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1. The String Quartet

The String Quartet
Creator:
Print made by Vanessa Bell, 1879–1961
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

2. A Haunted House

A Haunted House
Creator:
Print made by Vanessa Bell, 1879–1961
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

3. A Society

A Society
Creator:
Print made by Vanessa Bell, 1879–1961
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

4. An Unwritten Novel

An Unwritten Novel
Creator:
Print made by Vanessa Bell, 1879–1961
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

5. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Visions of the Daughters of Albion, Plate 2, Title Page

Visions of the Daughters of Albion, Plate 2, Title Page
Creator:
William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1789
Materials & Techniques:
Wood-engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Bernard Quaritch Ltd.

24. Jesus Driving the Moneychangers from the Temple (Latin)

Jesus Driving the Moneychangers from the Temple (Latin)
Creator:
Eric Gill, 1882–1940
Date:
1919
Materials & Techniques:
Wood-engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 3/16 inches (15.8 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

25. December

December
Creator:
Print made by Charles Shannon, 1863–1937
Date:
ca. 1897
Materials & Techniques:
Wood engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 × 5 3/4 inches (15.2 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

26. Water Mill

Water Mill
Creator:
Print made by Clare Leighton, 1898–1989
Date:
1941
Materials & Techniques:
Woodcut on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 3/4 × 7 3/8 inches (22.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

27. J’irai à la montagne

J’irai à la montagne
Creator:
Print made by Eric Gill, 1882–1940
Date:
printed 1982
Materials & Techniques:
Wood engraving with letterpress on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 × 5 inches (21.5 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Caroline Fearey Schimmel

28. The Republican Candidate

The Republican Candidate
Creator:
Print made by Hilary Paynter, born 1943
Date:
2016
Materials & Techniques:
Wood engraving on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Artist

29. The Grotto

The Grotto
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 7/8 inches (21.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

30. Dessert

Dessert
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

31. Interior

Interior
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

32. Still Life

Still Life
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

33. The Novel

The Novel
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

34. The London Garden

The London Garden
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 5 7/8 inches (21.6 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

35. The Striped Dress

The Striped Dress
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

36. Two Nudes

Two Nudes
Creator:
Print made by Roger Fry, 1866–1934
Date:
1921
Materials & Techniques:
Woodcut on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

37. Commemorative Stones of the Hindus

Commemorative Stones of the Hindus
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

38. The First Relief of Lucknow

The First Relief of Lucknow
Creator:
Print made by unknown artist
Date:
1888
Materials & Techniques:
Wood-engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

39. La diavolessa bianca!

La diavolessa bianca!
Creator:
Print made by Edward Anthony Carrick, 1905–1998
Date:
undated
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 11 x 8 inches (27.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

40. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Haddon Hall

Haddon Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Greenwich Hospital

Greenwich Hospital
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Newstead Abbey

Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Merry Tales of the Wise Man of Gotham

The Merry Tales of the Wise Man of Gotham
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 5 3/16 inches (13.7 x 13.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Girl Writing

Girl Writing
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 15/16 x 6 15/16 inches (20.2 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Three Men and Two Boys Sitting on a Pier

Three Men and Two Boys Sitting on a Pier
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 5 9/16 x 7 9/16 inches (14.2 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Girl Reading a Picture Book

Girl Reading a Picture Book
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19.1 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Two Girls, One Crying

Two Girls, One Crying
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 15/16 x 5 1/4 inches (20.2 x 13.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. A River (tail piece)

A River (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 7 1/2 inches (14.1 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Eaton Hall

Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Last Supper

The Last Supper
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
ca. 1854
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Hampton Court

Hampton Court
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Illustrations used for 17th Century Chapbook

Illustrations used for 17th Century Chapbook
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 5 5/16 inches (14 x 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Illustrations used for 17th Century Chapbook

Illustrations used for 17th Century Chapbook
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 x 3 7/16 inches (13.8 x 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Two Girls Under an Umbrella

Two Girls Under an Umbrella
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 9/16 x 7 5/16 inches (21.8 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Rabbits

Rabbits
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 6 7/8 inches (14.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Memorial Sheet for Peter Paul Pugin

Memorial Sheet for Peter Paul Pugin
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
1904
Materials & Techniques:
Black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Hot August

Hot August
Creator:
Print made by Charles Shannon, 1863–1937
Date:
1897
Materials & Techniques:
Chiaroscuro woodcut on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

65. The Captive Pegasus

No cover image available
Creator:
Print made by Charles Shannon, 1863–1937
Date:
1897
Materials & Techniques:
Chiaroscuro woodcut on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Donald and Willi Holden

66. House Painters

No cover image available
Creator:
Robert John Gibbings, 1889–1958
Date:
1921
Materials & Techniques:
Woodcut on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 x 6 7/8in. (27.9 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Bequest of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967

67. The Porch

No cover image available
Creator:
Print made by Charles Shannon, 1863–1937
Date:
1897
Materials & Techniques:
Chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 7 1/2 inches (25.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Eric Gustav Carlson, B.A. 1962

68. Hot August

No cover image available
Creator:
Print made by Charles Shannon, 1863–1937
Date:
1897
Materials & Techniques:
Chiaroscuro woodcut on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 7 1/2 inches (21.6 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Eric Gustav Carlson, B.A. 1962

69. December

No cover image available
Creator:
Print made by Charles Shannon, 1863–1937
Date:
1897
Materials & Techniques:
Woodcut on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/8 × 11 inches (36.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Eric Gustav Carlson, B.A. 1962

70. Hot August

No cover image available
Creator:
Print made by Charles Shannon, 1863–1937
Date:
1897
Materials & Techniques:
Chiaroscuro woodcut on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Donald & Willi Holden