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1001. The Painted Chamber, Westminster

The Painted Chamber, Westminster
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1002. Exterior of Painted Chamber, North View

Exterior of Painted Chamber, North View
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Line engraving and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 3 1/2 inches (11.1 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1003. Vol. 6, Plate XXVII: The Painted Chamber

Vol. 6, Plate XXVII: The Painted Chamber
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1004. Vol. 6, Plate XXIX

Vol. 6, Plate XXIX
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 21 7/8 × 15 1/8 inches (55.6 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1005. Vol. 6, Plate XXVIII

Vol. 6, Plate XXVIII
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1006. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1007. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1008. Vol. 6, Plate XXXII: The Story of Hezekiah.

Vol. 6, Plate XXXII: The Story of Hezekiah.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1009. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1010. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:
Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1011. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1012. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1013. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1014. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Creator:
Print made by James Basire II, 1769–1822
Date:
after 1819
Materials & Techniques:
Hand colored engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1015. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1016. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1017. The House of Lords, as Restored after the Fire

The House of Lords, as Restored after the Fire
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 7 13/16 inches (24.9 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1018. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1019. House of Lords, Her Majesty Opening the Session of Parliament

House of Lords, Her Majesty Opening the Session of Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
ca. 1837
Materials & Techniques:
Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1020. Plate XXXVIII: House of Lords, as Fitted up in 1835

Plate XXXVIII: House of Lords, as Fitted up in 1835
Creator:
Print made by T. Clarke, 1799–1839
Date:
1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1021. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1022. Exterior & Interior Views of the Painted Chamber & Old House of Lords

Exterior & Interior Views of the Painted Chamber & Old House of Lords
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1023. The Houses of Lords and Commons

The Houses of Lords and Commons
Creator:
Print made by Miss Mary Byrne, 1776–1846
Date:
1815
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1024. The Parliament House, from Old Palace Yard, Westminster

The Parliament House, from Old Palace Yard, Westminster
Creator:
Print made by William Deeble, active 1814–1849
Date:
1829
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 4 15/16 × 7 inches (12.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1025. The King's Entrance to the House of Lords, From Poets Corner

The King's Entrance to the House of Lords, From Poets Corner
Creator:
Print made by William Deeble, active 1814–1849
Date:
1829
Materials & Techniques:
Line engraving on smooth, medium white wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/2 inches (13 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1026. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1027. Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1028. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
Creator:
Print made by unknown artist
Date:
1834
Materials & Techniques:
Lithograph on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1029. Houses of Parliament

Houses of Parliament
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1030. New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
ca. 1835
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1031. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1032. The North Prospect of Westminster Abbey

The North Prospect of Westminster Abbey
Creator:
Print made by John Collins, active ca. 1682
Date:
between 1680 and 1710
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1033. The South-East Prospect of King Henry The VII's Chapel at Westminster

The South-East Prospect of King Henry The VII's Chapel at Westminster
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Line engraving on moderately textured, medium, white laid paper
Dimensions:
Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1034. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Etching, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 14 13/16 inches (37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1035. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1036. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1037. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1038. Marriage of Henry the seventh

Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1039. Henry the Seventh's Chapel

Henry the Seventh's Chapel
Creator:
Print made by Edward Rooker, 1724–1774
Date:
undated
Materials & Techniques:
Etching on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1040. View of the East End of Henry VIIth Chapel as Restored in 1813

View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1041. Henry VII Chapel (Exterior)

Henry VII Chapel (Exterior)
Creator:
Print made by unknown artist
Date:
ca. 1890
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1042. Henry VII's Shrine

Henry VII's Shrine
Creator:
Print made by Herbert Railton, 1857–1910
Date:
ca. 1890
Materials & Techniques:
Etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1043. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Creator:
Print made by James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1044. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Creator:
Print made by John Carter, 1748–1817
Date:
1791
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1045. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1046. Footbridge over the Wiley

Footbridge over the Wiley
Creator:
Print made by Richard Samuel Chattock, 1825–1906
Date:
1884
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16in. (31.4 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1047. Fishing Boats at Hastings

Fishing Boats at Hastings
Creator:
Print made by James Dobie, 1849–1911
Date:
1882
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1048. Battersea Reach

Battersea Reach
Creator:
James McNeill Whistler, 1834–1903
Date:
1863
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1049. The "Adam and Eve," Old Chelsea

The "Adam and Eve," Old Chelsea
Creator:
James McNeill Whistler, 1834–1903
Date:
1879
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 13 3/4 inches (22.2 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1050. The Fighting Téméraire

The Fighting Téméraire
Creator:
Print made by Henry Robert Robertson, 1839–1921
Date:
ca. 1887
Materials & Techniques:
Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 22 × 29 1/4 inches (55.9 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968

1051. Woolwich

Woolwich
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
between 1820 and 1835
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/16 x 7 11/16 inches (16.1 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable

1052. Patie Rebukes Roger

Patie Rebukes Roger
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1053. Bauldy and Mause

Bauldy and Mause
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1054. Peggy Advocates a Sweetheart

Peggy Advocates a Sweetheart
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1055. Glaud and Symon

Glaud and Symon
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1056. Black Lion Wharf

Black Lion Wharf
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint on thin, slightly textured, beige China paper
Dimensions:
Sheet: 9 1/8 × 14 inches (23.1 × 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1057. Tilbury

Tilbury
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 6 15/16 inches (8.3 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1058. Peggy and Patie

Peggy and Patie
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1059. Sir William Worthy and Patie

Sir William Worthy and Patie
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1060. Patie and Peggy

Patie and Peggy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1061. Bauldy, Symon and Sir William Worthy

Bauldy, Symon and Sir William Worthy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1062. Jenny and Roger

Jenny and Roger
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1063. Sir William Worthy's Blessing

Sir William Worthy's Blessing
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1064. Glaud and Peggy

Glaud and Peggy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1065. Craigievar Castle

Craigievar Castle
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1908
Materials & Techniques:
Drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 1/8 x 14 7/16 inches (25.7 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1066. Madge and Bauldy

Madge and Bauldy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1067. Monzie

Monzie
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
undated
Materials & Techniques:
Drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 17 1/16 inches (30.7 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1068. Edward Courtney, Earl of Devonshire

Edward Courtney, Earl of Devonshire
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 9 3/16 inches (30.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1069. Crofton Hall, Yorkshire

Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1070. Crofton

Crofton
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1071. Crofton

Crofton
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 x 17 3/16 inches (29.4 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1072. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, creame wove paper
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1073. Traitor's Gate, Tower of London

Traitor's Gate, Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1074. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 × 6 3/4 inches (30.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1075. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1076. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1077. Loch Leven Castle

Loch Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836-1837
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1078. Loch Leven Castle

Loch Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836-1837
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1079. Loch Leven Castle

Loch Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836-1837
Materials & Techniques:
Etching and engraving with chine-collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 14 3/8 inches (27.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1080. Loch Leven Castle

Loch Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836-1837
Materials & Techniques:
Etching and engraving with graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1081. Rievaulx Abbey

Rievaulx Abbey
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
1834-1856
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1082. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1083. Crossing the Brook

Crossing the Brook
Creator:
Print made by William Richardson, active 1842–1877
Date:
between 1859 and 1861
Materials & Techniques:
Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/2 × 11 3/4 inches (39.4 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1084. Rievaulx Abbey

Rievaulx Abbey
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
1834-1836
Materials & Techniques:
Etching and engraving; engraver's proof on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1085. Ticket to Westminster Abbey

Ticket to Westminster Abbey
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
before 1791
Materials & Techniques:
Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1086. Ticket to Concert of Ancient Vocal and Instrumental Music

Ticket to Concert of Ancient Vocal and Instrumental Music
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1087. By Twickenham

By Twickenham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 15/16 inches (24.8 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

1088. Old Hungerford Bridge

Old Hungerford Bridge
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Boris I. Bittker

1089. Interior of the Chapel of the Holy Trinity

Interior of the Chapel of the Holy Trinity
Creator:
Print made by Thomas Dale, active ca. 1921
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 9 5/8 inches (32 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

1090. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

1091. View of the Front of the New Public Buildings, Guildford

View of the Front of the New Public Buildings, Guildford
Creator:
Print made by Robert Havell, 1769–1832
Date:
1819
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1092. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1093. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1094. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1095. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1096. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1097. The Highland Ferry, Scotland

The Highland Ferry, Scotland
Creator:
Print made by Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 18 1/8 inches (31.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

1098. Monitors

Monitors
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 5 5/8 × 8 11/16 inches (14.3 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1099. Bunting

Bunting
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 x 4 7/8 inches (17.7 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1100. Troop Ships

Troop Ships
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on medium, slightly textured, greened white laid paper
Dimensions:
Sheet: 5 1/8 × 6 7/8 inches (13 × 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943