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1. High Street, Oxford

High Street, Oxford
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1812
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. High Street, Oxford

High Street, Oxford
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1811
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Resurrection of the Dead

The Resurrection of the Dead
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

7. Saturday Night

Saturday Night
Creator:
Print made by Henry Lemon, 1823–1882
Date:
ca. 1850
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 22 1/16 × 26 inches (56 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

8. The Death of Chatterton

The Death of Chatterton
Creator:
Print made by Thomas Oldham Barlow, 1824–1889
Date:
1860
Materials & Techniques:
Mezzotint and stipple engraving on thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 26 3/4 × 39 3/8 inches (67.9 × 100 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan

9. Lion and Snake

Lion and Snake
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1799
Materials & Techniques:
Mezzotint, etching, and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 24 inches (48.9 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Vulture and Lamb

Vulture and Lamb
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1799
Materials & Techniques:
Mezzotint, etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 24 1/8 inches (49.2 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Untitled (Plate 2)

Untitled (Plate 2)
Creator:
Marc Quinn, born 1964
Date:
1995
Materials & Techniques:
Two color soft-ground etching on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 37 1/2 × 30 3/8 inches (95.3 × 77.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Charles Booth-Clibborn

12. [Animals: an eagle with a dead pheasant, watched by a fox]

[Animals: an eagle with a dead pheasant, watched by a fox]
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1799
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 24 1/4 inches (49.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Dover Castle

Dover Castle
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Review of the Queens Own Regiment of the Yeomanry Cavalry

The Review of the Queens Own Regiment of the Yeomanry Cavalry
Creator:
Henry Papprill, 1816–d.after 1883
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Brothers of Joseph Showing his Bloody Coat

The Brothers of Joseph Showing his Bloody Coat
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1782
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 9/16 × 25 3/4 inches (54.8 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Rear Admiral Sir Charles Douglas

Rear Admiral Sir Charles Douglas
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 7/8 x 24in. (37.8 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

17. Dido and Aeneas; The Morning of the Chase

Dido and Aeneas; The Morning of the Chase
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 3/8 × 28 inches (56.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Newbus Ox

The Newbus Ox
Creator:
Print made by William Ward, 1766–1826
Date:
1812
Materials & Techniques:
Mezzotint with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/8 × 24 1/8 inches (51.1 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Tiger and Crocodile

Tiger and Crocodile
Creator:
Print made by Charles Turner, 1774–1857
Date:
1799
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 24 inches (48.9 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Ladies Waldegrave

The Ladies Waldegrave
Creator:
Print made by Valentine Green, 1739–1813
Date:
1781
Materials & Techniques:
Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 5/8 × 24 1/8 inches (52.4 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. The Sleeping Nymph

The Sleeping Nymph
Creator:
Print made by William Ward, 1766–1826
Date:
1808
Materials & Techniques:
Mezzotint (only state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 11/16 × 24 13/16 inches (52.5 × 63 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. Hiram King of Tyre, Sends Presents to King Solomon

Hiram King of Tyre, Sends Presents to King Solomon
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1790
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. Joseph Sold by his Brethren

Joseph Sold by his Brethren
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1782
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 25 inches (54.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Andromache Bewailing the Death of Hector

Andromache Bewailing the Death of Hector
Creator:
Domenico Cunego, 1726–1803
Date:
1764
Materials & Techniques:
Line engraving
Dimensions:
Plate: 15 7/8 x 24 1/8in. (40.3 x 61.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman

27. The Truants

The Truants
Creator:
William Ward, 1766–1826
Date:
1796
Materials & Techniques:
Mezzotint, in color on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 25 15/16 inches (51.8 × 65.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Soldier's Widow; or Schoolboys' Collection

The Soldier's Widow; or Schoolboys' Collection
Creator:
Robert Dunkarton, 1744–1811
Date:
ca. 1802
Materials & Techniques:
Mezzotint, colored impression
Dimensions:
Plate: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:
Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving; earliest engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/8 × 25 1/8 inches (46.7 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; engraver's proof (c), touched on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Boy Employed in Burning Weeds

A Boy Employed in Burning Weeds
Creator:
James Ward, 1769–1859
Date:
1799
Materials & Techniques:
Mezzotint on moderately thick, moderataly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 25 3/16 inches (51.8 × 64 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Boy Employed in Burning Weeds

A Boy Employed in Burning Weeds
Creator:
James Ward, 1769–1859
Date:
1793
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 25 7/8 inches (53.3 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

The Interview Between Edgar and Elfreda After Her Marriage with Athelwood
Creator:
William Wynne Ryland, 1732–1783
Date:
1786
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/8 × 24 3/16 inches (48.6 × 61.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders.

Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders.
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1857
Materials & Techniques:
Aquatint, hand-colored on thick, smooth, beige wove paper
Dimensions:
Sheet: 22 7/16 × 30 3/8 inches (57 × 77.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Distress'd Situation of the Dutton East Indiaman

The Distress'd Situation of the Dutton East Indiaman
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1796
Materials & Techniques:
Etching, aquatint, and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 7/8 × 26 1/2 inches (50.5 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Hay Makers

Hay Makers
Creator:
William Ward, 1766–1826
Date:
1793
Materials & Techniques:
Colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/16 × 25 1/4 inches (51 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Citizens Retreat

The Citizens Retreat
Creator:
William Ward, 1766–1826
Date:
1796
Materials & Techniques:
Mezzotint, colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 5/16 × 26 3/16 inches (51.6 × 66.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Parish Beadle

The Parish Beadle
Creator:
Abraham Raimbach, 1784–1868
Date:
1834
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Encampment at Farnham near St. Edmund's Bury

Encampment at Farnham near St. Edmund's Bury
Creator:
Charles Tomkins, 1757–1823
Date:
1782
Materials & Techniques:
Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 26 1/2 inches (42.2 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Rural Cott

The Rural Cott
Creator:
William Woollett, 1735–1785
Date:
1797
Materials & Techniques:
Engraving; proof on moderately thick, slightly textured, cream wove paper, with chine collé
Dimensions:
Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A View of the New Bridge Over the Thames at Walton in Surrey

A View of the New Bridge Over the Thames at Walton in Surrey
Creator:
Anthony Walker, 1726–1765
Date:
1750
Materials & Techniques:
Colored engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Benevolent Heir or The Tenant Restored to his Family

The Benevolent Heir or The Tenant Restored to his Family
Creator:
Haveill Gillbank, 18th–19th centuries
Date:
1803
Materials & Techniques:
Engraving, mixed method
Dimensions:
Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Rapacious Steward or Unfortunate Tenant

The Rapacious Steward or Unfortunate Tenant
Creator:
Haveill Gillbank, 18th–19th centuries
Date:
1803
Materials & Techniques:
Engraving, mixed method
Dimensions:
Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Tivoli

Tivoli
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1800
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/8 × 27 11/16 inches (58.7 × 70.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. A View of the Great Room, etc. at Hall-Barn

A View of the Great Room, etc. at Hall-Barn
Creator:
William Woollett, 1735–1785
Date:
1760
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. A View of Part of the Garden at Hall Barn

A View of Part of the Garden at Hall Barn
Creator:
William Woollett, 1735–1785
Date:
1760
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Londres. Vue Prise de la Tour de l'Eglise de St. Paul
Creator:
Print made by Henry Walter, 1786–1849
Date:
1860
Materials & Techniques:
Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth

Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth
Creator:
William Ward, 1766–1826
Date:
1794
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 23 5/8 × 32 11/16 inches (60 × 83 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Summit of Cader Idris Mountain

The Summit of Cader Idris Mountain
Creator:
Edward Rooker, 1724–1774
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth
Creator:
R. F. Tringham
Date:
ca.1762
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 23 7/8 inches (47.6 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Blenheim House

Blenheim House
Creator:
J. Mynde, active 1740–1770
Date:
undated
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Mount: 17 1/4 × 24 inches (43.8 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Royal Palace of Windsor

The Royal Palace of Windsor
Creator:
Thomas Major, 1714–1799
Date:
1745
Materials & Techniques:
Engraving on medium, slightly textured, beige laid paper
Dimensions:
Mount: 17 1/4 × 24 inches (43.8 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. A Shipwreck

No cover image available
Creator:
Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:
1825
Materials & Techniques:
Etching and aquatint; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. A Shipwreck

No cover image available
Creator:
Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:
1825
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Italy - Childe Harold's Pilgrimage

No cover image available
Creator:
Print made by unknown artist
Date:
between 1852 and 1856
Materials & Techniques:
Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:
Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Loop

No cover image available
Creator:
Alan Johnston, born 1945
Date:
1994
Materials & Techniques:
Etching and drypoint on 225gsm Zerkall Halbmatt white wove paper
Dimensions:
Sheet: 19 3/4 × 24 inches (50.2 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Charles Booth-Clibborn

59. Propagation of a Lie (Left)

No cover image available
Creator:
Print made by William Dickinson, 1746–1823
Date:
1794
Materials & Techniques:
Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:
Sheet: 11 13/16 × 23 13/16 inches (30 × 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of William S. Konecky

60. America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People.

No cover image available
Creator:
Print made by Joseph Strutt, 1749–1802
Date:
1781
Materials & Techniques:
Stipple engraving printed in brown ink
Dimensions:
Sheet: 19 × 24 inches (48.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

61. Morning Amusement

No cover image available
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
1796
Materials & Techniques:
Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/8 × 24 inches (48.6 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

62. Scene in a Country Town at Time of a Race

No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1789
Materials & Techniques:
Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/4 inches (50.8 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. Saturday Evening, the Husbandman's Return From Labour

No cover image available
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 20 5/8 × 24 3/16 inches (52.4 × 61.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1858
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Building the Victoria and Albert Museum

No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
1904
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 22 1/8 × 31 inches (56.2 × 78.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. Stillman Kuhns

66. The Forum, Rome

No cover image available
Creator:
Print made by William Walcot, 1874–1943
Date:
1919
Materials & Techniques:
Etching, drypoint, and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 5/8 × 30 3/8 inches (65.1 × 77.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery