Work Type: intaglio print / Subject Terms: mountains - YCBA Collections Search Search Results

1. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

9. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 15 3/4 inches (27 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Sentinel

Creator:: Print made by Richard Ansdell, 1815–1885
Date:: 1857
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, cream card
Dimensions:: Sheet: 5 7/16 × 8 inches (13.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Morning

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Val d'Aosta

Creator:: Print made by Alfred Dawson, active 1860–1894
Date:: 1885
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 14 1/2 inches (26.2 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

28. Tan-y-Bwlch, Merionethshire, North Wales

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1810 and 1817
Materials & Techniques:: Soft-ground etching on medium, rough, dark blue wove paper
Dimensions:: Sheet: 7 1/8 x 9 inches (18.1 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Cader Idris

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1824 and 1830
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Castle Above a Waterfall

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Soft-ground etching on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 7 x 5 3/16 inches (17.8 x 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Harlech Castle

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Shepherdess

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Bouvignes and Dinant

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Bouvignes and Dinant

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Coastal Scene

Creator:: Jonathan Girtin, ca.1780–aft.1820
Date:: undated
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 13 3/8 inches (23.7 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. The Betrayal of Christ

Creator:: Print made by William Faithorne, ca. 1620–1691
Date:: 1653
Materials & Techniques:: Line engraving with stipple engraving on moderately thick, slightly textured cream laid paper
Dimensions:: Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Ten Needle-Box Prints

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: undated
Materials & Techniques:: Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Barmouth, Merionethshire

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Aquatint with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 15/16 inches (26.8 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

43. Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Creator:: Print made by Thomas Burke, 1749–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 19 5/8 x 14 13/16 inches (49.8 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Noon

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/16 x 21 1/4 inches (38.3 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Night and a Ship on Fire

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 15/16 x 21 7/16 inches (37.9 x 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Robert Burns

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1830
Materials & Techniques:: Mezzotint, published state
Dimensions:: Plate: 20 1/2 x 16 7/16in. (52.1 x 41.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Sportsman

Creator:: Print made by John Browne, 1741–1801
Date:: 1775
Materials & Techniques:: Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Classical Landscape with Travellers, a Dog and House on the left

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1741
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 × 15 1/4 inches (30.5 × 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:: Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Italian Peasants - Tryoliean Waltz.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on cream card
Dimensions:: Image: 4 5/16 x 6 3/8 inches (11 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Balmoral Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Palace of the Stuarts

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

56. Dinant [Belgian Set: No. 9]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/4 inches (26.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

57. A Valley of the Ardennes [Belgian Set: No. 10]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

58. Inverlochy

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1914
Materials & Techniques:: Drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. The Four Elements

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. The Triumph of Galatea

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: 1701
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 9 7/8 inches (43.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Endymion and Diana

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 7 1/16 inches (22.5 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Miss Morris as 'Hope Nursing Love'

Creator:: Print made by Edward Fisher, 1722–1785
Date:: 1771
Materials & Techniques:: Mezzotint ( 2nd state ) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 19 1/4 inches (67.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Master Philip Yorke

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 9 5/8 inches (32.4 × 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Tobit and the Angel

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 6 3/4 inches (21.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Augustus

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 x 7 9/16 inches (25.6 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Oak

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Spruce Fir

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Dudley Priory in Worcestershire, Plate 2

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Two Geese and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds the Life by Mr. Francis Barlow' 1731 (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1731
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 5/16 inches (28.8 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Cape of Good Hope

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Fort St. George

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Dunvalanree

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching and drypoint on thin, slightly textured, beige Asian paper
Dimensions:: Sheet: 11 5/16 x 8 7/16 inches (28.7 x 21.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

80. The Summit of Cader Idris Mountain

Creator:: Print made by Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 20 7/16 inches (39.4 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Snowden Hill

Creator:: William Woollett, 1735–1785
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Cephalus and Procris

Creator:: Print made by Thomas Burke, 1749–1815
Date:: 1783
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 11/16 x 11 inches (19.6 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Red-Scar, the Residence of William Cross, Esquire

Creator:: Thomas Higham, 1796–1844
Date:: 1832
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Celadon and Amelia

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Lough Foyle, Londonerry

Creator:: John J. Hinchliff, 1805–1875
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/16 × 7 3/8 inches (16.4 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Benevento, Kingdom of Naples

Creator:: Print made by Charles Heath, 1785–1848
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Solway at Midday

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 6 3/4 × 13 inches (17.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

89. In Silent Waters

Creator:: Print made by Charles William Cain, 1893–1962
Date:: 1921
Materials & Techniques:: Drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.3 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

90. Evening Calm

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 9 13/16 x 15 5/16 inches (25 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

91. Arran Peaks

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1912
Materials & Techniques:: Drypoint with etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 15 1/4 inches (28.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

92. Strathearn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1917
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 15 1/4 inches (21.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

93. A Landscape, with the Story of Apollo and Marsyas

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1775
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

94. A Landscape

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1817
Materials & Techniques:: Mezzotint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 16 9/16 inches (27.4 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

95. A Study

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1817
Materials & Techniques:: Mezzotint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 16 9/16 inches (26.8 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

96. A Study

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1810
Materials & Techniques:: Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 10 3/8 inches (43 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

97. The Nile

Creator:: Robert Charles Goff, 1837–1922
Date:: 1897
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 8 5/8 inches (18.5 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

98. Cascine, Florence

Creator:: Robert Charles Goff, 1837–1922
Date:: 1906
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/16 x 13 1/4 inches (24 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

99. A Salmon River, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1884
Materials & Techniques:: Etching and mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 11/16 x 11 1/8 inches (19.5 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery

100. St. Botolph's Bridge No. 1

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 4th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 inches (23.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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Work Type intaglio print

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1. The Homeward Star

2. The Homeward Star

3. Opening the Fold

4. The Bellman

5. The Bellman

6. The Homeward Star

7. The Homeward Star

8. The Early Ploughman

9. The Bellman

10. Opening the Fold

11. Opening the Fold

12. The Early Ploughman

13. The Early Ploughman

14. The Early Ploughman

15. Opening the Fold

16. The Early Ploughman

17. Apuleia in Search of Apuleius

18. The Woman and Tambourine

19. Mt. St. Gothard

20. Mt. St. Gothard

21. Mt. St. Gothard

22. 'Love, and love only, is the loan for love' (Page 37)

23. 'Love, and love only, is the loan for love' (Page 37)

24. The Sentinel

25. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

26. Morning

27. Val d'Aosta

28. Tan-y-Bwlch, Merionethshire, North Wales

29. Cader Idris

30. Castle Above a Waterfall

31. Harlech Castle

32. A Shepherdess

33. Meuse and Sambre, from the Gate of the Sambre

34. Left Bank, Meuse

35. Meuse and Sambre, from the Gate of the Sambre

36. Left Bank, Meuse

37. Bouvignes and Dinant

38. Bouvignes and Dinant

39. Coastal Scene

40. The Betrayal of Christ

41. Ten Needle-Box Prints

42. Barmouth, Merionethshire

43. Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

44. Noon

45. Night and a Ship on Fire

46. Robert Burns

47. The Sportsman

48. Florence, from the Chiesa al Monte

49. Classical Landscape with Travellers, a Dog and House on the left

50. Balmoral Castle

51. Balmoral Castle

52. Eight Rural Subjects

53. Italian Peasants - Tryoliean Waltz.

54. Balmoral Castle

55. The Palace of the Stuarts

56. Dinant [Belgian Set: No. 9]

57. A Valley of the Ardennes [Belgian Set: No. 10]

58. Inverlochy

59. The Four Elements

60. The Triumph of Galatea

61. Endymion and Diana

62. The Soul Hovering over the Body reluctantly Parting with Life

63. The Soul Exploring the Recesses of the Grave

64. Miss Morris as 'Hope Nursing Love'

65. Master Philip Yorke

66. Balmoral Castle

67. Pomare, Queen of Tahiti

68. George Pritchard, Her Britannic Majesty's Consul

69. Tobit and the Angel

70. Augustus

71. Oak

72. Spruce Fir

73. Dudley Priory in Worcestershire, Plate 2

74. Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)