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801. North-West Front, Cassiobury

North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

802. North-West Front, Cassiobury

North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
aquatint, gray wash, 1st published state, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

803. Tours, looking backwards

Tours, looking backwards
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
undated
Materials & Techniques:
Aquatint, engraver's proof, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

804. A Country Churchyard. Verse from Gray's Elegy

A Country Churchyard. Verse from Gray's Elegy
Creator:
Marie C. Prestel, 1747–1794
Date:
1790
Materials & Techniques:
Aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 26 7/8 inches (54.6 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

805. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

806. Teignmouth

Teignmouth
Creator:
Print made by unknown artist
Date:
1836
Materials & Techniques:
Aquatint, Late state, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

807. Teignmouth

Teignmouth
Creator:
Print made by unknown artist
Date:
1836
Materials & Techniques:
aquatint, Late state, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

808. Captain Conquest and His Baggage Wagon

Captain Conquest and His Baggage Wagon
Creator:
Print made by John Goldar, 1729–1795
Date:
1772
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/16 x 8 1/8 inches (28.1 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

809. A Macarony Alderman and His Rib

A Macarony Alderman and His Rib
Creator:
Print made by James Caldwall, 1739–1819
Date:
1772
Materials & Techniques:
Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 x 7 13/16 inches (27.9 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

810. Egham

Egham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:
Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

811. Margate

Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

812. Deal

Deal
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1854
Materials & Techniques:
Mezzotint, engraver's proof (1854)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

813. Sidmouth

Sidmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (a) (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

814. Sidmouth

Sidmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

815. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (c)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

816. Portrait of a Man Wearing Turban

Portrait of a Man Wearing Turban
Creator:
Print made by Thomas Frye, 1710–1762
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 5/16 × 14 1/8 inches (51.6 × 35.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

817. Catwater, Entrance to Plymouth Sound

Catwater, Entrance to Plymouth Sound
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

818. Portrait of a Young Man Leaning on His Right Elbow

Portrait of a Young Man Leaning on His Right Elbow
Creator:
Print made by Thomas Frye, 1710–1762
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 5/16 × 13 15/16 inches (49.1 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

819. Bellsane and Parcival under the Enchantment of Urma

Bellsane and Parcival under the Enchantment of Urma
Creator:
John Raphael Smith, 1752–1812
Date:
1782
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/16 × 24 7/8 inches (48.4 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

820. Catwater, Entrance to Plymouth Sound

Catwater, Entrance to Plymouth Sound
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1854
Materials & Techniques:
Mezzotint, engraver's proof (1854)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

821. The Mighty Mother Sails Through the Air

The Mighty Mother Sails Through the Air
Creator:
Print made by Henry Fuseli, 1741–1825
Date:
1787
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 × 7 5/8 inches (26.2 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

822. Falmouth

Falmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

823. Calais Pier - the English Packet Arriving

Calais Pier - the English Packet Arriving
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper, mounted on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 23 1/4 × 39 1/8 inches (59.1 × 99.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

824. Falmouth

Falmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1856
Materials & Techniques:
Mezzotint, engraver's proof (1856)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

825. The Mill by the Sea

The Mill by the Sea
Creator:
Print made by Charles Henry Baskett, 1872–1953
Date:
1914
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 12 11/16 inches (18.6 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

826. Folkstone

Folkstone
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
ca. 1830
Materials & Techniques:
Mezzotint; 1879 impression
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

827. Clare Hall, Cambridge

Clare Hall, Cambridge
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Hand colored, aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

828. View of Arched Doorway

View of Arched Doorway
Creator:
Print made by Alfred East, 1849–1913
Date:
undated
Materials & Techniques:
Drypoint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 x 12 1/2 inches (29.2 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

829. Malmsbury Abbey

Malmsbury Abbey
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint, hand colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

830. Peterborough Cathedral

Peterborough Cathedral
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

831. Ramsgate

Ramsgate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Mezzotint, engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

832. Windsor Bridge

Windsor Bridge
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

833. Portsmouth

Portsmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828
Materials & Techniques:
Mezzotint, engraver's proof (d)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

834. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

835. Trio

Trio
Creator:
Print made by John Copley, 1875–1950
Date:
1940
Materials & Techniques:
Etching and drypoint with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 15 5/8 inches (35.9 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

836. Plymouth

Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, artist's proof (1856)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

837. Sidmouth

Sidmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828-1856
Materials & Techniques:
Mezzotint, engraver's proof (c)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

838. A View of the Fire in Covent Garden

A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

839. The Deluge

The Deluge
Creator:
Print made by J. P. Quilley, active 1828
Date:
1828
Materials & Techniques:
Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

840. Peterborough Cathedral

Peterborough Cathedral
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

841. Christ Church Cathedral, Oxford

Christ Church Cathedral, Oxford
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

842. Sheerness, As Seen From the Nore

Sheerness, As Seen From the Nore
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828
Materials & Techniques:
Mezzotint, engraver's Proof, before (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

843. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Cassiobury, Herfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

844. Autumn - Sowing Grain

Autumn - Sowing Grain
Creator:
Print made by John Hassell, 1767–1825
Date:
1812
Materials & Techniques:
open etching as published
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

845. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, hand colooring, later state, 1837 edition
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

846. Ramsgate

Ramsgate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Mezzotint, engraver's proof (between a&b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

847. Ramsgate

Ramsgate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Mezzotint, engraver's proof (d)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

848. Chelsea

Chelsea
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
ca. 1882
Materials & Techniques:
Etching and drypoint on thick, smooth, beige wove paper
Dimensions:
Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

849. Portsmouth

Portsmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828
Materials & Techniques:
Mezzotint, engraver's proof (c)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

850. Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Creator:
Print made by Hugh Downman, d. 1789
Date:
ca. 1787
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 19 × 13 1/4 inches (48.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

851. Virgin and Child

Virgin and Child
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
undated
Materials & Techniques:
Color-printed mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 23 3/8 × 18 1/4 inches (59.4 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

852. Ely

Ely
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

853. Birmingham

Birmingham
Creator:
Print made by James S. Storer, 1771–1853
Date:
1795
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

854. The Foundlings

The Foundlings
Creator:
Print made by François M. la Cave, active 1726–1766
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 8 3/8 inches (12.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

855. Westminster Bridge

Westminster Bridge
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

856. Peterborough

Peterborough
Creator:
Print made by James Walker, 1748–1808
Date:
1796
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

857. Bridgenorth

Bridgenorth
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

858. Gledhow

Gledhow
Creator:
Print made by George Cooke, 1781–1834
Date:
1816
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

859. Weymouth

Weymouth
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814-1826
Materials & Techniques:
Line engraving, etching and stipple engraving (intermediate state, between completed E.P. and 1st state) on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

860. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, smooth, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

861. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Line engraving and etching, first published state on thick, smooth, beige wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 17 5/8 inches (34.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

862. Margate

Margate
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1822
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

863. Margate

Margate
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1822
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

864. Margate

Margate
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

865. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

866. Ramsgate

Ramsgate
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

867. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

868. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

869. Boscastle, Cornwall

Boscastle, Cornwall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; steel engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/4 × 16 3/4 inches (31.1 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

870. Coombe-Martin, Devonshire

Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

871. Portsmouth, Hampshire

Portsmouth, Hampshire
Creator:
Print made by William Miller, 1796–1882
Date:
1825
Materials & Techniques:
Etching and line engraving; engraver's proof touched on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

872. Boscastle, Cornwall

Boscastle, Cornwall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; steel engraving; engraver's proof touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

873. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; intermediate engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/8 × 19 5/8 inches (33.3 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

874. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1825
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

875. Folkstone, Kent

Folkstone, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1825
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

876. Folkstone, Kent

Folkstone, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; late impression proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 18 3/4 inches (34.3 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

877. Folkstone, Kent

Folkstone, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

878. Folkstone, Kent

Folkstone, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1825
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

879. Mount Edgecomb, Devonshire

Mount Edgecomb, Devonshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

880. Dover from Shakespeare's Cliff

Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 17 3/4 inches (27.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

881. Dover from Shakespeare's Cliff

Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

882. Dover from Shakespeare's Cliff

Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

883. Views in Sussex, Publisher's Printed Wrapper

Views in Sussex, Publisher's Printed Wrapper
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and letterpress on medium, slightly textured, cream wove paper with chine-collé
Dimensions:
Sheet: 19 × 14 inches (48.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

884. Whitstable, Kent

Whitstable, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

885. The Spot where Harold Fell

The Spot where Harold Fell
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816 to 1820
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

886. Dover from Shakespeare's Cliff

Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/4 × 19 5/8 inches (32.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

887. The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.

The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 20 inches (33.7 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

888. The Observatory at Rosehill, Sussex

The Observatory at Rosehill, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

889. Vale of Heathfield, Sussex

Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

890. The Vale of Ashburnham

The Vale of Ashburnham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 20 3/8 inches (34.6 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

891. The Vale of Ashburnham

The Vale of Ashburnham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

892. Vale of Heathfield, Sussex

Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

893. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 14 7/8 inches (30.2 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

894. Hurstmonceux Castle

Hurstmonceux Castle
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

895. Bodiham Castle, Sussex

Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 14 1/4 inches (29.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

896. Winchelsea

Winchelsea
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816 to 1820
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 14 1/2 inches (53.3 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

897. The Ivy Bridge, Devonshire

The Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

898. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

899. Dartmoor; Source of the Tamar and the Torridge

Dartmoor; Source of the Tamar and the Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

900. Bodiham Castle, Sussex

Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving; modern impression on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection