Work Type: intaglio print / Width [cm]: 56 / Image Use: Free to Use

Francesco Bartolozzi, 1728–1815

Peasants Going to Market

1802

John Raphael Smith, 1752–1812

Bellsane and Parcival under the Enchantment of Urma

1782

Print made by Samuel Rawle, 1771–1860

Gibside, County of Durham

1819

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1822

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Francis David Soiron, Born 1764

St. James's Park

1790

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Shanklin Castle

1799

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by William Henry Boucher, 1842–1906

Over the Nuts and Wine!

1889

Thomas Girtin, 1775–1802

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

1803

George Vertue, 1684–1756

Mary, Queen of France / Charles Brandon, Duke of Suffolk

1748

Henry Papprill, 1816–d.after 1883

This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

1842

Print made by James Basire the younger, 1769–1822

Plate XI: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Morton, active 1767

Elevation of the Front for the Register Offices in Scotland

1767

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

1802

Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

1803

Thomas Girtin, 1775–1802

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

1802

Thomas Girtin, 1775–1802

View of the Gate of St. Denis taken from the Suburbs

1802

Print made by Charles West Cope, 1811–1890

W. Mulready RA

1863

Robert Pollard, 1755–1838

View of Grosvenor Square

1789

Print made by James Basire, 1730–1802

Plate XII: St Stephen's Chapel

1795

Print made by Thomas Talbot Bury, 1811–1877

Elevation of the River Front

ca. 1835

Print made by James Mason, 1710–1783

A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

1778

Print made by Sir Hubert von Herkomer, 1849–1914

The Lady in White

ca. 1885

George Vertue The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

George Vertue, 1684–1756

The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

1742

Print made by Frederick Stacpoole, 1813–1907

The Palm Offering

1868

Print made by Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Sir Muirhead Bone, 1876–1953

Piccadilly Circus

1915

William Sherwin, 1645–1711

Barbara Duchess of Cleaveland as a Shepherdess

1670

Print made by John Young, 1755–1825

A Woman Swearing her Child to a Grave Citizen

1816

Print made by Richard Earlom, 1743–1822

Thomas King and Mrs. Baddeley

1772

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Theatrum Sive Coliseum Romanum

1538

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

after George Vertue, 1684–1756

The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

1738

William Say, 1768–1834

Mrs. Siddons

1810

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre & Taken from Pont Marie

1802

Print made by John Young, 1755–1825

The Setting Sun

1790

Print made by William Say, 1768–1834

The Cottar's Door

1802

Johannes Tangena, active 1687–1692

William of Orange Leaving Hellevoetsluis for England

1688

Paul Sandby, 1731–1809

The Romans Polite to Strangers

ca. 1781

Print made by Pierre Charles Canot, ca. 1710–1777

Morning

1745

James Mason, 1710–1783

A View of Plymouth Fort and St. Nicholas Island

undated

James Mason, 1710–1783

View of Mount Edgecumbe from the Blockhouse

undated

William Ward, 1766–1826

Sailors Conversation

1802

Robert Pollard, 1755–1838

Edwin and Angelina

1785

Robert Pollard, 1755–1838

The Hermitage of Warkworth

1787

William Ward, 1766–1826

Sailors Conversation

1802

Thomas Malton the Younger, 1748–1804

The Great Court and Chapel of Trinity College in the University of Cambridge

1798

Print made by Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Thomas Malton the Younger, 1748–1804

The East Front of the Library of Trinity College in the University of Cambridge

1800

James Mason, 1710–1783

The Lodge and Stables, &c. at Windsor Great Park

1772

Print made by William Strang, 1859–1921

The Sieve Mender

1884

John Raphael Smith, 1752–1812

The Silver Age

1778

James Ward, 1769–1859

Rustic Felicity

undated

Abraham Raimbach, 1784–1868

The Parish Beadle

1834

Henry Papprill This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

Henry Papprill, 1816–d.after 1883

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

1842