Work Type: intaglio print - YCBA Collections Search Search Results

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by Robert Brandard, 1805–1862

Rietz, near Saumur

1833

Print made by James Tibbits Willmore, 1800–1863

Montjen

1833

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by Robert Brandard, 1805–1862

St. Florent

1833

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by James Tibbits Willmore, 1800–1863

Montjen

1833

Print made by Robert Brandard, 1805–1862

Rietz, near Saumur

1833

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by Robert Brandard, 1805–1862

St. Florent

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1831

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1831

Print made by John Cousen, 1804–1880

Light Towers of the Hève

1834

Print made by James Tibbits Willmore, 1800–1863

Clairmont

1833

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1831

Print made by John Cousen, 1804–1880

Light Towers of the Hève

1834

Print made by Robert Wallis, 1794–1878

Havre, Tower of Francis I

1834

Print made by Robert Wallis, 1794–1878

Havre, Tower of Francis I

1834

Print made by James Baylis Allen, 1803–1876

Havre

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by Robert Brandard, 1805–1862

Graville

1834

Print made by Robert Wallis, 1794–1878

Havre, Tower of Francis I

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by James Tibbits Willmore, 1800–1863

Tancarville

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by Robert Brandard, 1805–1862

Château de Tancarville with Town of Quilleboeuf

1834

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by Robert Brandard, 1805–1862

La Chaise de Gargantua near Duclair

1834

Print made by James Tibbits Willmore, 1800–1863

Tancarville

1834

Print made by William Miller, 1796–1882

Rouen, Looking Down the River

1834

Print made by Thomas Higham, 1796–1844

Rouen Cathedral

1834

Print made by Thomas Higham, 1796–1844

Rouen Cathedral

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Thomas Higham, 1796–1844

Rouen Cathedral

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by James Tibbits Willmore, 1800–1863

Tancarville

1834

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

Print made by Robert Brandard, 1805–1862

Quilleboeuf

1834

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by John Cousen, 1804–1880

Château Gaillard, from the South

1835

Print made by John Cousen, 1804–1880

Château Gaillard, from the South

1835

Print made by John Cousen, 1804–1880

Château Gaillard, from the South

1835

Print made by James Tibbits Willmore, 1800–1863

Vernon

1835

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by James Tibbits Willmore, 1800–1863

Vernon

1835

Print made by James Tibbits Willmore, 1800–1863

Vernon

1835

Print made by John Cousen, 1804–1880

Château Gaillard, from the South

1835

Print made by James Tibbits Willmore, 1800–1863

Pont de l'Arche

1835

Print made by James Tibbits Willmore, 1800–1863

Pont de l'Arche

1835

Print made by James Tibbits Willmore, 1800–1863

Pont de l'Arche

1835

Print made by Robert Brandard, 1805–1862

View on the Seine, between Mantes and Vernon

1835

Print made by John Cousen, 1804–1880

Château Gaillard, from the South

1835

Print made by Robert Brandard, 1805–1862

View on the Seine, between Mantes and Vernon

1835

Print made by John Cousen, 1804–1880

Bridge of Meulan

1835

Print made by William Radclyffe, 1780–1855

Mantes

1835

Print made by James Tibbits Willmore, 1800–1863

Pont de l'Arche

1835

Print made by William Radclyffe, 1780–1855

Mantes

1835

Print made by John Cousen, 1804–1880

Bridge of Meulan

1835

Print made by John Cousen, 1804–1880

The Temptation on the Mountain

1835

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by William Miller, 1796–1882

Skiddaw

1834

Print made by William Miller, 1796–1882

Craigmillar Castle

1836

Print made by James H. Kernot, 1802–1858

Wolf's Hope

1836

Print made by William Finden, 1787–1852

Col. Mannering, Hazlewood, and the Smugglers

1836

Print made by Edward Goodall, 1795–1870

Summer Eve, the Rainbow

1837

Print made by Robert Wallis, 1794–1878

Sinai's Thunder

1837

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by Benjamin Green, ca. 1736–ca. 1800

A Flower Piece

1779

Print made by John Samuel Agar, ca. 1773–1858

Sir George Beaumont, Bart

1812

unknown artist

Henry Fuseli, Esq

1808

Print made by Alexander Bannerman, ca. 1730–1780

John Greenhill

1762

Print made by John Faber the Younger, ca. 1695–1756

The Housewife's Employment

undated

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

between 1769 and 1787

Print made by Francesco Bartolozzi, 1728–1815

Lady Gertrude, Marchioness of Halifax

1776

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Print made by Francesco Bartolozzi, 1728–1815

Dr. John Fothergill

1782

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 3

1757

Print made by Francesco Bartolozzi, 1728–1815

Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c

1781

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 4

1757

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Print made by Francesco Bartolozzi, 1728–1815

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 6

1757

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 2

1757

Print made by Peter P. Benazech, 1767–1794

For Japanning, Plate 5

1757

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Marc Quinn, born 1964

Untitled (Plate 3)

1995

after George Baxter, 1804–1867

The Death of Ananias

after 1855

Print made by T. Evans, active 19th century

Horatio Walpole, Earl of Orford

ca. 1811

after George Baxter, 1804–1867

The Miraculous Draught of Fishes

after 1855

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