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The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:
Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St Paul Preaching in Athens
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:
Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shakespeare and His Friends at the Mermaid Tavern
Creator:
Print made by James Faed Sr., 1821–1911
Date:
1850
Materials & Techniques:
Engraving on thick beige slightly textured wove paper
Dimensions:
Sheet: 29 x 34 inches (73.7 x 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
Mr. Wilkinson as Michael in Free & Easy
Creator:
Print made by Robert Cooper, active ca. 1800–1836
Date:
1822
Materials & Techniques:
Stipple engraving, line engraving, and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 11/16 × 7 11/16 inches (27.1 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
Saturday Night
Creator:
Print made by Henry Lemon, 1823–1882
Date:
ca. 1850
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 22 1/16 × 26 inches (56 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
Chairs to Mend
Creator:
Print made by unknown artist
Date:
1812
Materials & Techniques:
Engraving on medium cream slightly textured laid paper
Dimensions:
Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
Who'll Have a Crown - Now's Your Time
Creator:
Print made by William Heath, 1795–1840
Date:
1830
Materials & Techniques:
Etching, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 3/4 x 15 1/4 inches (27.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
View between the Roofs of King's College Chapel
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1836
Materials & Techniques:
Etching on moderately thick, textured, brown wove paper
Dimensions:
Sheet: 10 11/16 × 16 1/2 inches (27.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

10215. Octopus

Octopus
Creator:
Print made by Graham Vivian Sutherland, 1903–1980
Date:
1979
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 28 3/4 x 21 1/2 inches (73 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961
An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754
Creator:
Print made by workshop of Mark Catesby, 1682–1749
Date:
1754
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
Creator:
Print made by Mark Catesby, 1682–1749
Date:
1754
Materials & Techniques:
Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768
Creator:
Print made by Adam Ludwig Wirsing, 1733–1797
Date:
1768
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 14 inches (50.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Creator:
Print made by William Ward, 1766–1826
Date:
December 1, 1801
Materials & Techniques:
Color printed mezzotint with hand coloring in waterclor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 1/2 x 18 3/8 inches (57.2 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
Creator:
Print made by James Caldwall, 1739–1819
Date:
1800
Materials & Techniques:
Aquatint, stipple and line engraving with hand coloring on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/2 x 18 7/8 inches (59.7 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Creator:
Print made by Joseph Constantine Stadler, active 1780–1812
Date:
1800
Materials & Techniques:
Aquatint engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/8 x 16 1/4 inches (51.8 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
Creator:
Print made by Elizabeth Blackwell, died 1774
Date:
1737
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
Creator:
Print made by Elizabeth Blackwell, died 1774
Date:
1737
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
Edward Duke of Kent, Father of Her Majesty Queen Victoria
Creator:
Print made by unknown artist
Date:
after 1837
Materials & Techniques:
Line engraving with stipple on medium, smooth, white wove paper
Dimensions:
Sheet: 10 3/4 x 8 1/8 inches (27.3 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
Frederick William III King of Prussia
Creator:
Print made by Charles James Canton, active 19th century
Date:
1815
Materials & Techniques:
Etching hand-colored with watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
Wm. Fredk. King of Prussia (Frederick William III)
Creator:
Print made by unknown artist
Date:
1815
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 11 inches (34.3 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
Sweet China Oranges, Sweet China!
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 1/2 inches (43.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
between 1667 and 1723
Materials & Techniques:
Mezzotint with hand-coloring in watercolor and gouache on medium, moderately textured, cream laid paper mounted on card
Dimensions:
Mount: 13 5/8 x 10 1/4 inches (34.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

10231. New Mackrel

New Mackrel
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1795
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 3/8 inches (43.8 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Do you want any Matches?
Creator:
Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 13 3/8 inches (43.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Knives, Sissors and Razors to Grind
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 1/2 inches (42.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Milk Below Maids
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 13 1/2 inches (43.2 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Round and Sound Five Pence a Pund Duke Cherry's
Creator:
Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 3/8 inches (42.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old Chair to Mend
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 3/4 inches (43.8 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two bunches a penny Primroses, two bunches a penny
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 5/8 inches (43.5 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fresh gathered Peas. Young Hastings
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 1/2 inches (43.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Strawberries's Scarlet Strawberries
Creator:
Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 5/8 inches (43.8 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Turnips and Carrots
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A New Love Song only Ha' Penny a Piece
Creator:
Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 5/8 inches (43.5 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hot Spice Gingerbread, Smoking Hot
Creator:
Giovanni Vendramini, 1769–1839
Date:
1796
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 13 1/2 inches (43.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oxford Physic Garden
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1766
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 17 3/8 inches (33.7 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

10244. Eventide

Eventide
Creator:
Print made by Ernest Herbert Whydale, 1886–1954
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 7/8 x 12 inches (42.9 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

10245. Mrs. Musters

Mrs. Musters
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 24 1/2 × 15 1/16 inches (62.2 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Wright of New York, the Remarkable Modeller in Wax
Creator:
Print made by unknown artist
Date:
after 1775
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/4 x 4 3/4 inches (19.7 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Nancy Stiner
A Lady and Her Children Relieving a Cottager
Creator:
Engraved by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 × 21 3/4 inches (44 × 55.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Payne Galwey and Her son Charles
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
ca. 1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 13/16 × 11 inches (35.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Lady at Haymaking
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 19 7/8 x 14in. (50.5 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Love in Her Eyes Sits Playing
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 × 17 15/16 inches (41 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Carl August Struensee von Carlsbach
Creator:
Print made by Samuel Halle, 1824–1889
Date:
undated
Materials & Techniques:
Colored mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Mount: 20 1/2 × 15 inches (52.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from Mr. and Mrs. Robert van Marx, Yale B.A. 1950
Proverbs, Chapter VII, verses 7, 10, 13
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/16 inches (35.9 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Like Mistress, Like Maid
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1781
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
George the Third King of Great Britain &c &c &c
Creator:
Print made by William Woollett, 1735–1785
Date:
1763-1764
Materials & Techniques:
Line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
The Choir or The Nave, Washington Cathedral
Creator:
Print made by Joseph Pennell, 1860–1926
Date:
1923
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 19 inches (46.4 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
To the British Nation
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1836
Materials & Techniques:
Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 26 1/16 x 39 1/4 inches (66.2 x 99.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
The Death of Juliet
Creator:
Print made by unknown artist
Date:
unknown
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 5 1/2 inches (24.4 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
A Lecture on Gadding
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Etching, stipple engraving, and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/16 x 15 1/16 inches (46.9 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Maid - Une Pucelle
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1793
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Widow - Une Veuve
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 14 1/4 inches (49.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Finding things not exactly what he expected - Plate 2
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10263. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 x 3 1/4 inches (10.6 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. B seeking the Bubble reputation - Plate 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10267. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 x 3 1/16 inches (9.8 x 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece: The Progress of a Midshipman
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Pastoral Scene with Donkey
Creator:
Victor Marie Picot, 1744–1805
Date:
1777
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 17 inches (54.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Coronation Procession of George IV
Creator:
unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Palace Yard on the day of the Coronation of His Majesty George IV
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
1821
Materials & Techniques:
Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Westminster
Creator:
Print made by unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Hall
Creator:
unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevations and Plans of the Court of Kings Bench
Creator:
Print made by unknown artist
Date:
ca. 1827
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ceiling of the Star Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of the Star Chamber, Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1848
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Hall
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A view of the inside of Westminster Hall
Creator:
unknown artist
Date:
ca. 1700
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Illustrations of Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of Westminster Hall as Prepared for the Banquet
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Longitudinal Section of Westminster Hall
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eight Illustrations of Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South West view of St. Stephen's Chapel Westminster, Restored 1800
Creator:
Print made by James Basire II, 1769–1822
Date:
1801
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 6 9/16 inches (11.7 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
Creator:
Print made by John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
Creator:
Print made by William Francis Starling, active first half 19th century
Date:
1843
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.
Creator:
Print made by George Gladwin, active 1820s–1830s
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lower Lobby, House of Commons
Creator:
Print made by James Sands, active 1813–1846
Date:
1815
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Front of the Vestibule
Creator:
Print made by unknown artist
Date:
1843
Materials & Techniques:
Line engraving on smooth, thick, cream wove paper
Dimensions:
Sheet: 26 3/4 × 19 1/4 inches (68 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XIX: St Stephen's Chapel
Creator:
Print made by John Carter, 1748–1817
Date:
1811
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection