbers of Ragotin Interrupted
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 11/16 x 15 1/8 inches (27.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. St. Martin's Church

St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Night and a Ship on Fire

Night and a Ship on Fire
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 7/16 inches (37.9 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Noon

Noon
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 21 1/4 inches (38.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 15 3/4 inches (30.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Sun Under a Cloud

Sun Under a Cloud
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 21 9/16 inches (38.3 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A View of the Bridge at Walton-on-Thames in Surrey

A View of the Bridge at Walton-on-Thames in Surrey
Creator:
Charles Grignion, 1717–1810
Date:
1752
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. A Negroes Dance in the Island of Dominica

A Negroes Dance in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/8 x 15 3/4 inches (33.4 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. View of the Old Corn Market and Tuns Inn, Guildford

View of the Old Corn Market and Tuns Inn, Guildford
Creator:
Print made by Robert Havell, 1769–1832
Date:
1819
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 15 1/8 inches (29.7 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Games at Vauxhall: Playing at Cricket

Games at Vauxhall: Playing at Cricket
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
ca. 1743
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Oh Yes Believe Me. Love Has Eyes.

No cover image available
Creator:
William Heath, 1795–1840
Date:
undated
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 17 inches (28.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul and Anita Turner

57. Noon

No cover image available
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1930
Materials & Techniques:
Etching and drypoint on medium, moderately textured, greened white laid paper
Dimensions:
Sheet: 10 1/2 x 15 inches (26.6 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

58. St. Andrew's Castle in the Kingdom of Fife

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, smooth, cream laid paper
Dimensions:
Sheet: 18 5/8 x 14 13/16 inches (47.3 x 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

59. Founders Tomb, Winchester

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 7/8 x 14 15/16 inches (55.6 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery